Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan María Solare. By Juan María Solare. Arranged by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan María Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.

Choral Alto Voice,Baritone Horn TC,Bass Voice,Soprano voice,Tenor Voice - Level 5 - Interactive Download SKU: A0.480846 By Krewella (Product). By Andrew Goldstein, Jahan Yousaf, Nicholas Michael Furlong, and Yasmine Yousaf. Arranged by Addison Horner. This edition: Interactive Download. Pop. Octavo. Duration 182. Addison Horner #4sOuwW6uZ1Ja4Ahf3OiCLq. Published by Addison Horner (A0.480846). Key: E major.Enjoy this SATBB + Solo arrangement of Krewella's Marching On! Please feel free to edit this score to fit the style and sound of your group! If you're looking for custom arrangements through Noteflight, you can contact me at thehashtagmusician@gmail.com. This arrangement features splits in the Soprano and Alto parts.

Viola Solo - Level 3 - Digital Download SKU: A0.902982 By The Weeknd. By Abel Makkonen Tesfaye, Abel Tesfaye, Axel Hedfors, Carl Nordstrom, Kevin McCord, Martin Max, Max Martin, Oscar Holter, Oscar Thomas Holter, Sebastian Carmine Ingrosso, Sebastian Ingrosso, Steve Angello, and Steve Josefsson Fragogiannis. Arranged by Matt Luff. Pop,R & B. Individual part. 2 pages. Matt Luff #6690881. Published by Matt Luff (A0.902982).

Tuba quartet (EETT) - Grade 3 - Digital Download SKU: CX.CM0070 Composed by Various. Arranged by Douglas Minerd. Quartet music. 17 pages. Published by Cimarron Music Press - Digital (CX.CM0070). Sailing, Sailing; What Do You Do With a Drunken Sailor; Blow the Man Down; Asleep in the Deep; Ballochy Bill, The Sailor; Shenandoah.

Violin Solo - Level 3 - Digital Download SKU: A0.902981 By The Weeknd. By Abel Makkonen Tesfaye, Abel Tesfaye, Axel Hedfors, Carl Nordstrom, Kevin McCord, Martin Max, Max Martin, Oscar Holter, Oscar Thomas Holter, Sebastian Carmine Ingrosso, Sebastian Ingrosso, Steve Angello, and Steve Josefsson Fragogiannis. Arranged by Matt Luff. Pop,R & B. 2 pages. Matt Luff #6690879. Published by Matt Luff (A0.902981).

Composed by Angèle Terorotua, Jean-Pierre Célestin, Johanna Nouveau Patrick Amar, Louis Mamatui, and Maeva Bougues Irmine Tehei. Arranged by Keith Terrett. 20th Century, Patriotic, World. Score and parts. 12 pages. Keith Terrett #1955521. Published by Keith Terrett

Piano Solo - Digital Download SKU: A0.884603 By Alan Walker Ft. Au/Ra & Tomine Harket. By Alan Walker, Anders Froen, Andrew Frampton, Atle Pettersen, Fredrick Borch Olsen, Fredrik Borch Olsen, Gunnar Greve, James Daniel Nije Eriksen, James Eriksen, Jamie Stenzel, Jesper Borgen, Lars Rosness, Marcus Arnbekk, Tommy Laverdi, and William Larsen. Arranged by Gonzalo Gimenez. Contemporary. Score. 1 pages. Gonzalo Gimenez #5208925. Published by Gonzalo Gimenez (A0.884603). Darkside by Allan Walker arranged for solo piano.

Guitar - Advanced - Digital Download SKU: ZY.DO-1555 Composed by Stephen Goss. Score. 15 pages. Les Editions Doberman-Yppan (digital) #DO 1555. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1555). Pierrot, or Harlequin? (2023) is based on stock characters from the Italian commedia dell’arte tradition. Columbina has a choice of partner – Pierrot, or Harlequin? Or maybe she will select neither of them. In this set of triple variations, Pierrot and Harlequin compete for Columbina's attention and favour. Pierrot is deep, quiet, thoughtful, and loving, but sometimes melancholic. Harlequin is light-hearted, extrovert, and fun to be with, but somewhat shallow and brash. Columbina herself is coquettish, impulsive, and unpredictable. How will the story end between these imperfect characters? The performer gets to select one of three possible endings as the piece nears its conclusion.Pierrot, or Harlequin? was commissioned by the International Guitar Festival Homenaje 2023. The premiere was given by Giacomo Susani at Barco Teatro, Padova, Italy, on 10th November 2023.Pierrot, or Harlequin? (2023) est basé sur des personnages de la tradition italienne de la commedia dell’arte. Columbina a le choix entre deux partenaires – Pierrot ou Harlequin? Ou peut-être ne choisira-t-elle aucun des deux. Dans cette série de variations en trio, Pierrot et Harlequin rivalisent pour l'attention et les faveurs de Columbina. Pierrot est profond, calme, réfléchi et aimant, mais parfois mélancolique. Harlequin est enjoué, extraverti, amusant à être avec, mais quelque peu superficiel et effronté. Columbina elle-même est coquette, impulsive et imprévisible. Comment se terminera l'histoire entre ces personnages imparfaits? Le performer a le choix entre trois fins possibles alors que la pièce approche de sa conclusion.Pierrot, or Harlequin? a été commandé par le Festival International de Guitare Homenaje 2023. La première a été donnée par Giacomo Susani au Barco Teatro, Padoue, Italie, le 10 novembre 2023.

Choral Choir (SSA) - Digital Download SKU: A0.963840 Composed by Amy Morales. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Amy J Morales #5777187. Published by Amy J Morales (A0.963840). Nothing Can Separate Us From the Love of God written for ladies trio is based off of the scripture found in Romans 8. 35 Who shall separate us from the love of Christ? shall tribulation, or distress, or persecution, or famine, or nakedness, or peril, or sword?

Violin Solo - Level 2 - Digital Download SKU: A0.1192571 By Featuring Au/Ra And Tomine Harket. By Alan Walker. Arranged by Soul Violin. Pop. 1 pages. Soul Violin #792015. Published by Soul Violin (A0.1192571). Darkside– Alan Walker / Violin cover, music sheet.

Full Orchestra - Level 4 - Digital Download SKU: A0.755101 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 124 pages. Sy Brandon #3384577. Published by Sy Brandon (A0.755101). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.

Marching Band - Level 3 - Digital Download SKU: A0.1449950 By Panic! At the Disco. By Andrew Greene, Brendon Urie, Brian Profilio, Daniel Foder Jr., Imad Roy El-Amine, Jacob S. Sinclair, Jared Tankel, Lauren Pritchard, Michael Deller, Nathan Abshire, Samuel Hollander, Suzanne Shinn, Thomas Brenneck, Tobias Wincorn, and Tom Peyton. Arranged by David Whitaker. Pop. 10 pages. David Whitaker #1029680. Published by David Whitaker (A0.1449950). Say Amen (Saturday Night) by Panic! At the Disco. Parts included: Piccolo, Clarinet in Bb, Alto Sax, Tenor Sax, Horn in F, Trumpet in Bb, Trombone, Euphonium T.C., Euphonium B.C. Tuba, Snare, Quintuplet, Cymbals, Tenor Drum, and Bass Drum.This score is now available for purchase on SheetMusicPlus.com and/or SheetMusicDirect.com. Just search up “David Whitaker (Song Name)” and it will pop up. To view other arrangements, head over to our MuseScore Page “David Whitaker ICMFY MuseScore” or our YouTube Channel “David Whitaker ICMFY”. There you can browse through all the music we currently have to offer. Thank you for your support and stay tuned for more coming soon!

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.804983 By Alan Walker Ft. Au/Ra & Tomine Harket. By Alan Walker, Anders Froen, Andrew Frampton, Atle Pettersen, Fredrick Borch Olsen, Fredrik Borch Olsen, Gunnar Greve, James Daniel Nije Eriksen, James Eriksen, Jamie Stenzel, Jesper Borgen, Lars Rosness, Marcus Arnbekk, Tommy Laverdi, and William Larsen. Arranged by Harmony Valarie @ Teacher Valarie. Contemporary. Score. 2 pages. Published Harmony Valarie #6066549. Published by Published Harmony Valarie (A0.804983). Piano Solo Short and Easy version that is suitable for self-learning pianists, this score included notes names for easy reading. Please listen to the audio before purchase because this is a shortened and simplified piano score. Suitable for Grade 3. .