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Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 6 in G Minor Dorian
Piano seul
Brian Golden
$5.99 5.2 € Piano seul PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.955403 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 2 pages. Neal Fitzpatrick Editions #6021087. Published by Neal Fitzpatrick Editions (A0.955403). This is Impromptu No.12 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Impromptu No.12 For Piano
Piano seul

$1.99 1.73 € Piano seul PDF SheetMusicPlus

Marimba Solo - Digital Download SKU: A0.955425 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 4 pages. Neal Fitzpatrick Editions #6047219. Published by Neal Fitzpatrick Editions (A0.955425). This is Impromptu No.14 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Impromptu No.14 For Marimba
Marimba

$1.99 1.73 € Marimba PDF SheetMusicPlus

Recorder Quartet Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.1083513 Composed by Alfonse, el Sabio. Arranged by Cody Sibley. Classical,Renaissance. Recorder Ensemble. 69 pages. Drachen Music #686911. Published by Drachen Music (A0.1083513). The Cantigas de Santa Maria, or “Canticles of Holy Maryâ€, is a collection of over 400 poems set to music. The text of the Cantigas is written in the medieval Galician-Portuguese language. The poems were collected during the reign of Alfonso X of Castile El Sabio (1221–1284) and are characterized by the fact that every one of them mentions the Virgin Mary (with over 300 being about miracles) and that every tenth poem in the collection is an actual hymn. Alfonso sent scribes throughout the region to collect these poems and thus it is not only one of the largest collections of monophonic songs from the Middle Ages it is also one of the first mass collections of living culture in history. Though all are attributed to Alfonso, it has been determined that much of the musical notation, scribing, and illumination was completed by artisans of his court.  This collection FEATURES arrangments with FULL SCORE and INDIVIDUAL PARTS for CSM 011 - CSM 020 (10 Cantigas) as interpreted by the Arranger from the original mensural motation into a performance quality arrangement for SATB recorders. The following individual Cantiga titles are included in this collection: 011. Macar Ome per Folia 012. O Que a Santa Maria 013. Assi Como Jesu Cristo 014. Par Dues Muite Gran Razon 015. Todo Los Santos Que Non Ceo 016. Quen Dona Fremosa 017. Sempre Seja Beita e Loada 018. Pro Nose de Dulta Tirar 019. Fran Sandece Faz Quen Se 020. Virga de Jesse Each Cantiga de Santa Maria song in this collection is also available as a separate SATB Recorder arrangement under the song titles lsited above. Note: Song titles are medieval Galician-Portuguese language and are derived by the arranger from the first line of each cantiga lyric. This is another great sheet music arrangement from Drachen Music.
Cantigas de Santa Maria for Recorder Quartet Volume 02
Ensemble De Flûte à bec

$35.95 31.19 € Ensemble De Flûte à bec PDF SheetMusicPlus

Large Ensemble Alto Flute,Bass Flute,Orff Instrument,Piccolo - Level 4 - Digital Download SKU: A0.874243 Composed by Giacomo Puccini , Puccini. Arranged by Ray-Michael Kauffman - a do Ray me flute studio production. 20th Century,Concert,Film/TV,Opera,Standards. Score and parts. 16 pages. As do Ray meflute studio production #3530721. Published by as do Ray meflute studio production (A0.874243). https://www.youtube.com/watch?v=qaQTf0ZXizQ&t=8sNessun Dorma in the third act of Puccini's opera, Turandot. At the start of the opera, Calaf sees Princess Turandot for the first time and instantly falls in love with her. However, any man who wishes to marry her must correctly answer three riddles. Those who fail are killed. Despite protests from his father and his servant, Calaf accepts the challenge and is determined to marry the princess. Much to the delight of the princess's father as well as the entire kingdom, Calaf answers all three riddles correctly. Turandot realizes she must now marry a stranger and becomes upset.
Nessun Dorma by Puccini for flute choir / flute ensemble
Ensemble de Flûtes

$15.00 13.02 € Ensemble de Flûtes PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1268127 Composed by Randy Brooks. Arranged by Michael Thomas Coull. 20th Century,Christmas,Comedy,Country,Holiday. Score. 12 pages. MTC Publishing #860686. Published by MTC Publishing (A0.1268127). Grandma Got Run Over By A Reindeer - Arrangement for Voice, Piano and Guitar by Michael Thomas CoullGrandma Got Run Over By A Reindeer is a novelty holiday song.  Written by Randy Brooks, the song was originally performed by Elmo & Patsy, the husband-and-wife duo of Elmo Shropshire and Patsy Trigg in 1979. The lyrics tell the story of a grandmother celebrating at a Christmas Eve party with her family when, while drunk on eggnog and off her medication, she staggers out into a snowstorm despite everyone imploring her not to.  She is found the next day, trampled; Santa and his reindeer are determined to be the culprits when 'incriminating Claus marks' are found on Grandma's back.  Grandpa seems completely unfazed by his wife's demise and spends the holiday 'watching football, drinking beer and playing cards with cousin Mel', while the rest of the family mourns Grandma's death and wonders if the gifts they bought for her should be returned.  Christmas dinner otherwise goes on as normal, with a centrepiece of roast goose, figgy pudding for dessert, and 'blue and silver candles' to match Grandma’s hairpiece.  The upshot is a warning to the listeners that Santa is unfit to carry a driver's license!This arrangment of Grandma Got Run Over By A Reindeer is for solo voice, piano and guitar, but also contains harmonized sections (backing 'oohs', and the final few bars) that also enable this arrangment to be performed by an SSA choir - with the majority of it sung in unison.  However it is performed, it is a great choice for a fun, novelty song for Christmas.
Grandma Got Run Over By A Reindeer
Piano, Voix et Guitare
A Reindeer - Arrangement for Voice, Piano and Guitar by Michael Thomas Coull

Grandma Got Run Over

$10.99 9.54 € Piano, Voix et Guitare PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1494156 Composed by Ulrich Lehensteiner. 21st Century,Classical,Contemporary. Score. 18 pages. Ulrich Lehensteiner #1070766. Published by Ulrich Lehensteiner (A0.1494156). Remember The Ecstasy describes the emotional rush of a joyous moment in life, shifting between ecstatically over-boarding minor- and more quiet and satisfied major-passages.The Remember-Waltzes are a collection of seven waltz-like pieces for piano four hands, depicting the memories of various relatable scenes of a person's everyday-life, like the fervour of a determined loved one, the sereneness of a warm summer-day or the emotional rush of an ecstatic experience. Memories some would like to experience, some might actually have experienced.A musical reminder of times fondly remembered, but also of the feeling of how even those precious moments might grow pale over time, and how we still remember them fondly, but differently after the many years that might have passed since then.Contains score + parts.
Remember The Ecstasy (from the "Remember-Waltzes")
1 Piano, 4 mains

$8.99 7.8 € 1 Piano, 4 mains PDF SheetMusicPlus

9 organs (8 positivorgans and 1 big organ) and percussion (3 player: 2 Crotales, 5 Wood Blocks, 5 Temple Blocks, 5 Toms, 4 gongs, Tam Tam) - difficult - Digital Download SKU: S9.Q6650 Revolt of the organs. Composed by Jean Guillou. This edition: set of parts. Downloadable, Set of parts. Op. 69. Duration 30 minutes. Schott Music - Digital #Q6650. Published by Schott Music - Digital (S9.Q6650). This work with its unusual instrumentation originates in Guillou's conceptual design of the organ for the new concert hall in Tenerife. The composition project came into being when he determined the specifications of this organ, its scales, the distribution of the organ pipes among eight cases and the arrangement around the audience as well as the design with eight additional manuals. In contrast to its original purpose, the world premiere of the work took place at the parish church of Landsberg near Munich on 12 May 2007.
La Révolte des Orgues

$88.99 77.21 € PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1494213 Composed by Ulrich Lehensteiner. 21st Century,Classical,Contemporary. Score. 123 pages. Ulrich Lehensteiner #1070824. Published by Ulrich Lehensteiner (A0.1494213). The Remember-Waltzes are a collection of seven waltz-like pieces for piano four hands, depicting the memories of various relatable scenes of a person's everyday-life, like the fervour of a determined loved one, the sereneness of a warm summer-day or the emotional rush of an ecstatic experience. Memories some would like to experience, some might actually have experienced.A musical reminder of times fondly remembered, but also of the feeling of how even those precious moments might grow pale over time, and how we still remember them fondly, but differently after the many years that might have passed since then.All the pieces are also available as separate editions. Remember Her Vigour Remember Those Late Summer Days Remember Your Mind In Turmoil Rosa Remember The Ecstasy Remember Oblivion Remember What Is Lost Contains score + parts
Remember-Waltzes
1 Piano, 4 mains

$27.99 24.29 € 1 Piano, 4 mains PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1043755 Composed by Aaron Lee. 20th Century,Classical,Contemporary,Instructional. Score. 8 pages. J. Aaron Lee #648437. Published by J. Aaron Lee (A0.1043755). Chance Row is a pedagogical work that aims to help piano students and young composers experiment with 12-tone compositions. This short piano piece is very moderate in difficulty and also includes an analysis score so that students can follow along with the structure of the piece. In this work, the initial tone-row is determined entirely randomly (hence the name Chance Row!) and then I work to find and explore a few interesting relationships within the row to make a short work for solo piano. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
Chance Row: 6/2 (for solo piano)
Piano seul

$1.99 1.73 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1018088 By Josiah Austin. By Josiah Austin. 20th Century,Classical,Contemporary,New Age. Score. 6 pages. Wistful Hands #6433731. Published by Wistful Hands (A0.1018088). The Descent is a dark, emotional, brooding piano piece that confronts the terrible darkness within and brings familiarity to its face; it is beautiful and as much a part of us as anything else. For fans of: Ludovico Einaudi, Nils Frahm, Dustin O'Halloran, Olafur Arnalds, Joep Beving, Yann Tiersen, Max Richter, Library Tapes, Hania Rani solo piano, piano, solo, neoclassical, neo-classical, contemporary, darkwave, ambient, mood, sheet music, pianist, sight reading, relaxing, beautiful, beauty, delicate, intimate, thoughtful, sentimental, reflective, reminiscence, reminiscent, nostalgic, nostalgia, passionate, determined, determination, self-discovery, emotional, emotive, deep, introspective, loneliness, wistful, intriguing, dark, melancholic, melancholy, mysterious, mystery, haunting, brooding, downward, chromatic, chromaticism Composer: Josiah Austin Artist: Josiah Austin Publisher: Wistful Hands © 2022 Josiah Austin.
The Descent
Piano seul
Josiah Austin
$4.99 4.33 € Piano seul PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1494204 Composed by Ulrich Lehensteiner. 21st Century,Classical,Contemporary. Score. 23 pages. Ulrich Lehensteiner #1070815. Published by Ulrich Lehensteiner (A0.1494204). Remember What Is Lost, being the finale of the Remember-Waltzes, recapitulates all the previous waltzes' themes, slowly restoring them one by one and interweaving them with an original theme before coming to a grandiose, concert-like conclusion. Musically demonstrating how precious memories are (after maybe even having been forgotten for some time) still remembered after many years, the cycle ends on a positive and hopeful note.The Remember-Waltzes are a collection of seven waltz-like pieces for piano four hands, depicting the memories of various relatable scenes of a person's everyday-life, like the fervour of a determined loved one, the sereneness of a warm summer-day or the emotional rush of an ecstatic experience. Memories some would like to experience, some might actually have experienced.A musical reminder of times fondly remembered, but also of the feeling of how even those precious moments might grow pale over time, and how we still remember them fondly, but differently after the many years that might have passed since then.Contains score + parts.
Remember What Is Lost (from the "Remember-Waltzes")
1 Piano, 4 mains

$8.99 7.8 € 1 Piano, 4 mains PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.955411 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 7 pages. Neal Fitzpatrick Editions #6021223. Published by Neal Fitzpatrick Editions (A0.955411). This is Impromptu No.20 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
Impromptu No.20 For Piano
Piano seul

$1.99 1.73 € Piano seul PDF SheetMusicPlus






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