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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University.  I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus.  The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart.  The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare.  It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012).  The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…).  It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command).  The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men).  Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?   ---Mary Ellen Haupert, October 2012.  
Illumine le tenebre
Chorale SATB
Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy
$3.99 3.44 € Chorale SATB PDF SheetMusicPlus

Mixed choir (SSAATTBB) - advanced - Digital Download SKU: S9.Q46154 Composed by Irina Rebhuna. This edition: choral score. Distinguished Choral Music. Downloadable, Choral score. Duration 4' 40. Schott Music - Digital #Q46154. Published by Schott Music - Digital (S9.Q46154). Latin.As a singing teacher, choir director and not least as a passionate professional choir singer, Irina Rebhuna is perfectly familiar with the possibilities of the human voice. And so it is hardly surprising that the Latvian musician born in 1988 has devoted herself especially to the composition of vocal music. Her sacred choral work Libera me, Domine for mixed a cappella choir (SSAATTBB) won the special prize for the 'best composition for 4-6 voices' at the International Composition Competition 'Musica Sacra Nova' 2016. This church music gem, in which the eponymous Gregorian chorale is intonated by one of the (two) bass baritone sections at the beginning – over a musical tapestry woven by the remaining voices - and taken up again by all tenors at the end, is ideal for ambitious amateur choirs. The idea behind this work, says the composer, is 'the human reflection on the uncertain – on death, on Judgment Day or on what is inexplicable to us. Such as humility, excitement, fear,and atonement. The chant ends without ending, there is no solution. Life goes on because we ask the following question again and again: What will happen next?'.
Libera me, Domine
Chorale SSAATTBB

$4.99 4.3 € Chorale SSAATTBB PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.782238 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 32 pages. James Haynor #3886455. Published by James Haynor (A0.782238). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Libera me, Domine written for five voices is a great example of his work and transcribes well for woodwind quintet. ( Duration 6:30 )
Libera me, Domine for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$10.00 8.61 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251338 Composed by Orlande De Lassus. Arranged by Russell McKinney. Renaissance. 10 pages. Gordon Cherry #845614. Published by Gordon Cherry (A0.1251338). Domine, ne in Furore by Orlando di Lasso has been arranged for brass quintet by Russell McKinney. The music is taken from the seven Penitential Psalms that Lasso presented for exclusive use in Albrecht’s court shortly after he was appointed Maestro in 1563. The seven Penitential Psalms (6, 32, 38, 51, 102, 130, & 143 in Anglican numbering) have been in specific liturgical use from early in Western Christianity and therefore were a significant offer to his patron. He added another dimension to his versions by setting each psalm in a different church mode. The numbers in his collection indicates the mode of the setting, rather than the number of the psalm. This arrangement is of the first two sections of Penitential Psalm No. 3 which is Psalm 38 set in the Phrygian Mode.This arrangement is appropriate for moderately advanced performers and does not present any serious challenges for technique, range or endurance.
Domine, ne in furore - for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$17.50 15.07 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1292984 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Easter,Sacred. Score. 8 pages. Hélder Bento #883593. Published by Hélder Bento (A0.1292984). Domine Fili - Aria for Bass from Mass in G Major - Fullscore and PartsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
Mass in G Major - Domine Fili - Bass Aria
Piano, Voix

$5.00 4.31 € Piano, Voix PDF SheetMusicPlus


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