Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.508564 Composed by Safflower Music LLC. Blues,Instructional,Jazz,Standards. Score. 2 pages. Safflower Music LLC #5809723. Published by Safflower Music LLC (A0.508564). This cool, bluesy jazzy etude doubles as a sample improvisation in the solo piano style, incorporating quintessential bebop vocabulary. This study is great for the intermediate pianist looking to develop skills in the areas of sight-reading, technique, and artistry.  â€”by Sarah Jane Cion, Winner of the 1999 Great American Jazz Piano Competition and author of MODERN JAZZ PIANO REVEALED An Intermediate Guide to Jazz Concepts, Improvisation, Technique & Theory Sarah Cion, an extraordinary pianist, has given us a wonderful collection of Etudes that appeal to all music lovers, both classical and jazz teachers and students. They are pianistically well written for the hand and truly enjoyable to play and listen to. My students love them!—Dianne Goolkasian Rahbee

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861906 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 10 pages. Mark O'Connor Musik International #6206203. Published by Mark O'Connor Musik International (A0.861906). Let Us Move (violin part - vocal choir and violin solo) MO144BViolin Obligato Part (vocal choir score available)Music by Mark O’Connor6 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144BCopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861905 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 38 pages. Mark O'Connor Musik International #6206201. Published by Mark O'Connor Musik International (A0.861905). Let Us Move (score - vocal choir and violin solo) MO144AVocal Choir (Soprano, Alto, Tenor, Baritone, Bass with violin obligato). Violin part availableMusic by Mark O’Connor34 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144ACopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Choral Choir (SATB) - Digital Download SKU: A0.1032581 Composed by Dominic M Wright. Christian,Christmas. Octavo. 10 pages. Dominic M Wright #5009059. Published by Dominic M Wright (A0.1032581). An original setting of the lyrics to the well-known carol 'What Child is This?’ For SABT choir and piano accompaniment. Suitable for any Christmas service or concert. Composers Note This piece was originally composed during my recovery from CFS/ME. I was drawn to these particular words because, like me, William Dix suffered a serious illness which strengthened his faith and inspired him to write not just these lyrics, but many other well-known and beloved hymns and carols. The piece was premiered during the annual 'Carols by Candlelight' service at our local church of St Andrews, Kirk Ella in December 2017. The choir worked extremely hard to prepare for the performance and the piece was very well received by both choir and audience. I am sure that your choir and audience will enjoy this piece as much as I enjoyed working on it. Duration approximately 4 minutes. Words: William Chatterton Dix - Public DomainMusic: Original composition by Dominic M Wright - Copyright 2017 Dominic M Wright is an award winning composer based in East Yorkshire, England. He is an experienced singer having sung with the National Youth Choirs of Great Britain, Manchester Cathedral Voluntary Choir and the Hull Choral Union in venues such as the Royal Albert Hall, the Sage Gates-head, Durham Cathedral, Manchester Cathedral, Hull Minster and many more. His compositions have been performed across the region, always to audience acclaim.

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1295788 Composed by Howard Blake. Arranged by Dee Braxton-Pellegrino. Christmas,Film/TV,Holiday,Pop. 8 pages. Dee Braxton-Pellegrino #886087. Published by Dee Braxton-Pellegrino (A0.1295788). From the soundtrack of The Snowman, this sweet, lovely, beloved winter holiday standard by Howard Blake is arranged for string quartet and is perfect for holiday concerts, parties, or for simply sightreading with your string friends.  It is also perfect for your intermediate string orchestra sans basses although they can probably double the cello part.  This piece has become a personal favorite of mine and of my students! Because we are only allowed 30 seconds of audio, I have excerpted from the middle of the piece!

Small Ensemble Bass Clarinet,Organ,Piano Accompaniment - Level 3 - Digital Download SKU: A0.722390 Composed by Giovanni Battista Pergolesi. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary. Score and parts. 3 pages. Music-Scores.com #6458577. Published by Music-Scores.com (A0.722390). Nina, or the Siciliana, is a lament on the 3-day illness of a man's beloved Nina, which was a common theme of the Italian Baroque period. For three long days my Nina... upon her bed has lain. This is a lovely little piece and much can be made of its theatrical theme.This is for Bass Clarinet (G minor) and piano/organ.Duration: about 2 minutes, 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com

Small Ensemble Organ,Piano Accompaniment,Viola - Level 3 - Digital Download SKU: A0.722395 Composed by Giovanni Battista Pergolesi. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary. Score and parts. 3 pages. Music-Scores.com #6458597. Published by Music-Scores.com (A0.722395). Nina, or the Siciliana, is a lament on the 3-day illness of a man's beloved Nina, which was a common theme of the Italian Baroque period. For three long days my Nina... upon her bed has lain. This is a lovely little piece and much can be made of its theatrical theme.This is for Viola and Piano/Organ.Duration: about 2 minutes, 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com

Small Ensemble Organ,Piano Accompaniment,Tenor Saxophone - Level 3 - Digital Download SKU: A0.722394 Composed by Giovanni Battista Pergolesi. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary. Score and parts. 3 pages. Music-Scores.com #6458593. Published by Music-Scores.com (A0.722394). Nina, or the Siciliana, is a lament on the 3-day illness of a man's beloved Nina, which was a common theme of the Italian Baroque period. For three long days my Nina... upon her bed has lain. This is a lovely little piece and much can be made of its theatrical theme.This is for Tenor Saxophone and Piano/Organ.Duration: about 2 minutes, 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com.

Instrumental Duet,Piano Horn,Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.722393 Composed by Giovanni Battista Pergolesi. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary. Score and parts. 3 pages. Music-Scores.com #6458589. Published by Music-Scores.com (A0.722393). Nina, or the Siciliana, is a lament on the 3-day illness of a man's beloved Nina, which was a common theme of the Italian Baroque period. For three long days my Nina... upon her bed has lain. This is a lovely little piece and much can be made of its theatrical theme.This is for French Horn and Piano/Organ (G minor)Duration: about 2 minutes, 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com

Instrumental Duet,Piano Euphonium,Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.722392 Composed by Giovanni Battista Pergolesi. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary. Score and parts. 5 pages. Music-Scores.com #6458585. Published by Music-Scores.com (A0.722392). Nina, or the Siciliana, is a lament on the 3-day illness of a man's beloved Nina, which was a common theme of the Italian Baroque period. For three long days my Nina... upon her bed has lain. This is a lovely little piece and much can be made of its theatrical theme.This is for Euphonium and Piano/Organ.Duration: about 2 minutes, 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.722396 Composed by Giovanni Battista Pergolesi. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary. Score. 3 pages. Music-Scores.com #6458599. Published by Music-Scores.com (A0.722396). Nina, or the Siciliana, is a lament on the 3-day illness of a man's beloved Nina, which was a common theme of the Italian Baroque period. For three long days my Nina... upon her bed has lain. This is a lovely little piece and much can be made of its theatrical theme.This is for Voice and Piano/Organ.Duration: about 2 minutes, 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com

Instrumental Duet,Piano Cello,Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.722391 Composed by Giovanni Battista Pergolesi. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary. Score and parts. 3 pages. Music-Scores.com #6458583. Published by Music-Scores.com (A0.722391). Nina, or the Siciliana, is a lament on the 3-day illness of a man's beloved Nina, which was a common theme of the Italian Baroque period. For three long days my Nina... upon her bed has lain. This is a lovely little piece and much can be made of its theatrical theme.This is for Cello (G minor) and Piano/OrganDuration: about 2 minutes, 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com.

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.722385 Composed by Giovanni Battista Pergolesi. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary. Score and part. 3 pages. Music-Scores.com #6451087. Published by Music-Scores.com (A0.722385). Nina, or the Siciliana, is a lament on the 3-day illness of a man's beloved Nina, which was a common theme of the Italian Baroque period. For three long days my Nina... upon her bed has lain. This is a lovely little piece and much can be made of its theatrical theme.This is for Baritone Saxophone and Piano.Duration: about 2 minutes, 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com

Piano Solo - Level 5 - Digital Download SKU: A0.1028034 Composed by Maxwell Olson. Contemporary,Jazz,Latin,World. Score. 7 pages. Jake Madeira #3223163. Published by Jake Madeira (A0.1028034). This étude is one of energetic character with simple, yet powerful melodies and rhythms that create a sense of curiosity. I composed this piece in a simpler form when I was around 17, in my high school music theory class. All of the ideas were there, melody and structure, but what it lacked was experience. It felt flat. So, 5 years later, after I rediscovered the piece, I decided to put some time into adding flavor, excitement, and intrigue. In doing so, I hope that I've created not only a technical challenge that will strengthen your skills, but a fun piece of music that you'll love to play!Split into three parts in an ABA format, this piece features a main theme divided by a softer second theme, both of which provide technical challenges in their own rights. The first focus of this étude is to build stamina in maintaining rapid octave progressions in each hand. This is coupled with quick jumps in the right hand that require precise and deliberate movements to perfect. The second focus is to strengthen control over legato passages in rolling arpeggios, while maintaining a delicate touch for the melody, and exercising the dynamic range of the fingers.In practicing this piece, it is very important to start slowly and with definitive control in all sections! It cannot be stressed enough how much of an impact bad habits can make on the execution of this étude. If you work diligently on finger control and technique, it will stick with you in all of your future endeavors! Be warned though: this is a difficult piano solo. It will take time and effort to learn, however, those efforts will all pay off in the end. Don't let it discourage you. I wish you all luck in learning this étude, and if you have any questions at all, please feel free to email me at walkingreject@gmail.com.

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â?� and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?�It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..