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Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784332 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288655. Published by Slide Ride (A0.784332). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Soprano or Tenor Saxophone Quartet
2 Saxophones (duo)

$5.00 4.32 € 2 Saxophones (duo) PDF SheetMusicPlus

Cello,Piano - Level 4 - Digital Download SKU: A0.1236633 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832153. Published by Hoopla Sheet Music (A0.1236633). An exciting concert piece inspired by U.S. WW2 pilot, John Gillespie Magee’s iconic poem ‘High Flight.’ In the opening he describes the the magnificent and exhilarating sensation of flying. In the more contemplative second section he seems to breach the veil between earth and heaven: Oh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I've climbed, and joined the tumbling mirthof sun-split clouds,—and done a hundred thingsYou have not dreamed of—wheeled and soared and swungHigh in the sunlit silence. Hov'ring there,I've chased the shouting wind along, and flungMy eager craft through footless halls of air ....Up, up the long, delirious, burning blueI've topped the wind-swept heights with easy graceWhere never lark nor ever eagle flew—And, while with silent lifting mind I've trodThe high untrespassed sanctity of space,Put out my hand, and touched the face of God.High Flight is part of a collection of pieces by Christian Morris entitled ‘A History of Powered Flight’:1. Kitty Hawk2. Dogfight3. Afterburner4. Holding Pattern5. Queen of the Skies6. High Flight.
High Flight
Violoncelle, Piano

$9.99 8.63 € Violoncelle, Piano PDF SheetMusicPlus

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1188457 By Bobby Darin. By Bertolt Brecht, Kurt Weill, and Marc Blitzstein. Arranged by Bobby Hesch. Jazz,Standards. Individual part. 4 pages. Bobby Hesch #788060. Published by Bobby Hesch (A0.1188457). MACK THE KNIFE FOR SOLO JAZZ ALTO SAX!!! OH THE SHARK BABE, HAS SUCH TEETH, DEAR ! AND IT SHOWS THEM PEARLY WHITE !!! LET'S PLAY SOME JAZZ !!! COMPOSERS: Marc Blitzstein, Kurt Weill & Bert Brecht !!!  Performed BY BOBBY DARIN !!!  AS WELL AS MANY OTHER FAMOUS SINGERS AND INSTRUMENTALIST !!! THIS IS A CHALLENGING SONG WITH DIFFICULT PASSAGES AND TEMPO!!! KEY OF G/E FLAT/ A/ B FLAT/ F# & C !!! FIRST GET THE NOTES UNDER YOUR FINGERS BEFORE SPEEDING IT UP.  THIS IS A GREAT SONG WHEN YOU HAVE THE CHOPS  TO  NAIL IT & HEAR THE CROWD REACT !!!  CONTACT  INFORMATION :bobbyhesch@yah).com IG:@bobbyhesch!!!NOW THAT MACKY'S BACK IN TOWN!!! CHECK OUT THE GREAT LYRICS!!!
Mack The Knife
Saxophone Alto
Bobby Darin
$4.99 4.31 € Saxophone Alto PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014571_WPAC1 (wp) E-flat Alto Clarinet. Composed by Stephen Foster. Arranged by L. C. Harnsberger. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014571_wpAC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014571_WPAC1). UPC: 038081395135.During his short life (1826--1864), Stephen C. Foster wrote over 200 songs, including some that are still extremely popular today. A few of his songs are so well known that many believe they are American folk songs. In this arrangement, three of his most popular songs are arranged for young band. The entire band shares the melody of Camptown Races, which is followed by a tender setting of My Old Kentucky Home featuring the woodwinds and bells. Everything comes to a rousing conclusion with Foster's first big hit, Oh! Susanna, that lets the entire band shine.
Fantastic Foster: (wp) E-flat Alto Clarinet
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Small Ensemble Cello,Flute,Guitar,Viola - Level 2 - Digital Download SKU: A0.576976 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16 pages. David Warin Solomons #553519. Published by David Warin Solomons (A0.576976). Instrumental version of my song based on a poem by David Andrew The sound sample is an electronic preview The pdf file contains score and parts The poem is as follows: You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
Letter to Lydia for viola, flute, cello and guitar

$10.00 8.64 € PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619).      James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer.  He is said to have created the words and music for more than 600 compositions.  Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer.  Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.”  His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years.      Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect.  Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived.  Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms.  One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport.      This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction.   The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba.  Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint.  Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880.  Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country:  softly and tenderly.  The arrangement ends with a brief recapitulation of the introduction.      There are no really difficult or tricky rhythms in this arrangement.  Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff.  Otherwise, there are no exceptionally high or low notes.  The piece opens in the key of F major then, about halfway through, changes to G major.  Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66.      Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would also like to receive your suggestions, comments, corrections and criticisms.  Contact him directly at lessmith61@bellsouth.net.  For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
In the Evening by the Moonlight
Ensemble de cuivres

$7.95 6.87 € Ensemble de cuivres PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.577470 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,Romantic Period,World. Score and parts. 10 pages. David Warin Solomons #1921289. Published by David Warin Solomons (A0.577470). This arrangement of an English folk song follows the words only in that there are seven verses (one for each day of the week as in the song) and the music slows to a respectfully slow pace on wearing of her linen oh as the lady gets ready for church on the final day, Sunday, followed by a jolly ending. Each verse provides variations on the tune and gives the other instrument a chance to play the melody in turn. The piece modulates to various related major and minor keys finally ending on the original D major. The sound sample is an electronic preview.
Dashing away with the smoothing iron for violin and guitar
Violon, Guitare (duo)

$8.00 6.91 € Violon, Guitare (duo) PDF SheetMusicPlus






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