SKU: A0.727814

Chaminade's Automne (Autumn) is a lyrical, expressive depiction of autumn. It is arranged here for concert band/wind orchestra. This is the set of parts - a score is also available.
Parts included here: Piccolo, Flutes 1-2, Oboes 1-2, Cor Anglais, Bassoons 1-2, E-flat Clarinet, B-flat Clarinets 1-2-3, Alto Clarinet, Bass Clarinet, Bass Clarinet 2 (an extra part that may replace Contra-Alto Clarinet,) E-flat Contra-Alto Clarinet, B-flat Contrabass Clarinet (an extra part that may replace Contra-Alto Clarinet,) Piano (optional,) Alto Saxophones 1-2, Tenor Saxophone, Baritone Saxophone, Trumpets 1-2-3, Horns 1-2-3-4, Trombones 1-2, Bass Trombone, Euphonium, Tuba, Double Bass (optional,) Timpani, Triangle, Cymbals, Bass Drum.
The following parts have been cued in other parts, so that the piece may be played if any of the following instruments are missing: Oboe 2, Cor Anglais, Bassoon 2, Alto Clarinet, Contra-Alto Clarinet, Horns 3 and 4.

SKU: A0.533689

Concerto for Bass Trombone and Six Players (2006) was commissioned by the Carnegie
Mellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,
director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.
The work is scored for solo bass trombone with an ensemble of primarily “dark� instruments
– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is the
focal point of the musical discourse, acting throughout largely as a protagonist – with much
material best described as bitterly lyrical. The work maintains a generally dark, obsessive,
and bitter tone throughout.
Unlike some concerti, however, the work is not about an aggression between soloist and the
rest of the ensemble. Rather the bass trombone is “first� among a collection of like minded
individuals – all expressing the same sentiments and aggressions.
The opening section is marked “spasmodic.� Quiet nervous twitches serve as a backdrop to a
melodic unfolding of the basic material and interval content. The end of this part “breaks
apart� to reveal a section marked “slow, otherworldly.� The harmonic material starts modal,
open, and “distant� in feeling (perhaps a recollection of a distant past) before becoming
gradually gnarled again.
The trombone leads towards the next section: an ever-building athletic “moto perpetuo.� This
reaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombone
part marked “wildly raving; insane, ugly�, obliterated by bass drum hits and shrieking
hammer blows from the other instruments.
A nervous and timid interlude returns to the nervous twitching of the opening – though
everything is slightly slower and more hushed than before, finally breaking off into an
enigmatic coda.


Alto Flute
Clarinet in Bb
Percussion (1 player):
bass drum, marimba, crotales
(Percussionist needs one rosined bow for crotales.)
Viola
Cello
Contrabass

This is the score and parts.  The score is also available for sale as a seperate item.

SKU: A0.1152400

C-edition score with modern-day transposing instruments. INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Contrabassoon, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Triangle, Crash Cymbals, Bass Drum Timpani, Soprano, Alto, Tenor, Bass, Violin I, Violin II, Viola, Violoncello, Contrabass. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.

SKU: A0.612801

John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.

The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.

Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.

Contents:
Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. Allegro

Sonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. Giga

Sonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - Allegro

Sonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. Allegro

Sonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. Gavott

Sonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.

SKU: A0.532372

Divertimento No. 2, KV 439b
Complete score and parts, movements No. 1-5, trio for 3 C-instruments. (for example 2 violins and cello or 2 flutes/oboes and cello/contrabass).
No:. 6 Allegro, 7 Menuetto, 8 Larghetto, 9 menuetto, 10 Rondo.