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Small Ensemble - Level 3 - Digital Download SKU: A0.835847 Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 17 pages. Paul Burnell #5308433. Published by Paul Burnell (A0.835847). Two Hornpipes, by Henry Purcell (1659 - 1695), arranged by Paul Burnell for instruments in four parts.Duration (if each Hornpipe is played through twice) 3:30Score in CI The Old Bachelor, Z.607: HornpipeII The Fairy Queen, Z629: HornpipePerformers may play through each Hornpipe twice, and where the ensemble contains more than four players the second time through may include all players or have varied instrumentation. The melody line has been shared between Parts 1 and 2, but comprehensive cues have been provided in Part 1 to allow the melody to be played complete in that part, if convenient.The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Programme note:Baroque period composers in England often used the triple-time hornpipe dance rhythm. Composer Henry Purcell included several hornpipes in his theatrical music. The two hornpipes here are from 'The Old Bachelor' (1693) and 'The Fairy Queen' (1692).
Two Hornpipes, arranged for instruments in four parts

$3.99 3.5 € PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.978455 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 255 pages. Sandstone Music #6716911. Published by Sandstone Music (A0.978455). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for singers and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this version features the original higher keys which Elgar wrote initially for soprano. Sea Pictures is traditionally performed in lower keys, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere and we also publish this score elsewhere on this site. This is the original, higher version for soprano.
Sea Pictures, Op. 37 Score and Parts (Letter Size) (Original higher keys for soprano)
Orchestre

$99.99 87.63 € Orchestre PDF SheetMusicPlus

Small Ensemble - Level 3 - Digital Download SKU: A0.978823 Composed by Samuel Coleridge-Taylor. Arranged by Paul Burnell. 20th Century,Classical. Score and parts. 36 pages. Paul Burnell #584486. Published by Paul Burnell (A0.978823). Impromptu No. 2 in B Minor, Samuel Coleridge-Taylor, arranged by Paul Burnell for instruments in four parts. Download comprises both score and parts. Duration 4:00 Score in C The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows: Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1) Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2) Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola) Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello) Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part. Any other appropriate instruments, even if not suggested above, may play. Play cue-sized notes in brackets where main notes are out of range or inconvenient. Programme note: Impromptu No. 2 in B Minor by English composer Samuel Coleridge-Taylor (1875 – 1912) was first published in 1911 as one of two Impromptus for piano. In 1916 the piece appeared as '2nd Impromptu', transcribed by Arthur Eaglefield-Hull, in the first book of an album of organ versions of Coleridge-Taylor's compositions. Neither the piano or organ version of the B Minor Impromptu has a printed Opus number, and is different to Coleridge-Taylor's Impromptu No. 2 Op.78 which is in C Major and part of a set of three Impromptus for organ, also published in 1911.
Impromptu No. 2 in B Minor, arranged for instruments in four parts

$3.99 3.5 € PDF SheetMusicPlus

Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835858 Composed by John W. Bratton. Arranged by Paul Burnell. 20th Century. Score and parts. 46 pages. Paul Burnell #5777397. Published by Paul Burnell (A0.835858). The Teddy Bears' Picnic, by John W. Bratton, arranged by Paul Burnell for instruments in four partsDownload comprises both score and partsDuration 3:00Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola)Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Programme note:American composer John Walter Bratton composed the melody of 'The Teddy Bears' Picnic' in 1907.  Irish songwriter Jimmy Kennedy added lyrics in 1932 and Henry Hall with the BBC Dance Orchestra recorded the first vocal version the same year.
The Teddy Bears’ Picnic, arranged for instruments in four parts

$3.99 3.5 € PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 pages. Studio at the Post #878605. Published by Studio at the Post (A0.1287582). Parts only (see A878602 for Score). Duration: 8 minutes, 15 Parts, parts averaging 2 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
Three Haiku and a Poem (Parts only)
Orchestre de chambre

$5.02 4.4 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1094114 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditional. Score and parts. 58 pages. Matthew Toogood #698220. Published by Matthew Toogood (A0.1094114). Commissioned for the Swiss Richard Wagner Society for a performance in the Richard Wagner Museum (Tribschen) 2022, this chamber arrangement of Richard Wagners Vorspiel (Prelude/Overture) to his opera 'Die Meistersingers von Nürnberg' endeavours to maintain the original sound and intention of the full orchestra but executed by an ensemble of 13 solo players. The arrangement is designed to pair with Wagner's original Siegfried Idyll using the same instrumentation. String parts are as close as possible to the original, thus can be expanded without modification to string sections of more players. Instrumentation: Flute, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns in F, Trumpet in C, Strings (V1, V2, Vla, Vc, DB) PARTS ONLY!! - score sold separately. A transposed Trumpet part in Bb is included. Each part is designed to be printed on a double sided A3 sheet of paper, then folded to create a booklet part of up to 4 pages. (*note exception Viola, which is adapted to help manage page turns). ALSO AVAILABLE is a 12 player ensemble, with modifications to the horn parts in order to dispense with the Trumpet.
WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 13 player ensemble - PARTS ONLY
Orchestre de chambre

$50.00 43.82 € Orchestre de chambre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1323804 Composed by James Nathaniel Holland. 21st Century,Contemporary. 246 pages. James Nathaniel Holland #912005. Published by James Nathaniel Holland (A0.1323804). FULL SCORE AND INDIVIDUAL PARTS (Including Solo Cello and Individual Parts) The first cello concerto of 21st century, American composer James Nathaniel Holland for smaller orchestra and cello soloist.  Adapted from Piano Concerto No. 6, this lively piece contains three distinct movements.   Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) CELLO SOLOIST, StringsReduced Piano Score with individual solo and Piano Parts, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
Cello Concerto No. 1, Full Score and Individual Parts (Including Solo Cello Part)
Orchestre

$25.99 22.78 € Orchestre PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1143332 By Stewart J Wallace. By Traditional. Arranged by Stewart J Wallace. Celtic,Christmas,Folk,Holiday,Irish. Score and parts. 13 pages. Stewart J Wallace #743694. Published by Stewart J Wallace (A0.1143332). An arrangement of the traditional Scottish melody for brass quartet (2 trumpets, 1 trombone, 1 tuba), which is often heard around the world on New Year's Eve . The melody has been repeated three times, and each version can be played separately or as part of the whole arrangement. In addition to the score and parts, there are extra parts for French horn (replacing Trumpet 2), and trombone and bass parts in various transpositions for those players that read in treble clef.
Auld Lang Syne - Brass Quartet Score and Parts
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Stewart J Wallace
$4.99 4.37 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.861949 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208703. Published by Mark O'Connor Musik International (A0.861949). The Fiddle Concerto (percussion parts – violin and symphony orchestra) MO120N-OPercussion Parts (score and parts available)Music by Mark O’Connor34 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120N-OCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
The Fiddle Concerto (percussion parts – violin and symphony orchestra)
Orchestre

$40.00 35.06 € Orchestre PDF SheetMusicPlus

Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
Stabat Mater - string ensemble parts

$19.00 16.65 € PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.750906 Arranged by Brendan Elliget. Christian,Sacred. Score and parts. 40 pages. BJE Music #4794349. Published by BJE Music (A0.750906). Our God, Our Help in Ages Past is a hymn by Isaac Watts and paraphrases the 90th Psalm of the Book of Psalms. It originally consisted of nine stanzas. In present usage, however, the hymn is usually limited to stanzas one, two, three, five, seven and nine (6 Verses) (Methodist books also include the original sixth stanza). In 1738, John Wesley in his hymnal, Psalms and Hymns, changed the first line of the text from Our God to O God. Both Watts' wording and Wesley's rewording remain in current use. [Wikipedia]O God, our help in ages past, Our hope for years to come, Our shelter from the stormy blast, And our eternal home.This arrangement is for concert band and includes parts for Eb and F Horns, Eb, Bb, and C Tubas and a chorded piano part (not on the score).The tune (ST. ANNE) was written by William Croft (1678-1727).Often used on ANZAC Day.There are descant parts for Flute/Piccolo, Clarinet and Trumpet. Optional String parts are included in the PDF.The MP3 was recorded with NotePerformer.Grade = 2.5 Duration = 1 min (2 verses)
O God Our Help In Ages Part - Concert Band with Optional Strings Score and Parts PDF
Orchestre d'harmonie

$7.50 6.57 € Orchestre d'harmonie PDF SheetMusicPlus

Large Ensemble Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano Accompaniment,Viola,Violin - Level 4 - Digital Download SKU: A0.530132 Composed by Frank Fisher. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show,Pop. Score and parts. 25 pages. Last Resort Music Publishing #2082011. Published by Last Resort Music Publishing (A0.530132). Don't miss this fabulous new arrangement of Chicago - That Toddling Town for small ensemble! Made famous by Frank Sinatra, Fred Astaire & Ginger Rogers, this all time favorite song about the Windy City is sure to make any crowd want to dance! Parts included in Full Set Music Sample Part 1 Flute or Oboe or Violin Part 1 Clarinet in Bb Part 2 Flute or Oboe or Violin Part 2 Viola Part 2 Clarinet in Bb Part 3 Cello or Bassoon Part 3 Bass Clarinet Keyboard or Guitar Score (Parts 1-3 in C) Playable by String Trio (Violin, Violin or Viola, & Cello), Woodwind Trio, Clarinet Trio, Piano Trio & more. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, Chicago can be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley ~ Edited by Katerina Lewis.
Chicago for String or Woodwind or Piano Trio Full Set of Parts

$16.95 14.86 € PDF SheetMusicPlus






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