Large Ensemble Voice - Level 4 - Digital Download SKU: A0.978431 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 252 pages. Sandstone Music #6057715. Published by Sandstone Music (A0.978431). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for contraltos and mezzo-sopranos and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this set features the keys which Sea Pictures are traditionally performed in, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere. We also publish this score in his original higher keys for soprano elsewhere on this site.

Small Ensemble Bassoon,Clarinet,Flute,Harp - Level 4 - Digital Download SKU: A0.976039 Composed by Lior Navok. 20th Century,Contemporary,World. Score and parts. 110 pages. Lior Navok Music #4725313. Published by Lior Navok Music (A0.976039). QUARTET FOR FLUTE, CLARINET, BASSOON AND HARP (1994) Set of PartsDURATION: 27 minutes MOVEMENTS: 4 movements INSTRUMENTATION: Flute/Piccolo; Clarinet; Bassoon; Harp PROGRAM NOTES: The composer writes about his work: The Quartet for flute, clarinet bassoon and harp is influenced by impressionistic French music and Jazz, which was my main influence at the time. The first movement starts with a pastoral character, somewhat naive, but soon starts to raise some concerned thoughts, and so, ends dark. The second movement is a light flowing movement built on pentatonic scale theme. A Bassoon cadenza bridges between the second and the third movement, which is a long Passacaglia with lamento character. In the last movement, piccolo is used instead of flute. This movement opens with a fugue between the four instruments, which leads to a lyrical second theme followed by harp solo and ends with a Grand Finale. INFO: Item: Set of Parts (scan) Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 102 Ink: Black & White Paper Size: DIN A4 / Letter *** IMPORTAT NOTE ***  The parts are engraved, with some handwritten corrections / erases.

Concert Band - Level 3 - Digital Download SKU: A0.750808 Composed by Traditional West Indian Carol Melody Traditional West Indian Carol Melody. Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts. 42 pages. BJE Music #3620087. Published by BJE Music (A0.750808). The Virgin Mary Had A Baby Boy - Concert Band Score and Parts PDFThis is a Traditional West Indian Carol Melody arranged in a calypso style for concert band with a mostly unison vocal part (with some division into two parts during the chorus). A piano or keyboard part is included to enhance the sound but is optional.  Parts for Bongos, F, and Eb Horns, Bb and Eb Basses are also included. The MP3 was recorded with NotePerformer 3.

Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit!  Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop

Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop

Small Ensemble - Level 3 - Digital Download SKU: A0.835900 Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 20 pages. Paul Burnell #6668851. Published by Paul Burnell (A0.835900). Rondeau, from Abdelazar, Z.570, Henry Purcell, arranged by Paul Burnell for instruments in four partsDuration 1:40Score in CDownload comprises both score and parts.The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Programme note:'Abdelazer', or 'The Moor's Revenge' is a 1676 play by Aphra Behn - one of the first English women to earn her living by her writing. The English composer Henry Purcell wrote incidental music for a revival of the play in the summer of 1695. Purcell's music comprises ten movements, the second of which is the Rondeau. Benjamin Britten used the Rondeau in 1945 as the theme for his set of variations 'The Young Person's Guide to the Orchestra', Op.34.

Small Ensemble Alto Recorder,Cello,Harpsichord - Level 5 - Digital Download SKU: A0.975998 Composed by Lior Navok. 20th Century,Contemporary,Jewish,World. Score and parts. 40 pages. Lior Navok Music #4716203. Published by Lior Navok Music (A0.975998). ARABESQUE - For Alto recorder, (baroque) cello and harpsichord. (2005) Duration: 9:30 Minutes.Score and PartsPROGRAM NOTES: The composer writes about his work: Program Notes: In Arabesque, I was exploring and developing few tangled motives which echoes imaginary shepherd songs and interwoven Middle-Eastern melodies played typically on the local Nay Flute. With characteristic Baroque instrumentation, I tried to give the medium a different, more contemporary yet ethnic view. Arabesque was generously commissioned in memory of Adele and John Gray. INFO Item:Full Score / Full Score + Set of Parts Format:Hard Copy Edition: 2nd Edition Copyright:Lior Navok Publisher:Lior Navok Music Pages:score: 23; parts:17 Binding:Plastic Spiral Ink:Black & White Paper Size:DIN A4 / Letter.

Full Orchestra - Level 4 - Digital Download SKU: A0.835072 Composed by Cody Weinmann. 20th Century,Contemporary,Film/TV. Score and parts. 2 pages. Cody Weinmann #2101671. Published by Cody Weinmann (A0.835072). Get this set of parts to accompany your full score of my piece We Are The Victors. It features a complete set of parts for a concert orchestra in the modern sense. It features every part from Piccolo all the way to the contrabass or double bass string part. Parts print on 8 1/2 by 11 sized paper!

Full Orchestra - Level 3 - Digital Download SKU: A0.750810 Composed by Traditional English Tune: Greensleeves. Arranged by Brendan Elliget MAGA 537. Christian,Christmas. Score and parts. 48 pages. BJE Music #3620113. Published by BJE Music (A0.750810). What Child Is This (Greensleeves) - Concert Band Score and parts with optional Strings PDFAn arrangement for full concert band (in D minor) especially suitable for Christmas - The tune, of course, is Greensleeves with optional repeat for 3 or 4 verses. There are optional parts for piano/keyboard and Strings (Not on the score). F and Eb Horns, Bb and Eb Bass parts included. A descant is also included in the last verse…The MP3 was recorded with NotePerformer

Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835910 Composed by Arcangelo Corelli. Arranged by Paul Burnell. Baroque. Score and parts. 54 pages. Paul Burnell #6857749. Published by Paul Burnell (A0.835910). Sonata in C Major, Op. 1, No. 7 by Arcangelo Corelli, arranged by Paul Burnell for instruments in four partsDownload comprises both score and partsDuration 4:20Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play cue-sized notes in brackets where main notes are out of range or inconvenient.Programme note:The 12 'Sonate da Chiesa' by Italian violinist and composer Arcangelo Corelli were published in Rome in 1681. These 'Church Sonatas' were originally intended for performance in church by two violins with the organ as 'basso continuo' reinforced by the bass viol. These types of work are sometimes known as 'Trio Sonatas' but, because there normally are two people playing the continuo part, there are usually four players in all.The seventh sonata has three movements, with the tempo markings Allegro, Grave, and Allegro.

Small Ensemble Alto Voice,Cello,Flute,Piano,Soprano voice,Violin - Level 2 - Digital Download SKU: A0.1117453 Composed by Connie Boss. Christian,Christmas,Holiday. Score and parts. 138 pages. Connie Boss #718999. Published by Connie Boss (A0.1117453). This cantata is composed of 8 songs for SSAA choir optional accent instruments - flute/violin/cello with parts and piano. They include well known pd songs as well as original songs. All arrangements are by me. Some of the songs have different lyrics as the melody doesn't have copyright but the lyrics do. Angels are mentioned in every song in this cantata. There are lots of moving parts in each of the songs where the melody is traded around to the different parts. Harmonies, echoes, etc. are all throughout the song as well. You can purchase this on Sheet Music Plus in instant download I have background accompaniment to these songs. If you purchase a book and would like them, please email me with proof of purchase and I will email them back to you.  1. Ding Dong Merrily on High 2. Think About That Day - original by me 3. A Child Was Born - original by me 4. What Wondrous Love is this - Mary's Love 5. Christmas Angels - original by me 6. Hear the Angels Sing - medley of It came upon a midnight clear, Angels from the realms of glory, melody of infant holy 7. God Rest You Merry Gentlemen 8. Carol of the Bells - new lyrics For questions or requests email cdboss@cvalley.net.

Full Orchestra - Level 5 - Digital Download SKU: A0.861948 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 81 pages. Mark O'Connor Musik International #6208701. Published by Mark O'Connor Musik International (A0.861948). The Fiddle Concerto (brass parts – violin and symphony orchestra) MO120I-MBrass Parts (score and parts available)Music by Mark O’Connor81 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120I-MCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Small Ensemble Alto Recorder,Baritone Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.835905 Composed by Adaline Shepherd. Arranged by Paul Burnell. 20th Century,Ragtime. Score and parts. 20 pages. Paul Burnell #6716143. Published by Paul Burnell (A0.835905). Live Wires Rag by Adaline Shepherd, arranged by Paul Burnell for instruments in four parts.Download comprises both score and partsDuration 2:55Score in C The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play cue-sized notes in brackets where main notes are out of range or inconvenient.Programme note:Adaline Shepherd (1883 – 1950) was an American composer of piano pieces. In her twenties, she composed three ragtime pieces: Pickles and Peppers (1906), Wireless Rag (1909), and Live Wires Rag (1909). She married Frederick Sherman Olson in 1910, and thereafter used his last name as her own. After her marriage, she retired from composition, and her compositions were unknown to her remaining family by the 1970s until reporters contacted them.The dedication in the original piano composition reads: Dedicated to the real Live Wire Maurice A. Richmond.The metaphorical use of 'live wire' likely emerged around the year 1900, and applied the words used in electrical circuitry to describe an energetic and unpredictable person.

String Orchestra - Level 5 - Digital Download SKU: A0.861939 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 59 pages. Mark O'Connor Musik International #6208193. Published by Mark O'Connor Musik International (A0.861939). Harmony (string parts – violin and string orchestra) MO168C-GString Parts (score and parts available)Music by Mark O’Connor39 pages - 12:00 minutes in length Harmony Musicians For Harmony, an organization founded in response to the tragic events of 9/11, asked me to compose a chamber orchestra piece for their September 11, 2006 concert in New York City . I have composed Harmony for this remembrance concert. What I wished to do in composing this music was to reveal a more Middle Eastern tonality to my style which is derived from American folk fiddle music. As I become more and more familiar with American music in my own musical journey, I also learn that the music I like so much has many layers. It exposes mystery in its origins when one cares to peel back these layers. It is likely these Middle Eastern cultures play more of a role in American fiddling (and American music in general) than previously thought.In Harmony I use descriptive phrases printed in the score to indicate the temperament and journey of the music. Reaching Out begins the piece with its inviting and inquisitive drones. Throughout the piece there are several interpretations of the material with canonic and fugal writing. The music of Harmony is based on the same material constructed in a slow tempo in the beginning, a moderate tempo in the middle of the piece, and a fast fiddling tempo near the end. With hope in heart and music, I contribute Harmony on this painful day of remembrance. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorCommissioned by Musicians For HarmonyFor the 5th Anniversary Concert for Peace 2006Merkin Hall, New York, NY – September 11th, 2006 Catalogue Number MO168C-GCopyright © 2006 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

String Orchestra - Level 4 - Digital Download SKU: A0.922627 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 54 pages. Aaron Meier #5759757. Published by Aaron Meier (A0.922627). Composed by Johann Strauss IIArranged by Aaron MeierFull Score + All Parts (Violin I, Violin II, Viola, Cello, Bass)This arrangement is simply reduction to String Orchestra; technically, it is similar to the original. This reduction is a full length arrangement of the original composition by Strauss. (Intermediate-advanced to advanced)Notes:- There are two soloist parts: Violin I and Cello, both requiring the first stand to perform at some point.- It is assumed that areas not marked div. but are impossible to play on one string are to be divided. Div. are marked when a section splits into two completely different parts, rather than just splitting an octave.