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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1266946 Composed by Kimberly Joy Minarich. 21st Century,Christian. Score. 5 pages. Kimberly Joy Minarich #859591. Published by Kimberly Joy Minarich (A0.1266946). I have the privilege of directing high school, junior high, and elementary choir, as well as junior high handbells in a fantastic Christian school. As in many private schools, we adhere to a high expectation of both faculty and students, as we all work together to serve Christ in all that we do. It has become a home away from home for me, and I will forever be grateful for this institution that God has placed in my life, as a teacher today, as well as throughout my childhood, as I was a student here from preschool to high school graduation. When I was a student, and especially today from a teacher's perspective, I've witnessed that students seem to get frustrated with the rules when it comes to the dress code. The students are required to order uniforms from the Land's End catalogue, with polos and dress shirts in colors of green, yellow, or blue, along with the appropriate pants or skirts of white, black, or blue khaki. Modesty and professionalism is the standard as we seek to glorify God, even in the dress we choose. It's easy to get frustrated with rules anywhere you go. However, the goal of having rules is to put in place a line that we can all meet at according to the type of experience we are engaging in, or institution we are part of. This song encourages our students, or anyone frustrated with rules in any institution, to look past the rules themselves and focus on why you are here, and the overall purpose of what you are doing with others that are trying to do the same.Hopefully, this song will encourage you in your journey!
Tangled in the Lines
Piano, Voix et Guitare

$7.99 6.87 € Piano, Voix et Guitare PDF SheetMusicPlus

Cello,Flute,Guitar,Medium Voice - Level 4 - Digital Download SKU: A0.1396707 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo García (cello). By Traditional. Arranged by David Warin Solomons. Folk,Multicultural,Traditional,World. Full Performance. Duration 177. David Warin Solomons #980048. Published by David Warin Solomons (A0.1396707). Based on a traditional Yiddish folk song[Lyrics - English version below]Ale vasserlech flisn avek, di gribelech blaybn leydik.   Nito aza mentsh oyf gor der velt, vos zol farsteyn mayn veytik. Di yorelech tsien, di yorelech flien, di tsayt geyt avek vi roych, un az ich dermon zich on dir, mayn zis lebn, geyt mir oys der ko'ech.Un aza meydele shpilt a libe, shpilt in ir alle farbn un az zi shpilt ir libe nit oys, ken zi cholile noch shtarbn. Un az de tepelech trinkenen oys blaybn zey ale leydik un az a meydele firt ir libe nit oys vert zi farfalln oyf eybik. All the little waters flow awayThe little ditches remain dryThere is nobody on this whole earthwho can understand my painThe years drag on, the years fleeTime goes away like smokeand when I think of you, my sweet lifeI lose my strengthAnd when a young girl plays at loveall the colours play in herand if she doesn't play her love for realshe can - God forbid - still die.And when the water jars run outthey all remain dryand when a young girl doesn't play her love for realshe will pine away for ever.
Ale Vasserlech for mezzo, flute, cello and guitar (mp3)
Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo García (cello)
$4.50 3.87 € PDF SheetMusicPlus

Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.772371 Composed by Traditional Greek. Arranged by Amir Awad. Folk,Standards,World. Score and parts. 9 pages. Amir Awad #3395815. Published by Amir Awad (A0.772371). Sirtaki or syrtaki(Greek: συÏτάκι) is a popular dance of Greek originThe name sirtáki comes from the Greek word syrtos - from σÏÏω (τον χοÏÏŒ), which means drag (the dance) -, a common name for a group of traditional Cretan dances of so-called dragging style, as opposed to pidikhtos (πηδηχτός), a hopping or leaping style. Despite that, sirtaki incorporates both syrtos (in its slower part) and pidikhtós (in its faster part) elements.This Dance is arranged for Flute and Harp , it may be performed by Violin , Oboe , Clarinet in C and Piano .
Sirtaki : Traditional Greek Dance for Flute and Harp (or any instrument in C "Violin , Oboe " and "P
Harpe, Flûte (duo)

$2.00 1.72 € Harpe, Flûte (duo) PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.790189 Composed by Scott Joplin. Arranged by Diamond S Music. 20th Century,Concert,Contemporary,Folk,Ragtime. Score. 8 pages. Diamond S Music #5799249. Published by Diamond S Music (A0.790189). Euphonic Sounds (A Syncopated Two-Step) - Scott Joplin - Piano Solo. Scott Joplin is The King of Ragtime  and wrote over 100 pieces of Ragtime, one ragtime ballet, and two operas. Joplin’s ‘Maple Leaf Rag’ became ragtime's first and most influential hit. Joplin and his fellow ragtime composers rejuvenated American popular music, fostering an appreciation for African-American music among European-Americans by creating exhilarating and liberating dance tunes. Its syncopation and rhythmic drive gave it a vitality and freshness attractive to young urban audiences indifferent to Victorian proprieties ... Joplin's ragtime expressed the intensity and energy of a modern urban America. This edition also contains a brief biography of the composer. This piece is also include in the collection, The Entertainer and 21 other popular Scott Joplin Piano Solos which is available here at SMP [S0.811211] at a reduced price. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
Euphonic Sounds (A Syncopated Two-Step) - Scott Joplin - Piano Solo
Piano seul

$3.99 3.43 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1404790 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 25 pages. Jmsgu3 #987854. Published by jmsgu3 (A0.1404790). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
Bach: French Suite No. 2, BWV 813, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones

$32.95 28.35 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1405907 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 34 pages. Jmsgu3 #988957. Published by jmsgu3 (A0.1405907). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
Bach: French Suite No. 4, BWV 815, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$52.95 45.56 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

String orchestra and basso continuo ad libitum - intermediate - Digital Download SKU: S9.Q779625 Pieces from the tragedy Abdelazer or The moor’s revenge. Composed by Henry Purcell. Downloadable, Set of string parts. Möseler Verlag - Digital #Q779625. Published by Möseler Verlag - Digital (S9.Q779625). Wie aus dem Werkverzeichnis Purcells bekannt ist, hat er zu einer Reihe zeitgenössischer Dramen Bühnenmusiken geschrieben. Zum Teil handelt es sich um Gesangsszenen, hauptsächlich aber um Folgen kurzer Instrumentalstücke: Ouvertüren, Zwischenmusiken und Stücke, die an passender Stelle während der Handlung vorgetragen wurden. Die vorliegende Suite ist von Purcell zum Trauerspiel Abdelazer or the moor’s revenge komponiert worden. Das blutrünstige Drama stammt von Aphra Behn (1640-1689), der ersten englischen Schriftstellerin, die mit Schreiben ihren Lebensunterhalt verdiente. Purcells Rondeau benutzte Benjamin Britten als Thema in seinem bekannten Young Person’s Guide to the Orchestra. Das Lied Lucinda is bewitching fair ist eine spätere Zugabe und in der vorliegenden Ausgabe nicht enthalten.
Abdelazer

$17.99 15.48 € PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1406650 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 59 pages. Jmsgu3 #989408. Published by jmsgu3 (A0.1406650). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
Bach: French Suite No. 5, BWV 816, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$52.95 45.56 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Digital Download SKU: S9.Q49663 Tragödie in einem Aufzug von Hugo von Hofmannsthal. Composed by Richard Strauss. This edition: vocal/piano score. Performance - theater - tragedy. Downloadable, Piano reduction. Op. 58. Duration 105' 0. Fürstner Musikverlag - Digital #Q49663. Published by Fürstner Musikverlag - Digital (S9.Q49663). German.Im Jahr 2009 jährte sich die Uraufführung von Richard Strauss’ Elektra im Königlichen Opernhaus Dresden zum hundertsten Mal. Längst gilt die Oper als Meilenstein in der Musikgeschichte. Zugleich markiert ihre Ent - stehung einen Schlüsselmoment im Schaffen des Komponisten: Mit der Elektra beginnt eine der erfolgreichsten künstlerischen Partnerschaften der Geschichte. Zum ersten Mal vertonte Strauss hier ein Werk des österreichischen Librettisten und Dramatikers Hugo von Hofmannsthal. Aus ihrer kongenialen Zusammenarbeit sollte noch eine Reihe weiterer erfolgreicher Opern entstehen, darunter Der Rosenkavalier, Arabella sowie Die Frau ohne Schatten. Stärker als Sophokles akzentuiert Hofmannsthal in seiner Elektra die psychologischen Extreme, für die Strauss eine neue Tonsprache erfindet. Machtvoll sprengt seine Musik die Grenzen der Tonalität. Die für ein mit 120 Personen besetztes Orchester komponierte Musik verleiht den hysterischen Rachegelüsten der Elektra, Klytämnestras Rastlosigkeit und Chrysothemis’ Sehnsüchten gleichermaßen Ausdruck.Picc. · 3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · Heckelphon · Es-Klar. · 4 · 2 Bassetthr. · Bassklar. · 3 · Kfg. - 8 (5.-8. auch 2 Tb. in B und 2 Tb. in F) · 6 · Basstrp. · 3 · Kb.-Pos. · 0 · Kb.-Tb. - 6-8 P. (2 Spieler) S. (Glsp. · Trgl. · Beck. · Tamt. · Tamb. · kl Tr. · gr. Tr. · 2 Kast. · Rute) (3-4 Spieler) - Cel. (ad lib.) · 2 Hfn. (womöglich zu verdoppeln) - Str. (8 Vl. I · 8 Vl. II · 8 Vl. III · 6 Va. I · 6 Va. II · 6 Va. III · 6 Vc. I · 6 Vc. II · 8 Kb.).
Elektra

$47.99 41.29 € PDF SheetMusicPlus

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1405104 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 16 pages. Jmsgu3 #988142. Published by jmsgu3 (A0.1405104). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
Bach: French Suite No. 3 , BWV 814, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones

$32.95 28.35 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1126300 Composed by Tim Riley. Arranged by Tim Riley. Broadway,Contemporary,Historic,Musical/Show. Octavo. 49 pages. Tim Riley #727004. Published by Tim Riley (A0.1126300). A short choral work by award-winning British choral composer, Tim Riley (lyrics by John Lovat). In just 15 minutes, this work retells the highly dramatic story of The Newport Rising. Tim Riley specialises in creating compelling works of intermediate difficult for Community Choirs with mixed ability singers. In 1839, 4,000 Chartists marched on Newport in Gwent, Wales, UK. They were part of the Chartist movement, campaigning for better voting right for all. Unarmed, apart from sticks, they arrived at the Westgate Hotel in Newport where they demanded the release of a political prisoner being held there. Local militia opened fire. Twenty two protestors were killed and a further fifty injured. The leaders of the march were sentenced to be 'hanged, drawn and quartered'. Although the march ended in tragedy, most of their demands for universal suffrage are now enshrined in the laws of most democratic societies across the world. The music has been composed in a style that many will find reminiscent of Les Miserable, but there are also touches of Lloyd Webber, Kurt Weill and Gilbert and Sullivan. This arrangement is ideal for community choirs and is a SAAB arrangement. There are two alto parts, but the lower alto part could easily be taken by tenors to give a SATB arrangement. This piece was originally composed and arranged for the Insole Court Community Choir in South Wales (near where the Chartist March took place). In May 2022, the Insole Court Community Choir competed at the Cheltenham Festival for Performing Arts with Tim Riley conducting and won the Musical Theatre section with this work. If you would like more information, please feel free to contact the composer directly timriley66@gmail.com.
Treason - The Chartist March on Newport
Chorale 3 parties

$4.95 4.26 € Chorale 3 parties PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407094 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 42 pages. Jmsgu3 #989793. Published by jmsgu3 (A0.1407094). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
Bach: French Suite No. 6, BWV 817, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$52.95 45.56 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus






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