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Cello,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1274021 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Arezzo Music. Baroque,Chamber,Children,Early Music,Traditional. 3 pages. Arezzo Music #866154. Published by Arezzo Music (A0.1274021). Bach bwv anh. 131 gavotte in f major Horn and Cello Sheet Music Discover the enchanting harmonies of Johann Sebastian Bach's Gavotte in F Major, BWV Anh. 131 with our meticulously crafted sheet music for horn and cello duo! 🎶🎻 Immerse yourself in the elegant interplay between these two distinct instruments as they bring Bach's composition to life, blending the majestic tones of the horn with the resonant depths of the cello. Our arrangement captures the essence of this gavotte, showcasing the unique timbre of each instrument while creating a harmonious and captivating musical dialogue. Whether you're a horn player, a cellist, or a duo seeking an extraordinary musical partnership, our sheet music provides an exceptional opportunity to explore the beauty of Bach's composition. Download and embark on a harmonious journey that pays homage to Bach's timeless genius and the captivating synergy of horn and cello. bach bwv anh. 131 gavotte in f major Horn and Cello Sheet Music
bach bwv anh. 131 gavotte in f major Horn and Cello Sheet Music
Cor, Violoncelle (duo)
Johann Sebastian Bach
$3.99 3.4 € Cor, Violoncelle (duo) PDF SheetMusicPlus

Bassoon,Clarinet,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426546 Composed by Johann Sebastian Bach. Arranged by Kamada,Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007246. Published by ACORDO Sheet Music (A0.1426546). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and clarinet.  The bassoon (or cello) part is the same as the piano's left hand and is optional.
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Clarinet and Piano

$3.60 3.07 € PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - Digital Download SKU: A0.1257387 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #850718. Published by Regis Bookshar (A0.1257387). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Tenor Saxophone Quintet - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. This first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a Tenor Saxophone Quintet. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. Ithink you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Tenor Saxophone Quintet)
Quintette de Saxophone: 5 saxophones

$30.00 25.56 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus






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