Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1426117 By Stacey Plays Hymns. By St. Athenogenes and Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 13 pages. Anastace #1006913. Published by Anastace (A0.1426117). I discovered this ancient Greek hymn from the year 296 and was inspired to create music for it since there was none, and ended up adding original lyrics for a third verse along the way. This song features lilting, minor melodies in a Celtic style, with a flowing piano accompaniment for an altogether ethereal piece of music, perfect for special music during a church service or even congregational singing led by a small choir or lead singer. The main melody is kept very simple and singable to make it easy for a congregation to learn quickly and sing along right away, while the descant and piano part add deep richness and complexity to support the beauty of the lyrics. This is a good song for Trinity Sunday or any evensong or funeral service, as it references evening light and the sun descending, while praising the Father, Son, and Spirit. The file includes the complete score, as well as piano and vocal parts separately for your printing convenience - it will save quite a few pages on everyone's music stand or piano!Although the original was recorded in F# minor, this version is in G Minor for more playability. For other formats, including large print, a different key to match a soloist's preferred range, or the matching piano solo, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!

Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1422059 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Hazel Hannam. 20th Century,A Cappella,Pop,Rock. 8 pages. Hazel Hannam #1003400. Published by Hazel Hannam (A0.1422059). Sweet Child O' Mine is a rock classic by Guns n' Roses written for female-voiced choir in 3-parts for Soprano 1, Soprano 2 and Altos.It will be a sure hit with both singers and audiences alike!The melody is shared mainly between sop 1 and sop 2.Highest to lowest notes for singers: Soprano 1 Eb5 - Db4Soprano 2 Bb4 - Ab3Altos Ab4 - Gb3This is a great piece to try with your choir to help them improve on tuning and listening to each other. There is a chart available of piano chords (only) if you find that the singers need a little help especially beginner/easy intermediate singers, so please drop me an email if you'd like this. (Details below)Please let me know how you get on with this song and send me any links to youtube of your choir singing it. I'd love to hear you! e: hazelhannam@icloud.com  or for more details about my music please visit my website w: hazelhannam.co.ukThanks for your support in buying this arrangement. See more of my arrangements on this website by searching 'Hazel Hannam'. Thank you.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.955738 By Sarah Vaughan. By Clyde Otis and Murray Stein. Arranged by Phil Thrift. Jazz. Score and Parts. 48 pages. Phil Thrift #6062351. Published by Phil Thrift (A0.955738). When my friend Werner told me to listen to Smooth Operator, I thought he meant the well-known mid-80s smooth jazz number by the British band Sade. Instead, I got a surprise. This Smooth Operator was totally different, totally unknown to me, and provoked me to find out about Dorothy Dandridge and her life. I encourage you to do so too.The album Smooth Operator was released in 1999. However, Dorothy Dandridge had recorded this song nearly 40 years earlier, in February 1961, with – according to the sleeve notes from Verve Records – an unknown orchestra and unknown producer. The arranger of the band charts is also not credited. It seems there was just one take, because when Ms. Dandridge enters at the pickup to measure 5, it takes the rhythm section a few beats to fall into line with her; one trumpet also enters too early in measure 74! Notwithstanding, this is an amazing, very cool number, and if your female vocalist feels up to the challenge of these cheeky, risqué lyrics, then these easy charts will enable your big band to recreate the piece.Although the style is dated and recalls a bygone era, I feel this song is a good way to remember this brilliant actress, singer, and dancer who died so young, and draw attention to the injustices she suffered and which are still with us today. The tagline to the film of her life starring Halle Berry sums up her life: Right woman. Right place. Wrong time.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040262 Composed by Mac Montgomery, Mitch Wong, and Ryan Ellis. Arranged by Barry McCormick. Praise & Worship,Sacred. Score. 12 pages. B. McCormick #645041. Published by B. McCormick (A0.1040262). About this Piano/Vocal/Guitar arrangement of “Heart of the Father� This arrangement containing a simple piano accompaniment and melody with chords of Heart of the Father by Ryan Ellis was created with the focus of ease of use in a Church setting for this modern song of worship. In the popular recording of this song Ellis uses his musicianship to change the melody slightly each verse as well as include expressive and elaborate vocal runs in numerous places through out the song. My aim was to write the melody omitting these vocal flourishes which are not as suitable for a corporate worship setting. With my many years of experience as church musician, worship leader and MD, I shaped this arrangement in a way to convey all necessary information for a modern church worship band with ease. Firstly the main Score simply has the melody and piano accompaniment. Secondly the parts are split up so the melody and accompaniment can be shared separately. The Lead, melody part, includes the chords so this part acts as a lead sheet which can be used for guitarists. I have also included the melody for Bb instruments also for bands which may have them. I have used repeats in a optimised way so that the music for each part takes up no more than 2 pages. All musicians know the frustrating limitations of music stands to hold much more than that! If you like this arrangement a also have some other arrangements of Christian worship songs and Hymns from Lead sheets to classical guitar arrangements you may also like to check out. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801784 Composed by Connie Boss. Arranged by Connie Boss. Celtic,Christian,Easter,Holiday,Sacred. Score. 3 pages. Connie Boss #6864503. Published by Connie Boss (A0.801784). This is an original piece using the lyrics of St. Patrick's poem, The Breastplate. It was a poem of faith and trust in God. This is for an alto or tenor singer with a simple but effective piano accompaniment.Questions email cdboss@cvalley.netLyrics:Refrain:Christ be within meChrist be behind meChrist be before meChrist to win me.Verse:Christ to comfort and restore meChrist beneath meChrist above meChrist inquiredChrist in dangerChrist in heart of all that love meChrist in mouth of friend and strangerRepeat refrain:

Small Ensemble Flute,Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801786 Composed by Connie Boss. Arranged by Connie Boss. Celtic,Christian,Easter,Holiday,Sacred. Score and parts. 5 pages. Connie Boss #6865541. Published by Connie Boss (A0.801786). This is an original piece using the lyrics of St. Patrick's poem, The Breastplate. It was a poem of faith and trust in God. This is for an alto or tenor singer, flute and with a simple but effective piano accompaniment.Questions email cdboss@cvalley.netLyrics:Refrain:Christ be within meChrist be behind meChrist be before meChrist to win me.Verse:Christ to comfort and restore meChrist beneath meChrist above meChrist inquiredChrist in dangerChrist in heart of all that love meChrist in mouth of friend and strangerRepeat refrain:.

Small Ensemble Cello,Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801788 Composed by Connie Boss. Arranged by Connie Boss. Celtic,Christian,Easter,Holiday,Sacred. Score and parts. 5 pages. Connie Boss #6865935. Published by Connie Boss (A0.801788). This is an original piece using the lyrics of St. Patrick's poem, The Breastplate. It was a poem of faith and trust in God. This is for an alto or tenor singer with cello and a simple but effective piano accompaniment.Questions email cdboss@cvalley.netLyrics:Refrain:Christ be within meChrist be behind meChrist be before meChrist to win me.Verse:Christ to comfort and restore meChrist beneath meChrist above meChrist inquiredChrist in dangerChrist in heart of all that love meChrist in mouth of friend and strangerRepeat refrain:

Small Ensemble Guitar,Piano,Violin,Voice - Level 2 - Digital Download SKU: A0.801787 Composed by Connie Boss. Arranged by Connie Boss. Celtic,Christian,Easter,Holiday,Sacred. Score and parts. 5 pages. Connie Boss #6865929. Published by Connie Boss (A0.801787). This is an original piece using the lyrics of St. Patrick's poem, The Breastplate. It was a poem of faith and trust in God. This is for an alto or tenor singer with violin and a simple but effective piano accompaniment.Questions email cdboss@cvalley.netLyrics:Refrain:Christ be within meChrist be behind meChrist be before meChrist to win me.Verse:Christ to comfort and restore meChrist beneath meChrist above meChrist inquiredChrist in dangerChrist in heart of all that love meChrist in mouth of friend and strangerRepeat refrain:.

Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.

B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1080679 Composed by Alex Lewis and Eddie Lewis. Classical,Multicultural,World. Score and part. 9 pages. Tiger Music #684898. Published by Tiger Music (A0.1080679). Southwest Sunrise Trumpet Solo Eddie Lewis and Alex Lewis MTR P111 4137 Southwest Sunrise is a trumpet solo for beginner trumpet students that has a more complicated piano part. I often get requests for music for students of different skill levels. And in fact, that’s what of my strengths as a writer, is that I can blend parts across skill levels that way. In this case, Alex and I were striving for something that would be interesting for the pianist, but not overly challenging for the beginner trumpet student. The Process The inspiration for this piece came to me on a morning walk in Chandler, Arizona. Chandler is a suburb of Phoenix. I was walking east, into the rising sun. It was a very simple melody. It was a very simple blues melody that I immediately recognized as something that would work in our series for beginner trumpet students. This was during a time when my son, Alex, and I were already collaborating on some other projects. For this piece, I gave Alex the melody and gave him a general description of what I was hearing. Then I gave him his space to create what sounded good to him. The next stage was me editing some of his creativity. At this point we went back and forth on a few issues until we agreed on the final results. SKILL LEVEL The skill level for Southwest Sunrise is Trumpet Pioneer (we don’t have skill levels for piano parts yet on this website). Trumpet Pioner is the first of seven levels in our system. These are absolute beginners who have only been playing the trumpet for a few months. Our Trumpet Pioneer level limits the range to C in the staff. We also limit rhythms to nothing smaller than quarter-notes, and key signatures are limited to one flat or sharp. Practice Recommendations While it is obvious and I don’t normally list it as a point in this practice recommendations, but the rhythms are very different between the trumpet part and the trumpet part. So it is even MORE important to spend time listening to the composition long before you begin practicing it. As I said, this is a good habit for working on all performance pieces. There is research that proves that students learn their music best when they recognize their mistakes soonest. When you listen to the music repeatedly before you practice, it goes a long way towards helping you recognize your mistakes. This is one of the most important reasons for listening, but there are others that I won’t go into here. Assuming the pianist is far more advanced than the trumpeter, the pianist should assume a patient, educational role.

Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - Digital Download SKU: A0.1076268 By Cyndi Lauper. By Billy Steinberg and Tom Kelly. Arranged by Ray-Michael Kauffman and a do Ray me flute studio production Ray-Michael Kauffman. 20th Century,Contemporary,Holiday,Pop,Rock. 42 pages. As do Ray meflute studio production #680423. Published by as do Ray meflute studio production (A0.1076268). Https://youtu.be/CCylcZgNDO0 True Colors , arranged for flute choir . ensemble by me , Ray-Michael Kauffman. Composed by B. Steinberg & T. Kelly, & this song was nominated 2 times for a Grammy , recorded by Cyndi Lauper. Also performed by Phil Collins, and Eva Cassidy and many more. This arrangement is part of the Compositions that Care which means all money raised goes directly to charity, in this case LGBTQ+ community, such as housing for youth whom may be thrown out of their housing or had to run away, for hate crime victims/ survivors, shelter, medical treatment and supplies and any other need . This arrangement is very special and personal for me, because I am a Hate Crime victim /survivor as well. Even in today's society , where about 20% or less of Hate Crime Victims even report attacks or even serious physical harm. The laws have been changing slowly in the last 10 years , taking away penalties and sentencing from this heinous crimes. Legislators and law makers have diminishing what defines hate crimes, if hate crimes deserve additional sentencing, taking away laws that would ensure and help to protect this minority population most vulnerable to being victims. And not just in the USA, but around the world LGBTQ+ persons , are being attacked , imprisoned, and even murdered everyday . IIn the USA, Even where as victims like myself are seriously harmed , and in the hospital , requiring surgery, permanently maimed , broken bones, etc. most criminal perpetrators get minimal sentencing , even probation . And as in my case, these criminals had have multiple other serious convictions of physical harm to others and even serious gun charges. Please make your voice heard, help protect yourself, or your family, friends, and loved ones by contacting law makers local and federal to let them know this is not ok, and laws need to be changed to protect every person . Thank you for watching. To purchase this charitable composition, please Visit: SheetMusicPlus.com , also check out my website @ doRaymeflute.com.

Organ - Level 3 - Digital Download SKU: A0.1458588 Composed by Charles Austin Miles. Arranged by KATHLEEN HOLYOAK. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 4 pages. Kathleen Holyoak #1037515. Published by Kathleen Holyoak (A0.1458588). This famous and beloved old song, written by Charles Austin Miles in 1912, is often sung at funerals and was inspired by John, Chapter 20 in the Bible where Mary goes to the Garden Easter morning and finds the tomb of Jesus empty. Mary is distraught but then she hears a voice and realizes it is the voice of Jesus and not the gardener.  Upon many requests, the arranger, Kathleen Holyoak, has written this as an organ solo, having previously published it for vocal solo and instrumental versions.  This is one title every organist needs to include in their library or organ music.  The words are inspiring and can be printed in a program as follows:I come to the garden alonewhile the dew is still on the roses,and the voice I hear falling on my earthe Son of God discloses.And he walks with me, and he talks with me,and He tells me I am his own;and the joy we share as we tarry there,none other has ever known.