Woodwind Ensemble - Level 5 - Digital Download SKU: A0.996131 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 50 pages. Erik Cole #4793089. Published by Erik Cole (A0.996131). This is a transcription of the complete Pictures at an Exhibition for double reed choir. It is all in the original keys and based on the well-known Ravel orchestration, which is quite difficult. As a result, this arrangement is even more challenging. It is designed with at least 2 players per part in mind, and all of the oboe and bassoon parts are divisi throughout. The attached MP3 recordings are multi-track recordings of me playing all the parts. This was, by far, the most daunting recording I have put together for any of my arrangements, and I apologize for any minor imperfections in timing or pitch. In many places, this really stretched the limits of what I am capable of on bassoon. The middle section of this movement, with all the tremolos and trills, works much better for strings than for double reeds. Still, I was fairly pleased with how the recording of it turned out. The outer sections of the movement are quite difficult because of the extreme ranges that are consistently needed.

Woodwind Ensemble - Level 5 - Digital Download SKU: A0.996123 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 32 pages. Erik Cole #4793065. Published by Erik Cole (A0.996123). This is a transcription of the complete Pictures at an Exhibition for double reed choir. It is all in the original keys and based on the well-known Ravel orchestration, which is quite difficult. As a result, this arrangement is even more challenging. It is designed with at least 2 players per part in mind, and all of the oboe and bassoon parts are divisi throughout. The attached MP3 recordings are multi-track recordings of me playing all the parts. This was, by far, the most daunting recording I have put together for any of my arrangements, and I apologize for any minor imperfections in timing or pitch. In many places, this really stretched the limits of what I am capable of on bassoon. This movement in particular, with all the stops and starts, was a challenge to record to a track.

Flute Solo - Level 1 - Digital Download SKU: A0.865262 Arranged by Chris Cooke. Christian,Praise & Worship,Sacred. Individual part. 25 pages. Chris Cooke #4615407. Published by Chris Cooke (A0.865262). This is a collection of 17 easy hymn duets that focus on Jesus’ Love.  These are timeless melodies to comfort and cheer any worshiper and musician. They are suitable for accompaniment to congregational singing since most are in the traditional hymnal keys.  Most contain one verse so that it can be repeated as needed.  However, some contain two verses with the second verse and embellishment of the first.  Coming soon are transpositions for other instruments so that duets can be played in various combinations.  The hymns with their keys are:   Deeper, Deeper in the Love of Jesus, A-flat I Love to Tell the Story, A-flat Jesus Loves Even e, A-flat Oh How I Love Jesus, A-flat Jesus Loves Me, B-flat It’s Just Like His Great Love, B-flat Wonderful Story of Love, B-flat Love Divine, All Loves Excelling, B-flat Love Lifted Me, B-flat Oh God of Love, Oh King of Peace, B-flat Jesus Thine All Victorious Love, F My Jesus I Love Thee, F O Love that Wilt Not Let Me Go, A-flat Awake My Soul to Joyful Ways, G Oh the Deep, Deep Love of Jesus, G-minor In Loving Kindness Jesus Came, G He Loves Me, A-flat  

Piano Solo - Level 3 - Digital Download SKU: A0.1424094 By Sharon Wilson. By Howard Johnson and Theodore Morse. Arranged by Sharon Wilson. 20th Century,Christian,Contest,Festival,Holiday,Traditional. Score. 5 pages. Sharon Wilson #1005276. Published by Sharon Wilson (A0.1424094). Mother, A Word that Means the World to Me. This touching tribute to mothers by Theodore Morse and Howard Johnson is arranged as an intermediate piano solo. Though the notes are not too difficult or technical to learn, due to the numerous accidentals, this arrangement may require a little extra practice.  This piece is an excellent choice for recitals or performances to express love and appreciation for mothers during Mother's Day programs or any time of year to say thanks to mothers and acknowledge how much our mothers mean to us. Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

String Quartet Cello,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1421936 By John Legend. By John Stephens and Toby Gad. Arranged by Rafael Fonseca. Pop. 12 pages. Rafael Fonseca #1003269. Published by Rafael Fonseca (A0.1421936). Enhance your repertoire with this arrangement of John Legend's classic 'All of Me' for string quartet and piano.Designed for versatility, this arrangement is ideal for musicians performing at events such as weddings.It adds a touch of elegance to any occasion. Meticulously crafted to capture the essence of the original song, it offers a refined interpretation that will resonate with audiences. Elevate your performance with this timeless piece that is sure to leave a lasting impression.Purchase now to enrich your musical repertoire.

Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAP I wrote this String Quartet in a composition class at the College of William and Mary in 2010.  It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below).  This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours.  This quiet but lovely music soothed and pacified me.  On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you --  whenever you acquire a recording of it by some lucky quartet ensemble.  Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet.  This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary:   Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, A’, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B.  Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.

Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment  on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ----  Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy. 

Mixed Percussion Instrumental Duet,Tenor Trombone - Level 5 - Digital Download SKU: A0.1315589 Composed by Brian Kershner. 21st Century,Contemporary. 14 pages. Gordon Cherry #904332. Published by Gordon Cherry (A0.1315589). Here are the program notes of Trombotriptych for solo Trombone and Percussion by composer Brian Kershner.Trombotriptych is the first piece I have written for the trombone in the main, solo role. I decided to mount the work as a duo with limited percussion, one player, and just two instruments, Woodblock and Bongos. The piece allowed me to learn about and explore the many extended techniques that the trombone can produce. I was grateful to work with the person, for whom the piece was written, Topher Logan, as this is such an immense help. The trombone is capable of great, almost oratorical power, as well as sweet, horn-like lyricism. There are portions of the piece which utilize a couple of different mutes, and the open and closed colors of the Harmon mute, slide and position changes for timbre color, glissandi, as well as multiphonics, which on this instrument are produced by using the voice, singing while playing. There are contrasting tempi in the work, including a middle section which seems barless, although is notated traditionally, and an up tempo section toward the end with exciting interplay between the instruments. It is hoped that the work captures the many sides of this most noble, heroic, and yet vocally pure member of the brass family.The music is appropriate for very advanced performers and is about 9 minutes in length.

Organ - Level 4 - Digital Download SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin Solomons (A0.576016). This is a suite of 5 organ pieces composed by David W Solomons originally performed by David Carlston Williams on 17 August 2014 on the organ of St Paul's Springfield Road, Sale (Cheshire, UK) Registrations are as suggested by the performer. (the sound sample is a recording of Passacaglia from the subsequent CD recording performed by David Carlston WIlliams in June 2015) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The suite is also available as separate pieces (with performances by David Carlston Williams).

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.711747 Composed by Mykola Leontovych. Arranged by Nicholas Steinbach. 20th Century,Christmas,Concert,Instructional,Sacred. Score and parts. 23 pages. Nicholaas Steinbach #3689669. Published by Nicholaas Steinbach (A0.711747). 2018 Holiday Contest EntryThis is an original quartet arrangement by Nicholas Steinbach for Carol of the Bells. The arrangement features each instrument taking turns with the melody, counter melody, and motor. With the purchase, you will receive a 10x17 tabloid full score (6 pages), letter size score (6 pages), violin I part (4 pages), violin 2 part (3 pages), viola part (3 pages), and cello part (3 pages). Total is 23 pages and the approx. run time of the piece is 2min 45seconds to 3minutes. About the arrangement: The arrangement is primarily written in 6/8, but features some metric modulation (going from dotted quarter 63 to quarter note 126bpm for example). This gives the piece a dramatic sense of escalation as it reaches the final passage. Each player will have his or her time to shine in the arrangement. Also, various playing techniques are used such as ricochet (on open strings), legato, marcato, spicc. It is all written in a way to maximize the virtuosic sound while maintaining a comfortability and playability. There is also some interesting deviation from the original melody. This piece is perfect for a holiday concert. Enjoy and please email me if you have any questions: Nicholas.C.Steinbach(@)gmail.com

Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764661 Composed by Ruggero Leoncavallo (1857-1919). Arranged by James Pybus. Opera,Romantic Period. 10 pages. James Pybus #37123. Published by James Pybus (A0.764661). Vesti la giubba (Put on the costume) is a famous tenor aria from Ruggero Leoncavallo's 1892 opera I Pagliacci. Vesti la giubba is sung at the conclusion of the first act, when Canio discovers his wife's infidelity, but must nevertheless prepare for his performance as Pagliaccio the clown because The show must go on. The aria is often regarded as one of the most moving in the operatic repertoire of the time. The pain of Canio is portrayed in the aria and exemplifies the entire notion of the tragic clown: smiling on the outside but crying on the inside. This is still displayed today, as the clown motif often features the painted-on tear running down the cheek of the performer. The 1904 recording by Enrico Caruso was the first million-selling record in history. This aria is often used in popular culture and has been featured in many renditions, mentions, and spoofs. In this arrangement for SATB Saxophone Quartet written in 2013, the original key has been transposed to a more saxophone-friendly key. The tenor saxophone is featured. Duration 3:35 contact me at james.pybus56@gmail.com.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.583677 By Todd Rundgren. By Todd Rundgren. Arranged by Jeff Tincher. Contemporary. 18 pages. Jeff Tincher #4643499. Published by Jeff Tincher (A0.583677). This is the first single and opening number of a lesser known group that Todd Rundgren fronted, Nazz. I actually liked this group, even though they were not commercially successful. This song was released as a single. However it fell short, mainly because the B-Side was accepted better, Hello, It's Me. This song is a rocker and a typical 60s rock song. Rock was beginning to take hold, however, a lot of bands added a smooth section in their songs to get more appeal. This song is no exception to that rule. The song is unusual in that the section that leads to the final chorus has several time signature changes, which was not the norm for the time. This song still rocks with the best of them. Duration = 2:51. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing .

Piano Solo - Level 3 - Digital Download SKU: A0.1317556 By Elton John. By Bernie Taupin and Elton John. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). Comedy,Jazz,Pop,Ragtime,Rock. Score. 6 pages. Martyn Johnson #906222. Published by Martyn Johnson (A0.1317556). This is a fun arrangement of the Elton John classic in a sort of Stride/Ragtime piano style. For me, it works very well. Elton himself was well versed in honky tonk, pub piano styles and the chord progression is very accepting of this treatment. If some of the voicings ie 10ths are too large for your left hand simply play single bass notes or octaves instead, or feel free to roll the tenths. Please note this is a piano solo and I haven't notated any of the other instruments in my YouTube arrangement. I do, however, write my arrangements for solo piano first and they sound perfect as such. I don't include fingering, phrasing or dynamic marking as no two piano teachers will agree upon so I leave this trustingly to the individual performer. I do include chord symbols which I find more helpful in learning repertoire.Have fun playing this. I did. I'm a big Elton John fan and this is one of my favourite numbers of his and it was a pleasure to notate it.