Violin Duet Violin - Level 3 - Digital Download SKU: A0.1148467 Composed by Tommaso Albinoni. Arranged by Renato Tagliabue. Classical. 5 pages. Renato Tagliabue #748641. Published by Renato Tagliabue (A0.1148467). .

Violin Duet Violin - Level 1 - Digital Download SKU: A0.1033396 Composed by Ludwig van Beethoven. Arranged by Aline Gonçalves. Contemporary. 1 pages. Aline Goncalves #6425109. Published by Aline Goncalves (A0.1033396).

Violin - Level 4 - Digital Download SKU: A0.1247095 Composed by Wolfgang Amadeus Mozart. Arranged by D F Wainwright. Classical,Instructional. 24 pages. D F Wainwright #841660. Published by D F Wainwright (A0.1247095). Although I usually prefer to arrange Baroque music, particularly Bach, for 4 violins because of the contrapuntal nature, it's nice to give our 4 violinists a chance to play some classical repertoire. There are few pieces more immediate than the Mozart Serenade in G.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.910168 Composed by Johann Sebastian Bach. Arranged by Monica Re Martin. Baroque,Contemporary,Standards,Wedding. Score and parts. 21 pages. Monica Re Martin #6509305. Published by Monica Re Martin (A0.910168). J.S. Bach's Concerto for 2 Violins in D minor, BWV 1043, also known as the Bach Double, is one of his most well known works by not only violinists of all levels, but the world. This is the second movement from that work, the Largo ma non tanto, arranged for string quartet. The arrangement is true to the original work, with very slight edits to make it work for this instrumentation. .

Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan María Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel �ngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan María Solare

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.861779 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 27 pages. Mark O'Connor Musik International #6201681. Published by Mark O'Connor Musik International (A0.861779). String Quartet No. 1 (a.k.a. Quartet) MO129CAdapted for string quartet (two violins, viola and cello) by Mark O’ConnorViolin 2 Part (score and parts available)Music by Mark O’Connor23 pages - 31:00 minutes in lengthMovement I (6:40)Movement II (8:21)Movement III (7:51)Movement IV (7:17)Quartet adapted for two violins, viola and cello in four movements, was commissioned by the Santa Fe Chamber Music Festival in 1990 and was premiered in August of that year. This piece represents Mark O’Connor’s first work in a classical genre. The original instrumentation called for an unorthodox combination, omitting the usual second violin part and adding bass, to highlight the contrast between his fiddling style and the classical style of the other players. Upon his adapting of the score, O’Connor discovered that in many situations, execution was much more successful with the standard string quartet configuration. The Quartet was released on the Warner Bros. recording, The Fiddle Concerto. O’Connor, Daniel Phillips, Carter Brey and Edgar Meyer were the original cast who helped usher in the new O’Connor music style which helped pave the way for many more pieces to come. In this four-movement work, O’Connor offers a multitude of insights into ways in which traditional fiddling and the classical string writing of the eighteenth and nineteenth centuries resemble each other. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1989 Composed By Mark O’ConnorString Quartet No. 1 (Quartet) can be heard on The Fiddle Concerto Warner Bros. RecordsMark O’Connor - violin; Ida Kavafian – violin; Paul Neubauer – viola; Matt Haimovitz - celloCatalogue Number MO129CCopyright © 1989 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com