SKU: A0.1279460

‘Passacaglia for Violin and Piano’ revolves around a chromatically descending bass ostinato (the lament bass), which offers many variational possibilities. Written in the Romantic style, the piece passes through brooding melancholy, rapid spirited passages and tender Chopinesque interweaving melodies, constantly propelled by its unyielding harmonic structure towards an exhilarating finale. It also achieves these effects by employing the violin’s large palette of techniques and tone colours, including pizzicato, spiccato, the warm sul G tone, rolled 4-string arpeggiations, double stops, contrasts in dynamics and ornamental flourishes.

SKU: A0.942801

Chopin's last Scherzo, composed in 1842. Adapted for Concert Band by ForteTwo. Piccolo, 2 Flutes, Oboe, 3 Clarinets, Bass Clarinet, Bassoon, 2 Alto Saxes, Tenor Sax, Bari Sax, 3 Trumpets, 4 Horns, 3 Trombones, Bass Trombone, Euphonium (B.C.), Tubas, Bass, Timpani, Glockenspiel. Performance time: 10-12 minutes. .

SKU: A0.551990

Score: 5 pages. Duration 3:40
This is the third movement of the Sonata in G Minor for Piano & Cello, Op. 65.
Chopin performed this sonata on his final recital in 1848.

SKU: A0.1281219

One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.

This arrangement for tenor sax with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.

SKU: A0.1281917

One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.

This arrangement for flute with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.

SKU: A0.1281229

One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.

This arrangement for soprano sax with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.

SKU: A0.1281227

One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.

This arrangement for alto sax with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.

SKU: A0.1283157

One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.

This arrangement for F horn with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.