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Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868758 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #4580841. Published by Really Good Music, LLC. (A0.868758). Abbandonata sè resta sola is an aria from Solo cantata I Ferma deh, ferma omai, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo. Ferma deh, ferma omai is the only cantata in the collection, composed for alto and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A minor (C4 – C5) for low voice.
CAVALLI Francesco: Abbandonata sè resta sola, aria from the cantata, arranged for Voice and Piano (
Voix moyenne, Piano

$5.95 5.14 € Voix moyenne, Piano PDF SheetMusicPlus

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868683 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4368198. Published by Really Good Music, LLC. (A0.868683). Sento con qual diletto is an aria from the opera Ercole su'l Termodonte (1723) by Antonio VIVALDI (1678 – 1741). It has been realized and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (F4 – A5) for high voice. .
VIVALDI Antonio: Sento con qual diletto, aria from the opera "Ercole su'l Termodonte", arranged for
Voix Soprano, Piano

$5.95 5.14 € Voix Soprano, Piano PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.767222 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3087395. Published by Lyons Music Services (A0.767222). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. 6. Anima mia perdona – My soul forgivesFlexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other transpositions available on request.
Monteverdi - The Fourth Book of Madrigals - 06. Anima mia perdona
Ensemble de cuivres

$4.99 4.31 € Ensemble de cuivres PDF SheetMusicPlus






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