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2-Part Mixed Voices, Piano - Easy - Digital Download SKU: MQ.50-7309-E Composed by Susan Borwick. 9/11 Service. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-7309-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-7309-E). The author of this text, George Matheson, once said his poem,came like a dayspring from on high. The words stir the soul with their truth and eloquence, couched in archaic 19th-century language. Albert L. Peace's tune ST. MARGARET carries Matheson's text simply and directly. The arrangement was written at the request the Wake Forest University Theatre, who asked for a setting of the hymn for a production of Thornton Wilder's well-known play Our Town, specifically for the graveyard scene. The piano accompaniment conjures up the tolling of a bell that between stanzas breaks forth between stanzas into poignant melody as the voices in monotonerest in God's everlasting love.
O Love That Wilt Not Let Me Go
Chorale 2 parties

$1.70 1.45 € Chorale 2 parties PDF SheetMusicPlus

Bells,Boomwhackers,Handbell,Handchime - Level 1 - Digital Download SKU: A0.1177309 By Sharon Wilson. By Anonymous and Traditional. Arranged by Sharon Wilson and Sharon Wilson Music. Children,Christian,Easter,Folk,Praise & Worship. 12 pages. Sharon Wilson #777317. Published by Sharon Wilson (A0.1177309). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. This arrangement begins with an introduction followed by one verse.  An optional repeat is included for added verses if a longer performance is desired.Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the Boomwhackers® staff and score. Lyrics are also provided on each score for sing along enjoyment or when using this arrangement as the accompaniment for a unison choir.This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme.  If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. All sharps and flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians.This arrangement is one of the 10 songs in the collection Ten More Praise Choruses for 13-note Bells and Boomwhackers®Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®     * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children's ministriesVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicBoomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission
His Banner Over Me Is Love for 13-note Bells and Boomwhackers® (with Color Coded Notes)
Sharon Wilson
$5.99 5.11 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576884 Composed by David Warin Solomons. 20th Century,Contemporary. Octavo. 6 pages. David Warin Solomons #484851. Published by David Warin Solomons (A0.576884). Setting of a poem by David Dunning extolling the virtues of idleness and its effects in each season. The sound sample here was the first performance, performed by a singing group in our college back in 1976. The author of the words is singing with the tenors and I am playing the guitar part. These are the words of the original poem: When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song. once when the fresh new spring was here I lavished though to sow the year oh dreaming seasons never interfere with worldly bounty, scorned the prudent song and prayed March winds to buffet time along Soon in the heat of summer haze I floundered on through deep green maize, where heavy herds lowed as they grazed, I saw that I would reap in thought among the rich; and time moved on with busy song, now in the heat of summer Now winter creeps between the sashes and rain upon the window lashes while wild wind moans round rafters dashes and I to annual poverty belong, yet know that spring flows richly on in song When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song.
To Idleness for choir and guitar
Chorale SATB

$2.99 2.55 € Chorale SATB PDF SheetMusicPlus

Oboe,Piano - Level 5 - Digital Download SKU: A0.872548 Composed by Philip Orem. Contemporary. Score and part. 26 pages. Philip Orem #1975423. Published by Philip Orem (A0.872548). Three pieces for oboe and piano. Trifle Number One is rhythmically challenging with a lyrical middle section. Trifle Number Two is a beautiful arioso for oboe. A Wedding Present is a joyous romp for both performers. This is a great piece for a lighter part of your recital! Includes score and oboe part.A performance can be heard at https://www.youtube.com/watch?v=IoQkrCeO5hw&feature=youtu.beFor further information contact me at  po4musik@aol.com or https://po4musik.wixsite.com/website.
Two Trifles and a Wedding Present - for oboe
Hautbois, Piano (duo)

$25.00 21.32 € Hautbois, Piano (duo) PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.872549 Composed by Philip Orem. Contemporary. Score and part. 25 pages. Philip Orem #1975429. Published by Philip Orem (A0.872549). Three pieces for soprano saxophone and piano. Trifle Number One is rhythmically challenging with a lyrical middle section. Trifle Number Two is a beautiful arioso for oboe. A Wedding Present is a joyous romp for both performers. This is a great piece for a lighter part of your recital!Includes score and saxophone part.A performance can be heard at https://www.youtube.com/watch?v=IoQkrCeO5hw&feature=youtu.beFor further information contact me at  po4musik@aol.com or https://po4musik.wixsite.com/website.
Two Trifles and a Wedding Present - for soprano saxophone
Saxophone Soprano et Piano

$25.00 21.32 € Saxophone Soprano et Piano PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1256872 Composed by Nicholas White. 21st Century,A Cappella,Classical,Traditional. Octavo. 12 pages. Nicholas White Music #850259. Published by Nicholas White Music (A0.1256872). A challenging, unaccompanied, pastoral setting of Thomas Hardy's poem, scored for SATB divisi featuring a high soprano!Regret not me;     Beneath the sunny treeI lie uncaring slumbering peacefully.       Swift as the light     I flew my faery flight;Ecstatically I moved, and feared no night.       I did not know     That heydays fade and go,But deemed that what was would be always so.       I skipped at morn     Between the yellowing corn,Thinking it good and glorious to be born.       I ran at eves     Among the piled-up sheaves,Dreaming, 'I grieve not, therefore nothing grieves.'       Now soon will come     The apple, pear, and plumAnd hinds will sing, and autumn insects hum.       Again you will fare     To cider-makings rare,And junketings; but I shall not be there.       Yet gaily sing     Until the pewter ringThose songs we sang when we went gipsying.       And lightly dance     Some triple-timed romanceIn coupled figures, and forget mischance;       And mourn not me     Beneath the yellowing tree;For I shall mind not, slumbering peacefully.
Regret Not Me
Chorale SATB

$2.00 1.71 € Chorale SATB PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.785992 Composed by John Hinton. Arranged by Andrew R. Guarrine. Baroque,Renaissance. Score and parts. 12 pages. GuarrineMusic #5791263. Published by GuarrineMusic (A0.785992). Come, Follow Me! (John Hinton)This adaptation of a madrigal is to be performed lightly and not too fast.  Uses hooked-bows, slurs and plenty of imitation.  The first section is a solo violin with the cello coming in later. Only uses forte and piano dynamic markings.  A great piece for solo and ensemble or as a lighter piece for your orchestra at that spring performance.  (Quartet -with optional Cb.)      Key of D  2/2 time  Grade 2+ because of style and technique.  
Come, Follow Me!
Orchestre à Cordes

$12.95 11.05 € Orchestre à Cordes PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
Orchestre de chambre

$9.99 8.52 € Orchestre de chambre PDF SheetMusicPlus

Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1440682 Composed by William Henry Monk. Arranged by Keith Terrett. 20th Century,Christian,Historic,Instructional,Traditional. 12 pages. Keith Terrett #1020660. Published by Keith Terrett (A0.1440682). Abide with me and the Infantry Last Post arranged for Solo Bugle or (Trumpet/Cornet/Flugel) & Brass Quintet.Remembrance Day (also known as Poppy Day owing to the tradition of wearing a remembrance poppy) is a memorial day observed in Commonwealth member states since the end of the First World War to honour armed forces members who have died in the line of duty.[1] The day is also marked by war remembrances in several other non-Commonwealth countries. In most countries, Remembrance Day is observed on 11 November to recall the end of First World War hostilities. Hostilities ended at the 11th hour of the 11th day of the 11th month of 1918, in accordance with the armistice signed by representatives of Germany and the Entente between 5:12 and 5:20 that morning. (At the 11th hour refers to the passing of the 11th hour, or 11:00 am.) The First World War formally ended with the signing of the Treaty of Versailles on 28 June 1919.Abide with Me is a Christian hymn by Scottish Anglican cleric Henry Francis Lyte. A prayer for God to stay with the speaker throughout life and in death, it was written by Lyte in 1847 as he was dying from tuberculosis. It is most often sung to the tune Eventide by the English organist William Henry Monk.The Last Post is either an A or a B? bugle call, primarily within British infantry and Australian infantry regiments, or a D or an E? cavalry trumpet call in British cavalry and Royal Regiment of Artillery (Royal Horse Artillery and Royal Artillery), and is used at Commonwealth military funerals, and ceremonies commemorating those who have died in war.
Abide with me & Last Post for Solo Bugle & Brass Quintet

$12.99 11.08 € PDF SheetMusicPlus

Instrumental Duet,Piano B-Flat Clarinet,Bass Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1092662 By Josh Groban. By Brendan Graham and Rolf Lovland. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Contemporary,Pop,Praise & Worship,Wedding. Score and parts. 10 pages. Uwe Roessler #696764. Published by Uwe Roessler (A0.1092662). This is an arrangement for clarinet in Bb, bass clarinet in Bb and piano. Originally written for violin, cello and piano (hence the video link), in this version the violin was replaced by the clarinet, the cello was replaced by the bass clarinet. Only slight changes were made for reasons of practicability. It is a very effectice, neo classical arrangement and follows the form of the video version (which is also available on this platform). Comes with full score, and all individual parts. Duration: approx 4.00 min. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
You Raise Me Up
Josh Groban
$30.00 25.59 € PDF SheetMusicPlus

Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. Contemporary,Jazz,New Age,Rock. Score and parts. 25 pages. ViolinVagabond Music #5742365. Published by ViolinVagabond Music (A0.845980). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boss RC-30, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you transpose the bass stave up one octave and use an octave pedal for the pizzicato bass lines. A standard 4-string can also work, although most phrases will have to be transposed 8va.A little about this tune: there are 2 distinct sections. The first is a latin groove with a a highly syncopated chopping groove and a simple, soaring melodic head. This section can be opened up for a variety of solo ideas from jazz to Latin to funk, before it transitions using a common tone into the bridge, which is more of an epilogue. This section has much more of a heavy rock bent, with a thick stack of string overdubs that mimic an orchestra sitting over an overdriven rhythm groove, and a breakdown where aggressive drum fills are accompanied by rhythmic chugging in the violin. Finally, all of these ideas culminate as the A section melody is re-introduced over the rock groove, building to an ultimate climax.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. I usually add additional percussive loops when I perform this solo.I have also included three auxiliary string parts, which can be used to perform this piece with a string section or an orchestra. The parts line up with the second section of the tune and replace some of the loops with live parts. You can see an example of this arrangement in the following video: https://youtu.be/IO30qF2WlR8?t=230The sky is the limit for electric violinists, so feel free to get creative with this chart and make it your own!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
Divergence by The Khromatiks, for Electric Violin & Loop Station
The Khromatiks
$7.99 6.82 € PDF SheetMusicPlus

String Ensemble,String Quintet - Level 1 - Digital Download SKU: A0.799652 Composed by D. M. Gardner. Concert. Score and parts. 25 pages. D. M. Gardner Music #481035. Published by D. M. Gardner Music (A0.799652). This very popular piece has enjoyed performances across the country. Entre Nous was originally premiered in Omaha, Nebraska with the University of Nebraska Chamber Orchestra. Soon, Entre Nous made it's way to places such as Florida, Texas, and most recently, Iowa, where this newest revision was premiered. Entre Nous has faired well in competition and recital and is sure to be a great addition the repertoire of any chamber orchestra.Entre Nous (between me and thee) is a conversation between a man and his God. It is a single movement, ternary composition, mirroring the Holy Trinity. Beginning in a solemn g minor, it quickly moves forward with an endless flow of eighth note counterpoint, emerging enchantingly into the flowing melancholy melody of the B section. The second A surfaces in a minor with a sudden new energy and direction, slipping into a deeply contemplative, ethereally enchanting ending.Entre Nous is also a very unique and interesting piece, perhaps the reason for its popularity. Structurally, it turns upside-down a number of times, each line becoming the melody at some point. A very linear piece, melodic interweaving and predominance give Entre Nous a characteristic that can be best described as enchanting. Much of the melody being perceived is actually a combination of several lines of music at once, often in contrast to another melody or two beneath.Premiere: University of Nebraska at Omaha - Chamber Orchestra - April 30, 1997Difficulty: Moderate - A great piece for middle school or youth orchestras. Great for competition. Entre Nous has been performed for several competitions and a graduate audition at Florida State.Number of Pages: 25 total printed pagesApprox. 7 minutes and 34 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
Entre Nous for Strings
Orchestre de chambre

$19.99 17.05 € Orchestre de chambre PDF SheetMusicPlus






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