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Alan Silvestri : Forrest Gump - Thème (flûte à bec alto)
Flûte à Bec
Téléchargez la partition Flûte à bec Forrest Gump - Thème (flûte à bec alto) de Sil…
5.99 € Flûte à Bec PDF Tomplay

Alan Silvestri : Forrest Gump - Thème (niveau très facile, avec orchestre)
Guitare notes et tablatures
Téléchargez la tablature et la partition Guitare Forrest Gump - Thème (niveau très fac…
4.99 € Guitare notes et tablatures PDF Tomplay

Alan Silvestri : Forrest Gump - Thème (niveau intermédiaire/difficile, guitare seule)
Guitare notes et tablatures
Téléchargez la tablature et la partition Guitare Forrest Gump - Thème (niveau interméd…
4.99 € Guitare notes et tablatures PDF Tomplay

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4321 Composed by James A. Kerr. Sadness, Comfort, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4321). Let Me Kiss Those Weeping Eyes. Ballad. Words and Music Composed by James A. Kerr. Published 1877 by Matthias Gray, 105 Kearny Street in San Francisco. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Sadness, Comfort, Love. First line reads Oh let me kiss those weeping eyes, that never should be sad.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Let Me Kiss Those Weeping Eyes. Ballad
Chorale SATB

$5.99 5.25 € Chorale SATB PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.4050 Composed by William Cumming. Mothers & children, Depression, Comfort, Love, Courage, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4050). Thou Wouldst Call Me Back From the Echoless Shore. A Mother's Reply to the Popular Ballad Rock Me To Sleep. Music by William Cumming. Published 1862 by A.C. Peters & Bro. in Cincinnati. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Mothers & children, Depression, Comfort, Love, Courage, Death. First line reads My child! oh my child! thou art weary tonight.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Thou Wouldst Call Me Back From the Echoless Shore
Piano, Voix

$5.99 5.25 € Piano, Voix PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869305 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50809. Published by Thomas Oboe Lee (A0.869305). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
Pq2 ... (2014) for piano and string quartet, violin 1 part
Quatuor à cordes: 2 violons, alto, violoncelle

$9.99 8.76 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869304 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50815. Published by Thomas Oboe Lee (A0.869304). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
Pq2 ... (2014) for piano and string quartet, cello
Quatuor à cordes: 2 violons, alto, violoncelle

$9.99 8.76 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #50811. Published by Thomas Oboe Lee (A0.869307). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
Pq2 ... (2014) for piano and string quartet, viola part
Quatuor à cordes: 2 violons, alto, violoncelle

$9.99 8.76 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Small Ensemble B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.781058 Composed by William Monk. Arranged by Cathy Stamegna. Praise & Worship,Sacred. Score and part. 12 pages. Cathy Stamegna #6603713. Published by Cathy Stamegna (A0.781058). This beloved hymn begins in the traditional contemplative style and picks up the tempo slightly to transition to a triple meter Gospel feel while still retaining its gentle nature. A flexible ending allows the performers to conclude after Verse 2 or continue through Verse 3 (a return to quadruple meter with some clarinet embellishments).  Concert key:  Bb.  May be adapted to Bb Trumpet.  Appropriate for Worship, Recital, Concert.  Full Score and Clarinet Part. The optional third verse extends the performance time from 2:41-3:51.
Abide With Me (Bb Clarinet/Piano Duet)
Clarinette et Piano

$5.99 5.25 € Clarinette et Piano PDF SheetMusicPlus

Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.781057 Composed by William Monk. Arranged by Cathy Stamegna. Praise & Worship,Sacred. Score and part. 12 pages. Cathy Stamegna #6603711. Published by Cathy Stamegna (A0.781057). This beloved hymn begins in the traditional contemplative style and picks up the tempo slightly to transition to a triple meter Gospel feel while still retaining its gentle nature. A flexible ending allows the performers to conclude after Verse 2 or continue through Verse 3 (a return to quadruple meter with some flute embellishments).  Flute range:  E4-C6.  Concert key:  F.  May be adapted to Violin and Oboe.  Appropriate for Worship, Recital, Concert.  Full Score and Flute Part. The optional third verse extends the performance time from 2:41-3:51.
Abide With Me (Flute/Piano Duet)

$5.99 5.25 € PDF SheetMusicPlus






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