Flute,Piano - Digital Download SKU: A0.1052084 Composed by I.B. Woodbury. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Accompaniment. Duration 292. Exultet Music #2039667. Published by Exultet Music (A0.1052084). The beautiful Catholic hymn that was sung by Perry Como, is now available in many formats on this site.

Piano - Digital Download SKU: A0.1069297 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Accompaniment. Duration 199. Dan Cutchen Music #6329607. Published by Dan Cutchen Music (A0.1069297). This is the piano accompaniment track for: Vocal Solo-Why Have You Forsaken Me? (Psalm 22) for baritone/mezzo-sopranoVocal solo with piano accompaniment. The text is based on Psalm 22:1-3.For mezzo-soprano/baritoneRange: mezzo-soprano: Bb3 to Eb5; baritone: Bb2 to Eb4The attached VIDEO is for soprano/tenor in the key of G. Just to give you an idea of what is sounds like.

Choral Choir,Choral (SATB) - Digital Download SKU: A0.818373 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 29 pages. Stephen R Dalrymple #6709753. Published by Stephen R Dalrymple (A0.818373). Hope of the World: 15 Why Have You Forsaken Me?original song arranged for SATB choir and piano by Stephen R Dalrymple (includes an optional tenor solo)♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on (Psalm 22, Matthew 27)♫ with At the Cross (public domain hymn by Isaac Watts and Ralph Hudson.)♫ In Psalm 22, David describes the pain he is feeling in the current controversy he was facing. Deliberate hyperbole was one of the figures of speech used in ancient Jewish culture (as it is used in our culture today.) Probably much of what David is describing is somewhat metaphoric. But for Jesus on the cross, this Psalm all too real. Jesus literally lived Psalm 22 on the cross.            ♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999560 By Jimmy Fallon. By Matthew Aitken, Michael Stock, Pete Waterman, and Peter Alan Waterman. Arranged by Russell Ward. Contemporary. 16 pages. Russell Ward #6047155. Published by Russell Ward (A0.999560). This is the 4th and final Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au  

Piano - Digital Download SKU: A0.1069296 Composed by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Accompaniment. Duration 199. Dan Cutchen Music #6329601. Published by Dan Cutchen Music (A0.1069296). This is the piano accompaniment track for:Vocal Solo-Why Have You Forsaken Me? (Psalm 22)Vocal solo with piano accompaniment. The text is based on Psalm 22:1-3.For soprano/tenor.Range: Soprano: Eb4 to G5; Tenor: Eb3 to G4.

Piano Solo - Level 4 - Digital Download SKU: A0.1342167 Composed by Kingsfold. Arranged by Pamela M Robertson. Advent,Christian,Christmas,Lent,Sacred. Score. 3 pages. Pamela M. Robertson #927689. Published by Pamela M. Robertson (A0.1342167). This contemplative and poignant setting of KINGSFOLD is commonly associated with several hymn texts: O Sing A Song of Bethlehem; I Heard the Voice of Jesus Say; O God, O God, Why Have You Forsaken Me; (and other hymn texts).Arranged by Pam Robertson for the early advanced pianist, this piece is well suited for use in worship services or recitals, and is approximately 2:30 in length.

Drums - Digital Download SKU: HX.180423 By Roberta Flack. Arranged by Paris Rutherford. Concert,Jazz,Love,Pop. Choral Instrumental Pak. 2 pages. Duration 235. Hal Leonard - Digital #444450. Published by Hal Leonard - Digital (HX.180423).

Digital Download SKU: HX.410255 By Sammy Cahn. Arranged by Paris Rutherford. This edition: scorch. Jazz,Standards. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #816500. Published by Hal Leonard - Digital (HX.410255).

Voice Duet Alto Voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1305303 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 7 pages. Kevin G. Pace #894741. Published by Kevin G. Pace (A0.1305303). A stunningly beautiful vocal duet for alto and tenor.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.  Text inspired by the the verse in Doctrine and Covenants 29:5 I am your advocate with the Father.Text:I Will Plead Your Cause “. . . (I) am your advocate with the Father; . . .� - Doctrine and Covenants 29:5Alto: I have sinned and cannot be restoredTo Father’s sight, to Father’s heavn’ly door.I am stopped, but there is One whose lifeWas giv’n for me so I would not know strife.Tenor: I am Christ, and I will plead your cause.For this I bled so you would not be lost.I am Christ, who died on CalvaryTo show my love to you explicitly.Tenor: Those who will confess my Name to all,To those will I confess when Father calls.But if they deny my Name to men,They, too, will I deny to Father then.Alto: I have sinned, but I have faith in Thee;To be my advocate, will Thou now be?As I plead for mercy and thy grace,Will Thou help me discover Father’s face?Both sing at the same time:Alto: I have sinned; O will Thou plead my causeBefore my Father’s face, or I’ll be lost?Thou art Christ, who died on CalvaryTo show thy love to me explicitly.Thou art Christ, who died to save my soul.Thou art Christ. Thou died to make me whole.Tenor: I am Christ, and I will plead your causeBefore my Father’s face so you’re not lost.I am Christ, who died on CalvaryTo show my love to you explicitly.I am Christ, who died to save your soul.I am Christ. I died to make you whole.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939843 Composed by Richard St. Clair. A Cappella,Contemporary,Praise & Worship,Sacred. Octavo. 12 pages. Richard St. Clair #5769433. Published by Richard St. Clair (A0.939843). This 5-minute a capella motet for SATB Choir is a Latin setting of the great Psalm 12 (Vulgate), a powerful and uplifting setting of King David's psalm. The mournful opening expresses the composer's grief at the tragic demise of his grandmother (in whose memory the motet is dedicated) in 1964. The music ends with a strong feeling of hope and joy, reflecting the Psalm's powerful text.

Easy Piano - Level 2 - Digital Download SKU: A0.1009380 Composed by Marc Shaiman and Scott Wittman. Arranged by L McKinlay. Broadway,Film/TV,Instructional,Musical/Show,Pop. Score. 3 pages. L McKinlay #615041. Published by L McKinlay (A0.1009380). An easy piano arrangement of the song from the hit TV series SMASH? This piece provides the opportunity to practise some syncopated rhythms, simplified from the original without losing its feel. Teachers can use it to focus on phrasing with your student, and use the analogy of a singer breathing between phrases. It would also be an ideal piece to introduce some pedalling. This arrangement is 39 bars long (intro, verse, chorus), includes notes of the treble clef including leger lines, two- and three-note chords, syncopation, fingering suggestions and accidentals. It has been simplified for you to enjoy without losing the character of the original. At McKinlay Music, my goal is to create pieces which: - Are suitable for young pianists while still sounding like the original piece - Provide opportunities to learn and to develop technique. Check out my other easy and beginner piano pieces including Christmas favourites!

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.1255512 Composed by Matthew Nunes. Classical,Thriller. Brass Band. 120 pages. Matthew Nunes Music #849018. Published by Matthew Nunes Music (A0.1255512). Listen to this piece hereJessica Mitford’s incisive 1963 essay Behind the Formaldehyde Curtain is the inspiration for this piece. Mitford dissects the embalming industry while baring the ironies and inhumanities of its processes. First included in her book The American Way of Death, we follow “Mr. Jones� from death to burial and experience all the tools, techniques, and abuses in-between. It was required reading for me as a high school junior and a text that grows more haunting with each added birthday candle. The piece follows “Mr. Jones� on his journey with narrated extracts from Mitford’s essay. The opening chords are constructed from the pitches D-flat, E-flat, A-flat, and another D-flat, following Igor Stravinsky’s final chord in The Rite of Spring (D-E-A-D). From here the material alternates between chromatically descending, as the corpse nears its final resting place, and ascending, while the embalmers fight to champion death.- Matthew NunesNiceville, July 2020.

Concert Band - Level 3 - Digital Download SKU: A0.1039839 Composed by David M. Sterrett. Classical. Score and parts. 38 pages. David Sterrett Music #644687. Published by David Sterrett Music (A0.1039839). I composed this piece while I was still a student at Marcus High School and a member of the band, myself (2002-2006). This fanfare was commissioned by Amanda Drinkwater, the director of bands at the time, to be a symbol of heart and identity for the organization – to be performed by the band while marching onto the field, as well as to promote a sense of comradery and unity among all members of the band. I was lucky enough to call Amanda Drinkwater one of my earliest mentors in music, and I will always be grateful for her encouragement and teaching, and for giving me this opportunity. Towards the end of my time in high school, I had gotten very serious about composition and trumpet performance, and was looking ahead to music as my future college major and career. That timing was serendipitous for each of us. Amanda conceived of this project that year, and, knowing of my passion for composing, graciously offered me the opportunity to compose the piece. For me, I was thrilled to accept the opportunity, and it meant a lot. I cherished my experiences in the Marcus Band, and I saw this as my chance to give something back. In that spirit, even though the piece is short, I put my heart into it. This commission was also my first professional engagement as a composer, and that was tremendously exciting.