Full Orchestra - Level 4 - Digital Download SKU: A0.1181710 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Contemporary,Contest,Festival. Score and parts. 58 pages. Lee Johnson Music #781490. Published by Lee Johnson Music (A0.1181710). TO LAY ME DOWN - for symphony orchestra - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: https://www.leejohnsonmusic.comKings Bishop Productions

Piano Solo - Digital Download SKU: A0.742484 By Chicago. By Peter Cetera. Arranged by Javier Martínez. Pop,Rock. Score. 5 pages. Arte Nova Music Lab #4742215. Published by Arte Nova Music Lab (A0.742484). If You Leave Me Now is the title of a hit ballad by the American rock group Chicago, from their album Chicago X. It was written and sung by bass player Peter Cetera and released as a single on July 31, 1976. It is also the title of a Chicago compilation album released by Columbia Records (Columbia 38590) in 1983.The single topped the US charts on October 23, 1976, and stayed there for two weeks, making it the first number one hit for the group as well as hitting number one on the Easy Listening charts.[4] If You Leave Me Now was also Chicago's biggest hit internationally, topping the charts in other countries such as the UK, Australia, Ireland, Canada, and Netherlands. In the UK it maintained the number one position for three weeks.[5] It was one of only five non-disco songs to make it to number one in the US in a nine-month period of 1976.[6]According to writer Zachary Houle of PopMatters, The song was so pervasive on radio upon its release that, reportedly, those tuning in inNew York could hear the song playing on four different stations, each with varying formats, simultaneously.[7]The song won Grammy Awards for Best Arrangement Accompanying Vocalist(s) (strings) for arranger Jimmie Haskell[8] and producerJames William Guercio[9] and Best Pop Vocal Performance by a Duo, Group or Chorus,[10] the first Grammy Award won by the group.[11] It also received a Grammy nomination for Record of the Year.[12] In addition, by August 1978 it had sold 1.4 million copies in the United States alone.[13] It has been certified gold and platinum by the RIAA.[14]In 2010 Chicago teamed with the American Cancer Society and offered the opportunity to bid on the chance to sing their hit, If You Leave Me Now with them on stage live at their concerts, with proceeds going to the American Cancer Society to fight breast cancer.[15] The fund raising effort has continued in succeeding years.Taken from https://en.wikipedia.org/wiki/If_You_Leave_Me_Now

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.534589 Composed by Pierre Bouillon. Concert,Romantic Period,Standards. Score and part. 24 pages. Musik Fabrik Music Publishing #4730807. Published by Musik Fabrik Music Publishing (A0.534589). Pierre-Claude-François BOUILLON (18??-1883) was the principal conductor of the Cirque Fernando,  the famous circus of the Belle Époque who inspired many impressionist artists, such as Renoir, Degas,  Toulouse-Latrec and Georges Seurrat, whose masterpiece “Le Cirqueâ€� was inspired by this Circus.   Bouillon was a very prolific compposer, writing many works for solo instrument and piano, marches,  galops, waltzs, polkas and other dances. These works were intended to illustrate the various numbers  presented during performances..Papillon is a theme and variations which begins with a lyrical introduction. The main theme (letter C) is in the form of a popular French romance. After two variations, there is another lyrical episode which leas to the final polka.  Pierre-Claude-François BOUILLON (18??-1883) était le chef d’orchestre du célèbre cirque Fernando, un  cirque qui pendant la Belle Époque inspira des artistes tels que Renoir, Degas, Toulouse-Latrec et Georges Seurrat, qui peigne “Le Cirqueâ€� d’après une représentation du ce cirque. Bouillon est un compositeur  très prolifique, écrivant des Å“uvres pour instrument solo et orchestre, des marches, des galops, valses,polkas et d’autres morceaux de danse. Ces Å“uvre avaient pour vocation d’illustrer des divers numéros du  cirque. Papillon est un air varié qui commence par une introduction lyrique. La thème principale (lettre C) est en forme de romance populaire. Après deux variations, il y a une seconde épisode lyrique qui amène la polka finale.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973.   Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews.   As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.

(Full Performance) - Digital Download SKU: HX.452712 By Travis Cottrell. By David Moffitt and Travis Cottrell. Arranged by James Koerts. Christian,Praise & Worship,Sacred. Choral. Duration 251. Published by Hal Leonard - Digital (HX.452712).

(Full Performance) - Digital Download SKU: HX.158643 Composed by Steve Cook and Vikki Cook. Arranged by BJ Davis. Concert,Contemporary,Sacred. Choral. Duration 247. Published by Hal Leonard - Digital (HX.158643).

(Full Performance) - Digital Download SKU: HX.389495 By Michael Buble. By Doc Pomus And Mort Shuman. Arranged by Ed Lojeski. Pop. Choral. Duration 218. Published by Hal Leonard - Digital (HX.389495).

(Full Performance) - Digital Download SKU: HX.249449 Composed by Brian Doerksen and Sandra Gage. Arranged by Harold Ross. Concert,Contemporary,Praise & Worship,Sacred. Choral. Duration 257. Published by Hal Leonard - Digital (HX.249449).

(Full Performance) - Digital Download SKU: HX.451450 Composed by Gaye C. Bruce. Arranged by Stewart Harris. Sacred. Choral. Duration 179. Published by Hal Leonard - Digital (HX.451450).

Flute,Voice - Level 2 - Digital Download SKU: A0.1208607 By Michael Bleiweiss. By Michael Bleiweiss. A Cappella,Chamber,Comedy,Singer/Songwriter. Full Performance. Duration 75. Michael Bleiweiss Music #806715. Published by Michael Bleiweiss Music (A0.1208607). This is a song about the joys of Particle Physics set to the tune of the traditional Irish song Dear Old Donnegal.Running Time:  1:15.

Level 5 - Digital Download SKU: A0.1127220 By Phyno. By Phyno. Arranged by W.A.S. Enterprise. 20th Century,Baroque,Broadway,Classical,Hip-Hop,Musical/Show,R & B. Full Performance. Duration 212. W. A. S Enterprise #727854. Published by W. A. S Enterprise (A0.1127220).

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.899174 Composed by Luxuan Elly Wen. New Age. Score and parts. 11 pages. Luxuan Elly Wen #4621811. Published by Luxuan Elly Wen (A0.899174). The Fragrance of Purple Rosy is inspired by the Sonnett 123 composed by Liszt. I practiced the sonnet 123 a few years ago and the beauty of the music fascinated me, which brings up the colors in the ways of delicate, intimate, and the subtle change of shades. The music always reflects in colors in my brain. The Sonnet 123 rounds up in purple rosy. I decided to write a duet sharing the same color for praising sonnet 123. The music is expressed in my own way. Also, I wanted to start the music in a way of most straight-forward, therefore the first subject entered as a 4-note broken chord. The short introduction is written in triplets for the purpose of giving a salute to Liszt, which shares the same rhythmic pattern of the introduction of Sonnet 123.Advice credit: Jean Kountz and Jane ArmstrongPerformers in the sample video: Le-qi Tang and Nicole Tang from Flora Wu's Piano Studio

Instrumental Duet Clarinet,Flute,Instrumental Duet - Digital Download SKU: A0.981221 Composed by Judith Cloud. Contemporary. Score and parts. 1 pages. Judith Cloud #6690315. Published by Judith Cloud (A0.981221). Six Forays for Flute and Clarinet1. Questioning with hesitation2. Slowly and freely with rubato3. Snappy and perky!4. Tenderly, with much sensitivity5. Nagging relentlessly6. Aggressively insistentThe genesis of this diminutive composition, and its subsequent title Six Forays for Flute and Clarinet had its inception at a dinner party held by flutist, Emily McKay. Jeremy and Emily were planning a collaboration including a CD recording featuring flute and clarinet music, and wanted me to compose a piece for them. I decided against a formal plan, and began in a sense, to unravel sound organization from the inside out. Imagining myself an audience participant, I wanted to hear clarity through brevity. I definitely did not want to impose gimmickry, but did choose to play with slight pitch bending-something to arouse the listener, but not to bore her with 20th century musical clichés. The result is a six-movement piece, around six minutes long. Organizing the music through titles allows for imagination for both the listener and the performers.Beauty of tone, magnificent musicianship, and virtuosity-these qualities in instrumentalists inspire all who create music. I am very grateful to Emily McKay and Jeremy Reynolds for commissioning me to write this music for them.

Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.796803 By Roberta Flack. By Charles Fox. Arranged by Eric Hagmann. A Cappella,Soul. Octavo. 6 pages. Eric Hagmann #3586331. Published by Eric Hagmann (A0.796803). An SSAA w/ divisi contemporary a cappella arrangement of Roberta Flack's Killing Me Softly With His Song as performed by Lauryn Hill with The Fugees in 1996. This straightforward chart is an excellent way to showcase your strong, treble voices while exploring some new colors on a familiar tune.  It features a dynamic vocal bassline and an opportunity to showcase a vocal percussionist.  Performance time = ~3:30RangesSolo: D4 - D5Soprano 1: C4 - A5 Soprano 2: D4 - E5Alto 1: C4 - C5Alto 2: G3 - A4For more information about my music and projects, click here: https://erichagmannmusic.com/Follow me on Instagram: https://www.instagram.com/erichagmannmusic/Reach out to me on Facebook: https://www.facebook.com/erichagmannmusic