Piano and voice - Digital Download SKU: LV.17945 Composed by Ignaz Josef Pleyel. Courtship & love, Death, Emotion--pain. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17945). If Living Worth Could Win My Heart. A Favorite Scotch Ballad. With an Accompaniment for the Piano Forte By Ignace Pleyel. Published [n.d.] by John Cole in Baltimore. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Death, Emotion--pain. First line reads If living worth could win my heart, You would na speak in vain.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Organ - advanced - Digital Download Per organo. Composed by Peteris Vasks (1946-). This edition: Sheet music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q6906. Published by Schott Music - Digital

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.746225 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Michael Pilley. Jazz. Octavo. 9 pages. Michael Pilley Music #4849749. Published by Michael Pilley Music (A0.746225). One of the most loved Christmas tunes made famous by the ultimate crooner, Bing Crosby, I'll Be Home For Christmas resonates with me every year as I have been living in the UK since 2012. It speaks of the desire to return home for the special time of year to share in the celebration with family and friends. But in a small twist, the last line of the song is if only in my dreams, leaving us to consider those around the world who are displaced from their loved ones.This arrangement is in a simple ballad style and features the melody in the soprano and tenor voices. The harmony is chromatic in parts, but with good voice leading to assist with the learning of this jazz-infused tune. The bass part mainly anchors down the harmony, with a dm consonant aiming to recreate a jazz double bass sound. Soft consonants and sweet do sounds will ensure a smooth ballad style. Ranges are within a standard choir set, so this should be performable by most community choirs with basic reading ability. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic

Brass Ensemble - Level 4 - Digital Download SKU: A0.894379 Composed by Zack Richards. Contemporary,Jazz,Pop. Score and parts. 35 pages. Zack Richards #2340379. Published by Zack Richards (A0.894379). Living in Northeast Ohio for my entire life, disappointment in my local sports teams has been an unfortunate reality. I began this piece in 2012, with the intention of musically connecting to that disappointment in a humorous way, while showing the ever-present faith in our sports teams. The opening motive of G-A-F-E is based on the word GAME, F substituting for the M. There are essentially four sections to the piece: a general

Piano - Level 3 - Digital Download SKU: A0.1295900 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Sérgio Matias da Cunha. 20th Century,Children,Film/TV,Wedding. Score (Chords/Lyrics). 2 pages. Sérgio Matias da Cunha #886167. Published by Sérgio Matias da Cunha (A0.1295900). Partitura clara, objetiva, concisa e acessível apresentando marcações de cifra, dinâmica, sinais de intensidade, linhas de oitava, mudança de tom e mudança de andamento, buscando o melhor efeito com simplicidade e equilíbrio, oferecendo as devidas informações para uma livre interpretação através da exposição desta melodia, cuidadosamente diagramada e organizada para melhor visualização, entendimento e execução. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Jazz Band - Grade 2 - Digital Download SKU: LX.60-1078H Composed by Russ Michaels. Jazz Band. 48 pages. Heritage Music Press #e60/1078H. Published by Heritage Music Press (LX.60-1078H). UPC: 000308059212.Russ Michaels' experience as a middle school jazz educator is clearly evident in this bluesy shuffle. It is solid from start to finish and the ensemble figures will make sense to your band from the first rehearsal. Use this chart to introduce or reinforce the sassy shuffle feel of the Thad Jones/Mel Lewis band.

Choral Choir (3-Part) - Level 4 - Digital Download SKU: A0.564756 By Sharon Wilson. By Charles Frederick Weigele. Arranged by Sharon Wilson. Praise & Worship,Romantic Period,Sacred,Traditional. Octavo. 17 pages. Sharon Wilson #1911839. Published by Sharon Wilson (A0.564756). This arrangement is formatted for an SAA choir with piano accompaniment. This hymn from long ago beautifully expresses how living for Jesus brings peace and rest no matter the troubles that may come. The piece begins softly with the SOPRANOS, soon joined by the ALTO 1's. Then the ALTO 2's join for the conclusion of the first verse. The song begins in the key of E major and then for the third and final verse transitions to the key of F major during a short piano interlude.

Trombone - Level 4 - Digital Download SKU: A0.811261 Composed by David F. Wilborn. 20th Century,Contemporary. 27 pages. Gordon Cherry #6624625. Published by Gordon Cherry (A0.811261). Here is a detailed description of the work by composer, David F. Wilborn.Elysian Fields was written for the Elysian Trombone Consort. Members of the ensemble include: Timothy Anderson, Chad Arnow, Nathan Siler, and Brett Shuster. The work was created as part of a recital feature that took place at the 2021 International Trombone Festival entitled A New Initiative II: Trombone Quartet Music by Composers of Color. The Elysian Trombone Consort created the New Initiative concert series as a vehicle to promote new and existing works by composers from under-represented gender, ethnic and social communities. The concert series aims to highlight the creative scholarship of under-represented artists. The ultimate goal is to encourage the programming and creation of more compositions by these scholars.The title Elysian Fields (also known as Elysium) is a venue in mythology that references a final resting place in the afterlife for the Greek Gods. Although Elysium was originally designated for Greek Gods and mortals who may have been related to the Gods, the venue was also accessible to certain mortals by the Gods for their heroic deeds or by those who enjoyed favor with the Gods. Images of Elysium are said to have radiant sunshine, rolling hills and, according to Homer in his Odyssey, the most pleasant weather conditions – no snow, nor heavy storm, nor ever rain.The music Elysian Fields attempts to capture the frivolity of living in Elysium. It portrays the radiant sunshine and the spirit of joy. The place is by all accounts a surreal landscape where sun rays softly beam down on the fields and, in some cases, it emanates as a heavenly backdrop. It is a place of everlasting happiness, serenity, and peace. This 5-minute work is accessible by intermediate to moderately advanced performers.The track below is from a live performance by the Elysian Trombone Consort at the International Trombone Festival in 2021.

Choral Choir (SATB) - Digital Download SKU: A0.777024 By Mike + The Mechanics. By BA Robertson, Michael Rutherford, and Mike Rutherford. Arranged by Jon Arterton. Contemporary. Octavo. 9 pages. Jon Arterton #5302597. Published by Jon Arterton (A0.777024). This great song is arranged in a simple but powerful way to highlight the wonderful words. It features a striking solo.

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry.  Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today.  From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments.  The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included.  The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources.  P.S.-  The score was written on Finale. The sound file was produced with samplers from Garritan,  merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever

Small Ensemble Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.773755 Composed by Anthony Giamanco. Contemporary,Sacred,Wedding. Score. 9 pages. Whole Tone Press #4829853. Published by Whole Tone Press (A0.773755). I Received the Living God is a beautiful sacred ballad for medium voice with piano accompaniment, perfect for Communion! Mr. Giamanco has paired his original melody to a wonderful text by an unknown author. This expressive, heartfelt solo will become a favorite of your congregation! Medium-easy difficulty. Also available for Low Voice.  Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, and on YouTube. Contact info: tony@shalomlife.org.

Easy Piano - Level 1 - Digital Download SKU: A0.1010932 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Pop. Score. 4 pages. Gregor Rice Publishing #2919583. Published by Gregor Rice Publishing (A0.1010932). Kieswetter~Rice: Mark Kieswetter & Gregor Rice have been writing beautiful music since the early 1980s, highly awarded and dearly loved.  This is just one of them, finally recorded 2016.  We can be contacted via Gregor Rice: ieshea@frontier.com or Mark Kieswetter: mkieswetter@gmail.com and on FaceBook, our PRO is BMI, Published via Gregor Rice Publishing, on the RiceSound label.  Get more backing tracks as well as the original song in vocal, instrumental and backing tracks at www.broadjam.com/atchristmastime Like all our work, it's most appropriate for any public performance; stage and screen, TV/film, Broadway, church, schools, universities, military offerings, or solo, this, a holiday selection, warm and cozy.  This rendition is in the key of Ab.  Music: Kieswetter~Rice, Lyrics: Rice   Sheet music by Prof. Mark Kays, Chair/Dept. of Music, Trine University.It most certainly brings at least a few minutes of peace and comfort to all who sing and hear.  Encoded with many blessings, it could be at least a temporary solution to the world peace problem, or so we'd sincerely intend it to be.  If enough people would jump on the bandwagon, so to speak, it could easily blanket our entire Earth and all Her people with peace and comfort, safety and relief, and feeling a sense of home, whether home... or not.  Looking at the big picture, if you're on Earth, you're 'home.'  Find all our comforts of home here: www.atchristmastime.tarajories.com So far, we offer the sheet music available here in 2 keys, Ab the original, and easier play, D in both lead/lyric sheet and vocal with piano accompaniment formats.  Forthcoming, will be the entire score following the full recording due out holiday season 2016.  Additional mp3 renditions and styles in at www.broadjam.com/atchristmastime In 3/4 time at 96 BPM it offers 3:42 minutes of comfort, relaxation, and a serious sense of relief.  Notice for yourself.  You can also sing along with any of our Karaoke tracks in various styles & keys at broadjam.com/atchirstmastime and  post your rendition to YT!  What a surprise homecoming gift this would be!  Need a new key?  RSVP.  We'll upload it.  Either way, look for a special blessing for yourself or gift it to someone, each time you sing it.  Sink into its sense of safety, comfort, peace, and joy, and feel at home wherever you are, whenever you sing or listen to this song. Let's blanket our entire Mother Earth with peace and plenty, safety, love, warmth, and healing for a maxed-out planet and a maxed-out people with this gifted song.  Remember to envision et al blanketing Mother Earth, all the people, flora and fauna, in a warm fuzzy blanket of love, peace, and healing every time.  In performance practice sessions, take a selfie or groupie before, notice your state, and your aura if you see them, and again after your practice session, just for grins.  Notice what you notice, and see as well as feel the difference.  Post your extraordinary results to FB & YT.  It isn't just music anymore, Toto.Historical content?  Actually written in 1984 in Maumee, OH, this song was officially copyrighted in 1986.  1987 Gregor was whisked out of state to a new locale where attendance to making a living else wise became the mode o' day like most compose/lyricists.  Mark, one of the most gifted jazz artists on the planet, continued his dailies teaching, gigging, and studio work.  Many beautiful songs fell through the cracks while Gregor, and equally gifted composer~lyrici.