Piano Solo - Level 3 - Digital Download SKU: A0.862548 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2034423. Published by Michael Butkus-Bomier (A0.862548). The combination of a 4th and a wholestep makes a structure known as the tritonic scale. Simply a three-tone scale, nothing more to it than that! highly pianistic, very mirror-able, and able to display sudden and dramatic shifts in harmonic colors while keeping a steady cascade of notes in motion. Octaves in the left hand make both a bassline and a melody underneath these arpeggiated scalar figures. The piece is in 12/8 time, as is often used for these three-notes up-three notes down, and back again kind of elements. The mirroring here is less topographical than the other pieces, but the contrary motion and mirrored fingerings persist, as does the strict use of the intervals at hand. Approx running time is 3 mins 15 secs. A Fun piece for the display of the sound of the piano, and the display of the ability of the player to maintain a flowing 1/8-note triplet motion through many different shades of major and minor, lydian and phrygian . MBB.

Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC.  https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to ?ght for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning ?ame, and a joyful feast.   —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30

Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC.  https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to ?ght for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning ?ame, and a joyful feast.   —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.787485 Composed by Edvard Grieg. Arranged by Fran Griffin. 20th Century. 18 pages. Gryphon Music Australia #3536093. Published by Gryphon Music Australia (A0.787485). Here is an arrangement for five alto saxes of Grieg's very well known movement from his Peer Gynt suite, In the Hall of the Mountain King. It is suitable for young players who are enjoy ensemble playing. Sax 4 is slightly easier, but the other parts are of equal difficulty, and the work is shared around so that everyone gets to play the tune and also be the goblins and trolls. Nobody has to play the quaver passages alone, so this arrangement is a good confidence builder.It is a good introduction to playing in an ensemble whilst maintaining a constant accelerando without getting out of control.

Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1488154 Composed by T. A. Roncevic. Folk,Multicultural,World. 19 pages. T. A. Roncevic #1065035. Published by T. A. Roncevic (A0.1488154). This is one of six pieces for a string quartet (Violins 1 & 2, Viola, Cello).  It is from the Pirin Mountain region (Bulgarian Macedonia).  The meters are 7/8 (3,2,2), 2/4 and 8/8 (2,3,3).  The cello player stomps his/her heel on the first beat of measure 165, and then taps his/her toe on the first beat of measure 166.

Brass Ensemble - Level 3 - Digital Download SKU: A0.913323 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Hardy. Classical. Score and parts. 37 pages. Chris Hardy #4353889. Published by Chris Hardy (A0.913323). The main themes from Mozart's most popular string serenade arranged for Brass Quintet. The arrangement retains the light but expressive style of the original score to illuminate the major themes from the work in four movements.There are parts for 2 Trumpets/Cornets in Bb, Horn in F, Tenor Horn in Eb, Trombone (Bass Cleft), Trombone in Bb, Tuba, Euphonium in Bb and score. The piece takers about five and half minutes to perform.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.752519 Composed by Isaac Albeniz. Arranged by Hannah Hawken. Romantic Period. Brass Band. 68 pages. Hannah Hawken #3036597. Published by Hannah Hawken (A0.752519). Cordoba is the fourth piece in Isaac Albeniz's suite, Songs of Spain, often known by its French title, Chant's d'Espagne. Originally written for piano, it has since been transcribed for guitar and also for full orchestra. The rich harmonies and dramatic dynamics are well suited to the brass band and this piece will show off your band's delicate playing as well as its big sound.Other arrangements for Brass Band: H0.172929-58600 The Bare Necessities (March card) H0.239353-97800 Bridge Over Troubled Water - Grenfell Tower Tribute S0.205349 Cordoba - No. 4 from Cantos de Espana, Op. 232 H0.400435-213093 Forget You (March Card) – CeeLo Green H0.591553-379430 I’m a Believer (March Card) – The Monkees / Smash Mouth H0.607175-SC001254570 I’m Gonna Be (500 Miles) – The Proclaimers S0.607255 In the Hall of the Mountain King – Edvard Grieg H0.497073-SC000024387 It's A Beautiful Day – Michael Bublé H0.195159-51407 Make You Feel My Love - Flugel Solo H0.210185-620360 On The Sunny Side Of The Street H0.497053-SC001312175 One Day Like This H0.591549-SC001287492 Oompa-loompa-doompadee-doo (March Card) H0.406031-SC000017466 This is Me (from The Greatest Showman)

Piano Solo - Level 4 - Digital Download SKU: A0.874024 By Judy Garland. By Harold Arlen. Arranged by Kristi Kruse. Film/TV. Score. 4 pages. Kristi Kruse #3537869. Published by Kristi Kruse (A0.874024). A refreshing arrangement of this classic tune.  Perfect for students, recitals, entertaining and enjoyment.  .

Piano Solo - Level 4 - Digital Download SKU: A0.866002 By Judy Garland. By Harold Arlen. Arranged by Kevin P. Holt. Film/TV. Score. 2 pages. Kevin P. Holtg #4835575. Published by Kevin P. Holtg (A0.866002). Have you ever been to a really nice restaurant and had the pleasure of listening to a pianist playing while you eat? Ever wished you could play in a similar way? This arrangement might be able to help. If you are around grade 5 – 6, give some of these individually arranged pieces by Kevin P. Holt a try and you could soon be entertaining your own dinner guests.I've added some alternative chord changes here and there in place of the original harmony for a more professional feel. Have Fun!

Solo Guitar - Level 2 - Digital Download SKU: A0.1189042 Composed by Oleg Boyko. Children,Contemporary,Contest,Festival,Instructional. Individual part. 45 pages. Oleg Boyko #788657. Published by Oleg Boyko (A0.1189042). Collection of solo pieces for young guitar players from beginners till ...:01. My First Song02. I walk alone03. Little waltz04. Slow Waltz05. Beyond the Mountains06. Barcarolle07. Silent Song08. Funny Walk09. Short Walk10. Dance Invitation11. Warm Wind12. Rock'n'Roll13. Cautious Steps14. Lullaby15. Playful Polka16. Procession17. In the Garden18. Around Flowers19. Gallant Minuet20. Tarantella21. A Bit of Autumn22. Spring Waltz23. Hide and Seek24. I'm a little sad25. Doll's Song26. Rain and Wind27. Gentle Minuet28. Let's dance together29. Spring Breeze30. Under Sail31. By the Sea32. I'm Leaving Today (Swing)33. Carousel34. Solar Song35. In a Bach Style36. Light Swing37. True Tale (Swing).

Level 4 - Digital Download SKU: A0.878631 By Anonymous 4. By Hildegard Von Bingen. Arranged by Susan Hellauer. Early Music,Medieval,New Age,Sacred. 3 pages. Susan Hellauer #6265551. Published by Susan Hellauer (A0.878631). Plainchant antiphon by Hildegard of Bingen from Anonymous 4's recording The Origin of Fire (2004; harmonia mundi 907327). Duration: 3' 26. This ecstatic chant for the Divine Office in honor of the God the Father contains all the intense spirituality and rhapsodic musical gesture that mark the works of this 12th-century German abbess, author, mystic and musician. Includes translation and detailed description of the transcription procedures.

Digital Download SKU: A0.878618 By Anonymous 4. By Hildegard Von Bingen. Arranged by Susan Hellauer. Early Music,Medieval,New Age,Religious,Sacred. 2 pages. Susan Hellauer #6264475. Published by Susan Hellauer (A0.878618). Plainchant Antiphon by Hildegard of Bingen from Anonymous 4's recording 11,000 Virgins: Chants for the Feast of St. Ursula (1997; harmonia mundi 907200). Duration: 1' 12. This chant for the morning liturgy of Lauds in honor of the legendary martyr contains all the ecstatic spirituality and rhapsodic musical gesture that mark the longer works of this 12th-century German nun, author, mystic and musician. Includes translation and detailed description of the transcription procedures.

Level 4 - Digital Download SKU: A0.878630 By Anonymous 4. By Hildegard Von Bingen. Arranged by Susan Hellauer. Early Music,Medieval,New Age,Religious,Sacred. 3 pages. Susan Hellauer #6265541. Published by Susan Hellauer (A0.878630). Plainchant antiphon by Hildegard of Bingen from Anonymous 4's recording The Origin of Fire (2004; harmonia mundi 907327). Duration: 2 31'. This concise antiphon contains all the intense spirituality and rhapsodic musical gesture that mark the work of this 12th-century German abbess, author, mystic and musician. Includes translation and detailed description of the transcription procedures.