Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.1245820 Composed by Johann Sebastian Bach. Arranged by The Sheet Music Library. Baroque. Individual part. 1 pages. The Sheet Music Library #840650. Published by The Sheet Music Library (A0.1245820). Menuet I from Violoncello Suite I by J.S.Bach for Alto SaxophoneThis is the best adaptation of this piece for saxophone. Full with dynamics and articulation.

Trombone Solo - Level 5 - Digital Download SKU: A0.1175165 Composed by Johann Sebastian Bach. Arranged by Fabio Britto. Baroque,Classical. Individual part. 2 pages. Fabio Britto #775313. Published by Fabio Britto (A0.1175165). Arrangement of the Preludium from Cello Suite no.1 (J.S. Bach) for Trombone Solo.

Cello Solo - Level 5 - Digital Download SKU: A0.1175172 Composed by Johann Sebastian Bach. Arranged by Fabio Britto. Baroque,Classical. Individual part. 2 pages. Fabio Britto #775320. Published by Fabio Britto (A0.1175172). Arrangement of the Preludium from Cello Suite no.1 (J.S. Bach) for Cello Solo.

Piano Solo - Level 2 - Digital Download SKU: A0.757375 By Hanna Choi. By Johann Sebastian Bach. Arranged by Hanna Choi. Baroque,Classical,Sacred. Score. 2 pages. HannaChoi #365108. Published by HannaChoi (A0.757375). J.S.Bach - Arioso from Cantata BWV 156 [for Piano Solo - for Early Intermediate Level].

Solo Guitar - Level 4 - Digital Download SKU: A0.941920 Composed by Johann Sebastian Bach. Arranged by Cristiano Sousa. Baroque,Concert,Standards,World. Individual part. 3 pages. Cristiano Sousa #5772399. Published by Cristiano Sousa (A0.941920). J.S Bach composed Allegro, from Prelude, Fugue and Allegro (BWV 998), originally for lute or harpsichord in Eb major key.Transcription: D major key with a drop D tunning in sixth string is required.Level: Advanced guitar skills are required. Some devices are listed below:-- embellishments: some of them are indicated;-- Full and half bars (barré or capotasto);-- Jumps;-- Guide fingers;-- Distencions;-- Contractions;-- Slurs (they can be dropped to keep control);-- Memorizing: the whole piece.Fingering: As a classical guitarist, I understand the fingering indication value. Despite I tried to mark clear and confortable fingerings, it is always possible to modify them.You can contact me at cristiano.sousa.santos@gmail.com

Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.1246698 Composed by Johann Sebastian Bach. Arranged by The Sheet Music Library. Baroque. Individual part. 1 pages. The Sheet Music Library #841330. Published by The Sheet Music Library (A0.1246698). Sarabande from Violoncello Suite I by J.S.Bach for Tenor SaxophoneThis is the best adaptation of this piece for saxophone. Full with dynamics and articulation.

Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.1245811 Composed by Johann Sebastian Bach. Arranged by The Sheet Music Library. Baroque. Individual part. 2 pages. The Sheet Music Library #840641. Published by The Sheet Music Library (A0.1245811). Allemande from Violoncello Suite I by J.S.Bach for Tenor SaxophoneThis is the best adaptation of this piece for saxophone. Full with dynamics and articulation.

Bass Clarinet Solo - Level 4 - Digital Download SKU: A0.1245989 Composed by Johann Sebastian Bach. Arranged by The Sheet Music Library. Baroque. Individual part. 1 pages. The Sheet Music Library #840822. Published by The Sheet Music Library (A0.1245989). Menuet I from Violoncello Suite I by J.S.Bach for Bass ClarinetThis is the best adaptation of this piece for Bass Clarinet. Full with dynamics and articulation.

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1175152 Composed by Johann Sebastian Bach. Arranged by Fabio Britto. Baroque,Classical. Individual part. 2 pages. Fabio Britto #775300. Published by Fabio Britto (A0.1175152). Arrangement of the Preludium from Cello Suite no.1 (J.S. Bach) for Alto Saxophone Solo.

Piano Solo - Level 3 - Digital Download SKU: A0.597593 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Christmas,Classical,Easter,Wedding. Score. 4 pages. Flavio Regis Cunha #6671021. Published by Flavio Regis Cunha (A0.597593). Bach: Aria from Goldberg Variations, BWV 988 as played by Víkingur Ólafsson (for Piano).AdvancedFormat: Concert, 9 x 12 inches4 pages.PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.Acclaimed for his visionary interpretations of J.S. Bach, Víkingur Ólafsson, a leading pianist and contemporary musical genius, now takes on the monumental task of presenting Bach’s Goldberg Variations. The upcoming season is dedicated entirely to a global tour across six continents, with the eagerly awaited album slated for release in October 2023 on Deutsche Grammophon. Ólafsson shares, I have harbored the dream of recording this piece for 25 years.This album follows the resounding success of Ólafsson’s 2018 DG recording of Johann Sebastian Bach's works, which not only clinched BBC Music magazine’s Album of the Year but also secured Opus Klassik’s Solo Recital award and several other recording of the year accolades. Such achievements led to his well-deserved recognition as Gramophone magazine’s Artist of the Year. Now, Ólafsson directs his distinctive musical vision and meticulous recording finesse toward Bach’s masterpiece, embarking on his first complete work recording, starting with one of the most demanding pieces in the piano repertoire.In the 2023-24 season, Ólafsson sets forth on a Goldberg Variations world tour, gracing renowned concert halls worldwide, including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest, and Teatro Colón, to name a few.Reflecting on the profound impact of the Goldberg Variations, Ólafsson comments, “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, brilliantly employ counterpoint, and evoke exalted poetry, abstract contemplation, and deep pathos – all within meticulously crafted structures of formal perfection. In 30 variations, based on the humble harmonic framework of a simple, graceful aria, Bach transforms limited material into boundless variety like no one before or since. He stands as the greatest keyboard virtuoso of his time.�This score has been painstakingly reedited. We offer here a clear edition, with indications of ornaments based on the edition by Bärenheiter, 1977.Listen to Víkingur Ólafsson’s album ‘Goldberg Variations’ here: https://dg.lnk.to/vikingur-goldberg Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: https://www.stage-plus.com/.

Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.891943 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 34 pages. Stephen Davies #5724575. Published by Stephen Davies (A0.891943). In Bach's own words ..... for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study....., we are literally invited by the great man himself, to enjoy playing his music in virtually any combination we like! This unusual combination of the Saxophone Quartet, ie 2 Altos & 2 Tenors is a fitting vehicle for these two pieces from The Well-Tempered Clavier Book 2. The original keys of C Major & Bb Minor have been altered to best suit the range of the 2 Saxes. Also, an opportunity for the Baritone player to get the drinks in !! The Prelude 1 Completely different from the Prelude that opens Book 1, which is mainly broken chords, this opening Prelude to Book 2 features a continuously flowing sequence of melodic ideas. According to Levison, few pieces of traditional music are more purely processive as this. It develops without a break or pause, without arrivals of significance, from beginning to end. Good to play as well!! The Fugue 22 The four voices are distributed throughout the parts, and at 101 bars, it is certainly one of Bach's longest, and definitely one of the most enjoyable to play, especially in a generous acoustic. Also available here in Clarinet Quartet and Wind Quartet (Flt/Ob/Clt/Bsn) flavours!!

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.891938 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 35 pages. Stephen Davies #5710977. Published by Stephen Davies (A0.891938). In Bach's own words ..... for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study....., we are literally invited by the great man himself, to enjoy playing his music in virtually any combination we like! The Clarinet Quartet is a fitting vehicle for these two pieces from The Well-Tempered Clavier Book 2, namely the Prelude No.1 and the Fugue No.22. The Prelude Completely different from the Prelude that opens Book 1, which is mainly broken chords, this opening Prelude to Book 2 features a continuously flowing sequence of melodic ideas. According to Levinson,  ...few pieces of traditional music are more purely processive as this. It develops without a break or pause, without arrivals of significance, from beginning to end.... Good to play as well!!                                          The Fugue The key of Bb Minor is a challenging mode for the Clarinet, coupled with the time signature of 3/2, this Fugue should prove interesting in rehearsal! The four voices are distributed throughout the parts, and at 101 bars, it is certainly one of Bach's longest, and definitely one of the most enjoyable to play, especially in a generous acoustic. Also available here in Wind Quartet and Saxophone Quartet flavours!!

Alto Saxophone - Digital Download SKU: A0.1071031 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Concert,Standards. Accompaniment. Duration 471. Stephen Davies #5726803. Published by Stephen Davies (A0.1071031). In Bach's own words ..... for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study....., we are literally invited by the great man himself, to enjoy playing his music in virtually any combination we like!This unusual combination of the Saxophone Quartet, ie 2 Altos & 2 Tenors is a fitting vehicle for these two pieces from The Well-Tempered Clavier Book 2. The original keys of C Major & Bb Minor have been altered to best suit the range of the 2 Saxes. Also, an opportunity for the Baritone player to get the drinks in !! The Prelude 1 Completely different from the Prelude that opens Book 1, which is mainly broken chords, this opening Prelude to Book 2 features a continuously flowing sequence of melodic ideas. According to Levinson, few pieces of traditional music are more purely processive as this. It develops without a break or pause, without arrivals of significance, from beginning to end Good to play as well!! The Fugue 22 The four voices are distributed throughout the parts, and at 101 bars, it is certainly one of Bach's longest, and definitely one of the most enjoyable to play, especially in a generous acoustic. Also available here in Clarinet Quartet and Wind Quartet flavours!!

Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1132584 Composed by Charles Gounod, Johan Sebastian Bach. Arranged by Joel Jacklich (A.S.C.A.P.). Baroque,Classical,Romantic Period,Sacred,Wedding. Score and parts. 18 pages. Joel Jacklich #732783. Published by Joel Jacklich (A0.1132584). Charles Gounod's Ave Maria on the First Prelude of J. S. Bach is here arranged for voice, string quartet, and harpsichord by Joel Jacklich (A.S.C.A.P.). The obligatory harpsichord plays Bach's original Prelude No. 1 in C Major from the Well-Tempered Clavier (transposed to F major) while the strings provide a harmonization to Gounod's melody. Violin I doubles the vocal part, so the piece can be performed as just an instrumental work.

Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.  Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.