Trombone - Level 4 - Digital Download SKU: A0.811261 Composed by David F. Wilborn. 20th Century,Contemporary. 27 pages. Gordon Cherry #6624625. Published by Gordon Cherry (A0.811261). Here is a detailed description of the work by composer, David F. Wilborn.Elysian Fields was written for the Elysian Trombone Consort. Members of the ensemble include: Timothy Anderson, Chad Arnow, Nathan Siler, and Brett Shuster. The work was created as part of a recital feature that took place at the 2021 International Trombone Festival entitled A New Initiative II: Trombone Quartet Music by Composers of Color. The Elysian Trombone Consort created the New Initiative concert series as a vehicle to promote new and existing works by composers from under-represented gender, ethnic and social communities. The concert series aims to highlight the creative scholarship of under-represented artists. The ultimate goal is to encourage the programming and creation of more compositions by these scholars.The title Elysian Fields (also known as Elysium) is a venue in mythology that references a final resting place in the afterlife for the Greek Gods. Although Elysium was originally designated for Greek Gods and mortals who may have been related to the Gods, the venue was also accessible to certain mortals by the Gods for their heroic deeds or by those who enjoyed favor with the Gods. Images of Elysium are said to have radiant sunshine, rolling hills and, according to Homer in his Odyssey, the most pleasant weather conditions – no snow, nor heavy storm, nor ever rain.The music Elysian Fields attempts to capture the frivolity of living in Elysium. It portrays the radiant sunshine and the spirit of joy. The place is by all accounts a surreal landscape where sun rays softly beam down on the fields and, in some cases, it emanates as a heavenly backdrop. It is a place of everlasting happiness, serenity, and peace. This 5-minute work is accessible by intermediate to moderately advanced performers.The track below is from a live performance by the Elysian Trombone Consort at the International Trombone Festival in 2021.

Lever Harp - Level 3 - Digital Download SKU: A0.1506364 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Rachael Acheson. 21st Century,Contemporary,Folk,Pop,Singer/Songwriter. Score. 3 pages. TheHarpLibrarian #1081720. Published by TheHarpLibrarian (A0.1506364). This meditative and compact solo instrumental arrangement of Cardigan from Taylor Swift's album Folklore will evoke slow, rainy autumn days wherever you play it, even as people stop in their tracks to listen.It can be played on a harp as small as 26 strings, provided that your harp has levers and is tuned to E-flat. There are, however, thankfully NO lever changes OR page changes mid-piece, as the arrangement makes clever use of repeats and codas so that it can be contained on a convenient, two-page spread.The only potentially challenging aspect is the rhythm, as the complex and easily-recognizable melody occassionally brings out triplets that I've set against quarter notes. If you are comfortable with more complex rhythms, however, you could play this piece with a lower technical proficiency, maybe even somewhere in the range of late-beginner or early intermediate. Again, though, this will depend on the individual harpist and your own strengths.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.

Full Orchestra - Level 5 - Digital Download SKU: A0.861956 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 114 pages. Mark O'Connor Musik International #6209349. Published by Mark O'Connor Musik International (A0.861956). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (brass parts – violin symphony orchestra) MO152K-OBrass Parts (score and parts available)Music by Mark O’Connor94 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt  â€“ 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird;  The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears;  The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer;  The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152K-OCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com 

Full Orchestra - Level 5 - Digital Download SKU: A0.861953 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 158 pages. Mark O'Connor Musik International #6209329. Published by Mark O'Connor Musik International (A0.861953). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (score – violin and symphony orchestra) MO152AScore (parts available)Music by Mark O’Connor154 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt  â€“ 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird;  The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears;  The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer;  The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152ACopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Full Orchestra - Level 5 - Digital Download SKU: A0.861958 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 180 pages. Mark O'Connor Musik International #6209357. Published by Mark O'Connor Musik International (A0.861958). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (string parts – violin symphony orchestra) MO152S-XString Parts (score and parts available)Music by Mark O’Connor156 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt  â€“ 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird;  The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears;  The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer;  The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152S-XCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com 

Full Orchestra - Level 5 - Digital Download SKU: A0.861954 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 30 pages. Mark O'Connor Musik International #6209339. Published by Mark O'Connor Musik International (A0.861954). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (violin solo part – violin and symphony orchestra) MO152BViolin Solo Part (score and parts available)Music by Mark O’Connor26 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt  â€“ 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird;  The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears;  The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer;  The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio  Catalogue Number MO152BCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Full Orchestra - Level 5 - Digital Download SKU: A0.861955 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 183 pages. Mark O'Connor Musik International #6209345. Published by Mark O'Connor Musik International (A0.861955). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (wind parts – violin and symphony orchestra) MO152C-JWind Parts (score and parts available)Music by Mark O’Connor151 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt  â€“ 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird;  The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears;  The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer;  The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152C-JCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Full Orchestra - Level 5 - Digital Download SKU: A0.861957 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 66 pages. Mark O'Connor Musik International #6209353. Published by Mark O'Connor Musik International (A0.861957). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (percussion parts – violin symphony orchestra) MO152P-RPercussion Parts (score and parts available)Music by Mark O’Connor54 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt  â€“ 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird;  The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears;  The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer;  The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152P-RCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com 

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.1019458 Composed by Simon Watkins. Concert,Contemporary. Octavo. 12 pages. Simon Watkins #5732609. Published by Simon Watkins (A0.1019458). A choral piece for SATB choir with piano accompaniment, this setting of John Clare's poem from 'The Rural Muse' captures the drama of being caught in the rain on a country walk.  The music is intentionally poignant, reflecting Clare's feeling of sadness at the loss of character and beauty in the progressive changes wrought by industrialisation to the 19th century landscape; a sense that seems all the more keenly felt now in the face of climate change, industrial agriculture and destructive infrastructure development.Length approx. 4 1/2 minutes, medium difficulty in the vocal parts; more advanced in the accompaniment.Suitable for a general choral performance, chamber choir or school event.Contact simon@airtoncreativeservices.co.uk for more information and part-by-part rehearsal audio files.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.914750 By James Taylor. By Carole King. Arranged by Lorraine Rochefort. A Cappella,Contemporary,Pop. Octavo. 7 pages. Lorraingements #4363155. Published by Lorraingements (A0.914750). Created in close 4-part a cappella harmony for a chorus and quartet of women's voices. Quartet begins with solo, adding voices, until the chorus joins in.  Then quartet does an overlay for a verse.

By Lanny Wolfe. Arranged by Stephen DeCesare. Sheet Music Single. 9 pages. Published by Exultet Music

By Lanny Wolfe. Arranged by Stephen DeCesare. Sheet Music Single. 6 pages. Published by Exultet Music

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1124512 Composed by Anon. Arranged by Robert Luke Thompson. Christian,Christmas,Holiday,Renaissance,Traditional. 12 pages. Monkspath Music #725261. Published by Monkspath Music (A0.1124512). Gaudete! is Christmas carol, believed to originate from the 16th Century. It was published widely in 1582 in the collection of sacred songs known as Piae Cantiones. Whilst the plainchant for the refrain (Gaudete) is clearly published, there is much debate as to where the melody for the verses came from. To preserve the plainchant style of the verses, each member of the quartet has a solo verse – with a few alterations made to preserve each instrument’s unique voice. An additional refrain is included to create a suitable crescendo towards the climax of the piece – highlighting the meaning of Gaudete! (Rejoice!) This version is suitable for quartets of any level, especially those who desire an easily legible and flexible arrangement, ready for a Christmas concert, carol service, or other event. For further pieces, view the Monkspath Music catalogue and click here!

Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1125529 Composed by Anon. Arranged by Robert Luke Thompson. Christian,Christmas,Holiday,Renaissance,Traditional. 17 pages. Monkspath Music #726295. Published by Monkspath Music (A0.1125529). Gaudete! is Christmas carol, believed to originate from the 16th Century. It was published widely in 1582 in the collection of sacred songs known as Piae Cantiones. Whilst the plainchant for the refrain (Gaudete) is clearly published, there is much debate as to where the melody for the verses came from. To preserve the plainchant style of the verses, each member of the quartet has a solo verse – with a few alterations made to preserve each instrument’s unique voice. An additional refrain is included to create a suitable crescendo towards the climax of the piece – highlighting the meaning of Gaudete! (Rejoice!) This version is suitable for quartets of any level, especially those who desire an easily legible and flexible arrangement, ready for a Christmas concert, carol service, or other event. For further pieces, view the Monkspath Music catalogue and click here!

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1119327 Composed by Anon. Arranged by Robert Luke Thompson. Christian,Christmas,Holiday,Renaissance,Traditional. 10 pages. Monkspath Music #720741. Published by Monkspath Music (A0.1119327). Gaudete! is Christmas carol, believed to originate from the 16th Century. It was published widely in 1582 in the collection of sacred songs known as Piae Cantiones. Whilst the plainchant for the refrain (Gaudete) is clearly published, there is much debate as to where the melody for the verses came from. To preserve the plainchant style of the verses, each member of the quartet has a solo verse – with a few alterations made to preserve each instrument’s unique voice. An additional refrain is included to create a suitable crescendo towards the climax of the piece – highlighting the meaning of Gaudete! (Rejoice!) This version is suitable for quartets of any level, especially those who desire an easily legible and flexible arrangement, ready for a Christmas concert, carol service, or other event. For further pieces, view the Monkspath Music catalogue and click here!