By Judy Garland. Arranged by Stephen DeCesare. Score. 16 pages. Published by Exultet Music (H0.145393-633791). - Score - - Exultet Music

By Judy Garland. Arranged by Kaiserin Rebecca. Score. 3 pages. Published by Kaiserin Rebecca (H0.219499-633791). - Score - - Kaiserin Rebecca

By Judy Garland. Arranged by Jeremy Corcoran. Score, Set of Parts. 6 pages. Published by Published by LPC Publishers (H0.336327-633791). - Score,Set of Parts - - Published by LPC Publishers

Choral Choir,Choral (SA) - Level 2 - Digital Download SKU: A0.998854 Composed by Robert A. Howard. 21st Century,Easter,Lent,Praise & Worship,Sacred. 8 pages. Robert A. Howard #6224899. Published by Robert A. Howard (A0.998854). This is a simple, accessible, six-verse (with refrain) modal setting of the (Good Friday) Reproaches for use in worship or concert. It is designed to be used with congregation if desirable (with them singing the repeated melody throughout). Variation is provided in each successive verse by simple textural change in the accompaniment and choral parts. It is appropriate for virtually any standard and size of SA choir, including school, student, community, church and cathedral choirs. The accompaniment can be on organ or piano. The original 4-part SATB version of this piece by the composer is also available via Sheet Music Plus, as well as a version for solo/unison voices.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.998768 Composed by Robert A. Howard. 21st Century,Easter,Lent,Praise & Worship,Sacred. Score. 6 pages. Robert A. Howard #5800625. Published by Robert A. Howard (A0.998768). This is a simple, accessible, six-verse (with refrain) modal setting of the (Good Friday) Reproaches for use in worship or concert. It is designed to be used with congregation if desirable (with them singing the repeated melody throughout). Variation is provided in each successive verse by simple textural change in the accompaniment. It is appropriate for virtually any standard and size of unison choir, including school, student, community, church and cathedral choirs, as well as for just solo voice. The accompaniment can be on organ or piano. The original 4-part SATB version of this piece by the composer is also available via Sheet Music Plus, as well as a version for SA choir.

Brass Ensemble - Level 3 - Digital Download SKU: A0.808686 Composed by Jean-Paul-Égide Martini (1741–1816). Arranged by F. Leslie Smith. Classical,Holiday,Love,Wedding. Score and parts. 23 pages. Sweetwater Brass Press #3689775. Published by Sweetwater Brass Press (A0.808686).     This is one of the most beautifully arranged short pieces in the Sweetwater Brass Press catalog.   Jean-Paul-Égide Martini wrote Plaisir d'amour in 1784. He took the words from a poem that appears in Célestine, a short novel by Jean-Pierre Claris de Florian. The poem begins, Plaisir d'amour ne dure qu'un moment (The pleasure of love lasts only a moment). Over the years, Martini’s melody has proved popular with other composers, including Hector Berlioz and Louis van Waefelghem. Two relatively recent songs that made use of the plaintiff refrain are the Christian hymn, My God Loves Me and the song Can't Help Falling in Love, which was performed by Elvis Presley in the film, Blue Hawaii.    This arrangement is not technically difficult, but it does require discipline and interpretation. As in the original, there are two key changes, F to A-flat and then back to F.  The time signature has been changed from Martini’s 6/8 to ¾ but retains all relative note values. Trumpet 1 plays the melody with occasional harmony from Trumpet 2. Horn in F provides arpeggio accompaniment throughout most of the song, with some help from Tuba and Trombone. With respect to high and low notes: Trumpet 1 has one A5 grace note (to a G5 quarter note); Trumpet 2 has three above-staff quarter notes in a row, A5, B5 and A5; Trombone has one F4; and Tuba has a number of F1 notes and one section of octave jumps involving F2 to F3 and A2 to A3.   This arrangement was completed in 2018, and performance time runs about 3 minutes, 51 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.

Woodwind Ensemble - Level 3 - Digital Download SKU: A0.920243 Composed by Hymn. Arranged by Karen Weirather. Christian,Sacred,Spiritual. 2 pages. Karen Weirather #5218047. Published by Karen Weirather (A0.920243). A tune found in many hymnals, Come Thou, Fount of Every Blessing is a beautiful song that has stood the test of time. This arrangement provides the perfect opportunity for two treble C instruments (particularly flutes) to showcase the melody while also supporting it with a new harmony or variation on each strain. The first verse starts out as a solo in the top part, the second strain follows with an added harmony in the bottom part, the third strain puts the melody in the bottom part and gives the top part a descant, and the fourth verse rounds off the piece with the melody returning to the top part and a harmony part in the bottom. Perfect for sacred and secular settings, this duet is beloved by all audiences and is a joy to perform. Time duration is approximately 2 minutes.

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1475739 By Cian Ducrot. By Cian Ducrot and Lauren Frawley. Arranged by Dustin S. Cates. Pop,Rock,Singer/Songwriter. 15 pages. Dustin S Cates #1053296. Published by Dustin S Cates (A0.1475739). I’ll Be Waiting was released as a single in 2022 by Irish singer-songwriter Cian Ducrot. Despite its catchy chorus, the piece addresses the often complex nature of human relationships. The contrasting themes of loss, regret, hope and love are all part of the story of the song. A story that the singer describes as the emotions involved in, “waiting for someone you love to show up.” Ducrot, who also studied flute performance at the Royal Academy of Music in London, is one of a growing number of musicians gaining popularity through leveraging the power of social media, in particular TikTok, to share their music with the world. I’ll Be Waiting went viral as Ducrot posted videos of flash mob performances of the song taking place in subway trains, shopping malls and even on NBC’s Today Show.

Piano Solo - Level 3 - Digital Download SKU: A0.1400203 Composed by Nancy DeVries. Arranged by Nancy DeVries. Christian,Easter,Lent,Religious. Score. 2 pages. Nancy DeVries #983416. Published by Nancy DeVries (A0.1400203). Ubi Caritas is a well-known hymn of Western Christianity, associated with the foot-washing ceremony of Holy Thursday; it is known under the English title of Where Charity and Love Prevail. The Latin translation of the refrain is: Where Charity and Love prevail, God is there. The theme of this venerable Gregorian antiphon is heard and developed in this contemporary piano arrangement, which reflects memorable aspects of Holy Thursday - the Institution of the Holy Eucharist and the command by Christ to love one another. Intermediate or Advanced intermediate level. The work may be suitable for use during Holy Thursday, for all Sundays throughout the Church year and may also be especially suitable for weddings.

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1140852 By Oscar Peterson. By Harriette Hamilton and Oscar Peterson. Arranged by James Pybus. 20th Century,Blues,Jazz,Praise & Worship,Spiritual. 39 pages. James Pybus #741106. Published by James Pybus (A0.1140852). Recognized as one of Oscar Peterson’s most significant compositions, Hymn to Freedom was written in 1962 and was swiftly embraced by people over the world as the anthem of the Civil Rights Movement. The piece was Peterson’s first major work and was written with encouragement from his producer and dear friend Norman Granz. During those initial recording sessions, Granz urged Peterson to create a tune with a “definitive early-blues feel�. For inspiration, Peterson drew upon various church renderings of Negro spirituals recalled from his childhood in Montreal. He aimed to maintain the unadorned, yet poignant quality of these early Baptist hymns while composing the beginning chorus of Hymn to Freedom. Upon its completion, Peterson and Granz decided that lyrics would complement the music and contacted Malcolm Dodds, composer, arranger and choir director of The Malcolm Dodds Singers, a backup group for many popular artists of the day. Dodds turned to his collaborator Harriette Hamilton, who had been writing lyrics for the choir group’s original compositions for several years. According to Hamilton, “all the lyrics had to do was express in very simple language the hope for unity, peace, and dignity for mankind. It was easy to write.� With Peterson on piano, Ray Brown on bass and Ed Thigpen on drums, the trio recorded the piece on Night Train (Verve 1962), which became one of their most commercially successful albums. Critical acclaim moved Peterson to record Hymn to Freedom on several albums that followed. This arrangement is playable by SATB Saxophone Quartet with optional Bass Saxophone, String Bass and Drums. For performances by SATB Saxophone Quartet without rhythm, the part marked Baritone Saxophone 2 (substitute Bass Saxophone) should be used. Some improvising is allowed for in the soprano, alto and tenor parts. Optional written solos are provided. This arrangement will enhance a wide variety of concert programmes and performance situations. The duration is 4:45. Contact me at james.pybus56@gmail.com.

Baritone Horn TC,Flugelhorn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1121043 Composed by Thomas Morley. Arranged by Richard Decker. Contest,Early Music,Festival,Multicultural,Renaissance,World. 36 pages. Charles Decker Music Press #722234. Published by Charles Decker Music Press (A0.1121043). These three lively madrigals arranged for brass trio provide an engaging interlude to any chamber concert, indoors or outdoors. As composer and organist, editor and publisher, Thomas Morley was a significant influence in the musical absorption of the Italian Madrigal style into English vocal music during the last decade of the 16th century.  Trained by William Byrd, Morley and his early Three-Part Canzonets (1593) showed his remarkable ability to combine his own individual musical creativity with the essence of the popular Italian Madrigals, resulting in the golden era of the English Madrigal School. The trio is scored for trumpet in B-flat with an alternate C trumpet part, horn in F with an alternate flugelhorn part, and trombone with an alternate treble clef euphonium part. The recording is of the entire edition.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series� in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.

Flute Solo - Level 4 - Digital Download SKU: A0.902101 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by Rainer Grant Roth. Baroque,Classical. Individual part. 6 pages. Rainer's Rainbow #6348981. Published by Rainer's Rainbow (A0.902101). Bach, in 1739, wrote the BWV 1042 Concerto in E major. Here it is written for solo unaccompanied Flute Key of E. This chart is based on Bach's keyboard concerto which he wrote for violin in the key of E (BWV 1042), but also arranged it himself in the key of D for keyboard (BWV 1054). Here it is presented for Flute as a solo piece, which can also be used as a concerto part with BWV 1042 orchestra parts. The orchestra parts are not provided.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1226443 By Elevation Worship. By Benjamin Fielding, Chandler Moore, Naomi Raine, and Steven Furtick. Arranged by Jeff Tincher. Christian,Contemporary,Praise & Worship,Religious,Sacred. 36 pages. Jeff Tincher #822441. Published by Jeff Tincher (A0.1226443). This is one of the more beautifully constructed Christian song ever. The chord construction is amazing. The song takes you on a journey with several sections than returns back to the original set. In the original key from their live single. I wrote the vocal cadenzas by Chandler Moore as close to tempo as possible. This is will give the performance options to either perform as written or as cadenzas. Duration = 10:40. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1226448 By Elevation Worship. By Benjamin Fielding, Chandler Moore, Naomi Raine, and Steven Furtick. Arranged by Jeff Tincher. Christian,Contemporary,Praise & Worship,Religious,Sacred. Octavo. 31 pages. Jeff Tincher #822450. Published by Jeff Tincher (A0.1226448). This is one of the more beautifully constructed Christian song ever. The chord construction is amazing. The song takes you on a journey with several sections than returns back to the original set. In the original key from their live single. I wrote the vocal cadenzas by Chandler Moore as close to tempo as possible. This is will give the performance options to either perform as written or as cadenzas. Duration = 10:40. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.