Flute,Guitar,Instrumental Duet - Digital Download SKU: A0.576897 Composed by David Warin Solomons. 20th Century,Folk,Multicultural,World. 11 pages. David Warin Solomons #504811. Published by David Warin Solomons (A0.576897). Instrumental version of a song in Dorian mode originally written for alto voice and guitar (also with guitar chord names) written for a friend in her appartment in Ghemme, Northern Italy. The words of the original song are partly in Italian and partly in English, as follows: Qui e adesso amore mio. A Ghemme non so che voglio. [Here and now, my love. In Ghemme I don't know what I want] Land of fuzzy fizzy foggy friendliness Alpine heights and glowing plains land of lovely people and fruitfulness village feasts and bobbly trains Qui e adesso amore mio. A Ghemme non so che voglio Italy, you land of musicalityFill my soul and make it heardNot with love if only love's banalityFor then 'tis best not to have sung a wordQui e adesso amore mio. A Ghemme non so che voglio My love can hear the bells ring from your steeple see the mountains in the sun hear the singing language of your people smile and dance and sing like none Qui e adesso amore mio. A Ghemme non so che voglio. Amore mio dove sono Dove siamo? [My love where am I? Where are we?].

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1256025 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Debbie Keretz. 20th Century,A Cappella,Barbershop,Comedy,Film/TV. Octavo. 4 pages. Deborah L Keretz #849493. Published by Deborah L Keretz (A0.1256025). Funny, bright, breezy, exuberant barbershop a capella rendition of Make 'Em Laugh from the movie Singing In the Rain as performed by Donald O'Connor, done for female singers. It's a little rangy, but so fun to sing. A great opener or specialty number; has a vaudevillian feel to it (including some spoken dialogue). Non-contestable by Sweet Adelines Music Catagory rules; could be used in Open Division.

C Instrument - Level 3 - Digital Download SKU: A0.1238248 By Etta James. By Irving Kahal and Sammy Fain. Arranged by Johannes H. Hindriks. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 4 pages. Johannes H. Hindriks #833722. Published by Johannes H. Hindriks (A0.1238248). This Comfort Covers setting of the refrain of “I’ll Be Seeing You�, known from Frank Sinatra’s singing, is primarily intended to provide bedside support to patients and their loved ones in the hospital, nursing home or hospice. The mezzo-soprano lead voice gently blends with the mostly open guitar chords while the male voice modestly winds its way between the song and the bass line of the guitar, thereby creating a warm and welcoming blend. The 4-page document contains a large-print score with the two voices plus spelled-out guitar chords. Mezzo range: A3–C5; Baritone range: B2–C4. Skill Level: Intermediate, with somewhat simplified rhythms. Capo as preferred. Click here for a full listing of Comfort Covers titles.

Choral SATB choir - Digital Download SKU: H1.C5288DP Arranged by Larry Shackley. Spirituals & Gospel, Jazz / Swing, General Worship, Eternal Life, Gospel, Spiritual. Octavo. 12 pages. Hope Publishing - Digital #C5288DP. Published by Hope Publishing - Digital (H1.C5288DP). Popular spiritual With this spirited setting, Larry Shackley continues his series of jazz-flavored spirituals for church and school choirs. You can hear the train wheels turning in the opening accompaniment, then the voices enter one by one, singing: Gospel train is a-comin', comin'! The driving, bluesy piano part provides the energy for the joyous refrain. A smooth, serene middle verse leads to a final visit from the gospel train, ending in an exuberant coda.

Rhythm instruments - Digital Download SKU: H1.C5288RDP Arranged by Larry Shackley. Spirituals & Gospel, General Worship, Eternal Life, Gospel, Spiritual. Rhythm Parts. 17 pages. Hope Publishing - Digital #C5288RDP. Published by Hope Publishing - Digital (H1.C5288RDP). Popular spiritual With this spirited setting, Larry Shackley continues his series of jazz-flavored spirituals for church and school choirs. You can hear the train wheels turning in the opening accompaniment, then the voices enter one by one, singing: Gospel train is a-comin', comin'! The driving, bluesy piano part provides the energy for the joyous refrain. A smooth, serene middle verse leads to a final visit from the gospel train, ending in an exuberant coda.

Unison Chorus/2-Part Chorus - Digital Download SKU: C6.646018024 Composed by Diane Beckstread. Growing in Grace. General, Missions. Accompaniment MP3. Growing In Grace - Digital #646018024. Published by Growing In Grace - Digital (C6.646018024). This special piece from Diane Beckstead uses water themes to explain how we will share with others as an overflow of God's love for us. Scored for unison/optional two-part voices, this lightly syncopated song flows seamlessly between sections. The second verse provides optional two-part singing. The memorable Bridge includes echo-like singing between Parts 1 & 2, followed by a more developed refrain with additional harmonies. The piece concludes quietly with simple harmonies.

Guitar - Level 1 - Digital Download SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Traditional. Guitar Tab. 2 pages. Brian Streckfus #762722. Published by Brian Streckfus (A0.1162362). 1. Arranged for guitar. 2. Guitar TAB added. 3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony. 4. Grace notes added.5. The grace notes, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes. 6. Too many versions of public domain songs will just phone in the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.7. The other problem I often see with public domain songs is that the famous cowboy guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior. 8. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous cowboy guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.9. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726032 Composed by Traditional. Arranged by Todd Marchand. Christmas,Folk. Score and parts. 17 pages. Con Spirito Music #2958109. Published by Con Spirito Music (A0.726032). “On December Five-and-Twenty� brings together three folk tunes from different regions of Europe. The first, “Fum, Fum, Fum,� is a Catalan carol from northeastern Spain. The second, “Pat-a-Pan,� comes from the Burgundy region of east-central France. The third, “Touro-Louro-Louro!� comes from the Provence region of southeastern France.Each tune bears an onomatopoetic title (a word that phonetically imitates or suggests the source of the sound that it describes): The refrain “fum, fum, fum� in the Catalan carol is an onomatopoeia for the strumming of a guitar. “Pat-a-pan� — the title of the Burgundian carol — imitates the sound of a drum being struck. “Touro-louro-louro!� — the title of the Provencal carol — suggests the singing of birds. (A similar onomatopoeia, “turelurelu,� appears in “Pat-a-Pan,� suggesting the sound of a fife, or flute, being played.)This is a delightful arrangement that is enjoyable to play and pleasing to listeners. ©Copyright 2014 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com

Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1239443 Composed by Folk song from old New England. Arranged by Richard Giszczak. Folk. Individual part. 3 pages. Singing Winds Music Company #834828. Published by Singing Winds Music Company (A0.1239443). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, and 2 variations.The first verse reads:  'Twas jolly old Roger, the tin-maker man, Who lived in a garret of New Amsterdam, And showered down blessings like rain in the spring, Ah! maidens and matrons, of him I would sing.  The words of the chorus are:  There never was yet a boy or a man, who better could mend tin kettle or pan or bucket or skimmer or dipper or can, Than jolly old Roger, the tin-maker man.  Chee-whang! Chee-whang! Chee-whang! Chee-whang! Terattle, terattle, terattle, teBANG!.

SATB choir, Piano (With Optional Accompaniment MP3, Full Orchestra) - Digital Download SKU: LX.10-5750L Arranged by Lloyd Larson. Sacred Anthem, Christmas. Octavo. 16 pages. Lorenz Publishing - Digital Sheet Music #e10/5750L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5750L). The arranging talents of Lloyd Larson are on full display in this medley of two cherished carols. This piece is extracted from his cantata, A New and Glorious Morn, and opens with an optional narration under a quiet underscore. The choir begins singing O Holy Night simply, but it culminates in a grand treatment of its well-known refrain. The congregation is then invited to join the choir in several verses of Silent Night. This anthem will create a special moment in your worship service or concert! An SATB version is also available.