Organ: 3-staff - Moderately Advanced SKU: LO.70-1581S Composed by Gilbert M. Martin. Sacred, Eastertide, Holy Week, Palm/Palm-Passion Sunday. Sacred Music Press #70/1581S. Published by Sacred Music Press (LO.70-1581S). ISBN 9780893283896.The worshipful week from Palm Sunday (or Passion Sunday as it is often called) to Easter Sunday is abundant with opportunities for special music in the life of the church, and this vibrant compilation of organ music is especially tailored for that purpose. These twelve settings, many of which are based on favorite congregational hymn tunes, celebrate the excitement of Jesus' entry into Jerusalem, his final moments with his disciples in the Upper Room, his harrowing crucifixion, and his triumphant and glorious resurrection. A dramatic and eloquently artistic collection for the enrichment of this important Christian experience.

Organ: 3-staff - Intermediate SKU: LO.70-1176S Settings of Six Familiar Hymn Tunes. Composed by Gerhard Krapf. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1176S. Published by Sacred Music Press (LO.70-1176S). UPC: 000308037845.Here is a collection of first-rate service music from a skilled craftsman of organ literature. Based on well-known hymn tunes, the settings are all conservative and traditional in style. Most of the settings are general for use throughout the year, but the inclusion of hard-to-find pieces for Palm Sunday and Easter make this volume especially attractive.

Organ: 3-staff - Intermediate SKU: LO.70-1106S Composed by Emma Lou Diemer. Sacred, Holy Communion. Sacred Music Press #70/1106S. Published by Sacred Music Press (LO.70-1106S). UPC: 000308030594.The American Guild of Organists named Emma Lou Diemer as composer of the year for 1995. We are honored to introduce her most recent organ compositions in this outstanding collection of pieces based on communion hymns. Some of the settings are appropriate for use during administration of communion.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1427840 Composed by LaDena Laine. Arranged by Steven Pitkanen. Christian,Contemporary,Religious,Sacred,Spiritual. Score. 8 pages. LaDena Laine #1008580. Published by LaDena Laine (A0.1427840). An SSATB song based on the first part of Matthew 5. Intermediate level for chruch choirs.

Organ: 3-staff - Intermediate SKU: LO.70-1069S 8 pieces for organ 3 staff - contemporary flair. Composed by Emma Lou Diemer. Sacred. Sacred Music Press #70/1069S. Published by Sacred Music Press (LO.70-1069S). UPC: 000308027297.A dazzling collection of joyful music to enliven any service or recital. Here is music with a contemporary flair--full of surprises and smiles on every page! We guarantee that the Beethoven theme (known as HYMN TO JOY with the text, JOYFUL, JOYFUL WE ADORE THEE, has never bounced along with such Tlan. Also included in the collection are contrasting, meditative works to round out the varied content.

By David Yazbek and Women On The Verge Of A Nervous Breakdown (Musical). Broadway; Musical/Show; Pop. Piano/Vocal/Guitar (chords only). 8 pages. Published by Hal Leonard - Digital Sheet Music (HX.233536). - Piano/Vocal/Guitar (chords only) - Broadway; Musical/Show; Pop - Hal Leonard - Digital Sheet Music

Choral 2-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1423866 Composed by James Shubert. Arranged by Jim Shubert. Christian,Praise & Worship,Religious,Sacred. 2 pages. James W. Shubert #1005092. Published by James W. Shubert (A0.1423866). 2 part, Treble Clef, Bass Clef Voices with piano accompaniment.  Easy Intermediate level.  A small piece, almost incidental music, that I wrote for use during Offertory for Mother's Day.  Since Mother's Day can occasionally fall on one of the feast days of Easter, Ascension Sunday or Pentecost, it allows a Music Director to pay homage to the feast day with the anthem, and use this small piece somewhere else to honor Mother's Day.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1440107 By BYU-I Wind Quintet. By Ryan Terry. 21st Century,Chamber,Christian,Contemporary,Religious. 14 pages. Ryan Terry #1020051. Published by Ryan Terry (A0.1440107). An original piece by composer and clarinetist Ryan Terry. This unstable, suspenseful work details the the prophesied disastrous signs that will precede Christ's Second Coming through the use of asymetrical time signatures, whereas Christ's depicted descent from the heavens is the only part of the piece in 4/4, arguably the most comforting time signature. In fact, the title, Signs of the Times, is actually a play on words of the term time signatures, which is the main gimmick of the piece. The subtitle of the piece is (Matthew 24:29-30) which reads:29 Immediately after the tribulation of those days shall the sun be darkened, and the moon shall not give her light, and the stars shall fall from heaven, and the powers of the heavens shall be shaken:30 And then shall appear the sign of the Son of man in heaven: and then shall all the tribes of the earth mourn, and they shall see the Son of man coming in the clouds of heaven with power and great glory.This piece was originally performed by the Wind Quintet at Brigham Young University-Idaho during the Fall 2023 semester, and has since been polished.Estimated duration of piece: 5 min, 55 secondsEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece!ryansterry2000@gmail.com.

Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1253228 Composed by Nicholas White. 21st Century,Classical,Sacred. Octavo. 12 pages. Nicholas White Music #846862. Published by Nicholas White Music (A0.1253228). A choral setting of the ancient vesper hymn for choir and organ, composed for the choir of St. John Cantius Parish, Chicago, and dedicated to the memory of Gordon McMillan. This was recorded on Saturday, June 29, 2019, in the glorious surroundings of St. John Cantius, and was premiered at Mass on Sunday, June 30, 2019.Decóra lux æternitátis, áureamDiem beátis irrigávit ígnibus,Apostolórum quæ corónat Príncipes,Reísque in astra líberam pandit viam.Mundi Magíster atque cæli Iánitor,Romæ paréntes arbitríque géntium,Per énsis ille, hic per crucis victor necem,Vitæsenátum laureáti póssident.O Roma felix, quæ duórum PríncipumEs consecráta glorióso sánguine!Hórum cruóre purpuráta céterasExcéllis orbis una pulchritúdines.Sit Trinitáti sempitérna glória,Honor, potéstas atque iubilátio,In unitáte, quæ gubérnat ómnia,Per univérsa sæculórum sǽcula.Amen.The beauteous light of God's eternal majestyStreams down in golden rays to grace this holy dayWhich crowned the princes of the Apostles' glorious choir,And unto guilty mortals showed the heavenward way.The teacher of the world and keeper of heaven's gate,Rome's founders twain and rulers too of every land,Triumphant over death by sword and shameful cross,With laurel crowned are gathered to the eternal band.O happy Rome! who in thy martyr princes' blood,A twofold stream, art washed and doubly sanctified.All earthly beauty thou alone outshinest far,Empurpled by their outpoured life-blood's glorious tide.All honour, power, and everlasting jubileeTo him who all things made and governs here below,To God in essence One, and yet in persons Three,Both now and ever, while unending ages flow.Amen.(Hymn from the Office of Vespers for SS Peter and Paul).

Solo voices, piano - Medium - Digital Download SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Published by E. C. Schirmer Music Company - Digital (MQ.8497-E). English.Libretto:Written by Miki LynnScene Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. St. Peter explains that because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, and proceed to express their dismay and outrage. Duration: 7:00Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. Because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, but submit. After their impressive auditions, St. Peter cannot make a decision. Gabriel therefore mentions the Redemption Clause: If the sopranos go to Hell and do a selfless deed, they can bring back to Heaven as many tenors and basses as needed. To protect them in Hell, St. Peter grants them a special disguise.The Divas, St. Peter, and Gabriel arrive in Hell and listen to the stories of some of the tortured souls there. Just Jeanette meets Nelson Deadly and they fall in love. The Sandman arrives with the stage director, Orson and presents a task to the couple: If they don't fall asleep listening to Orson, they can take back to Heaven as many tenors and basses as they want. They fail the test, but because of a selfless act on their part, they are granted the release of the men. There is general rejoicing and all promise St. Peter they will never sing opera again. Duration: ~ 1 Hour, 20 MinutesRoles:ST. PETERBass-BaritoneDAME DOLEFULMezzo-SopranoMADAME POMPOUSSopranoMISS TITMOUSEColoratura SopranoJUST JEANETTELyric Soprano  The purchase of this scene includes permission to reproduce a maximum number of 7 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.918178 Composed by Christy L'Esperance. Christian,Contemporary,Sacred,Wedding. Score. 7 pages. Christy L'Esperance #6612075. Published by Christy L'Esperance (A0.918178). Song of Seikolos is the oldest surviving complete composition, dating to ancient (200BC) Greece. The melody of Song of Seikolos is used as a framework for this setting of Psalm 148:1-2, 3-4, 9-10, 11-13a, 13c-14a. Appropriate for Catholic wedding ceremonies as well as other sacred celebrations, this purchase includes the piece in a key suited for higher voices (G mixolydian) as well as a transposition down a fourth for lower voices.Text: Psalm 148:1-2, 3-4, 9-10, 11-13a, 13c-14aR. (13a) Let all praise the name of the Lord.Praise the Lord from the heavens,praise him in the heights;Praise him, all you his angels,praise him, all you his hosts.R. Let all praise the name of the Lord.Praise him, sun and moon;praise him, all you shining stars.Praise him, you highest heavens,and you waters above the heavens.R. Let all praise the name of the Lord.Mountains and all hills,fruit trees and all cedars;beasts, both wild and tame,creeping things and birds on the wing.R. Let all praise the name of the Lord.Kings of the earth and all peoples,princes and all judges of the earth,young men and maidens as well,the old and the young together.Let them praise the name of the Lord,for his name alone is exalted.R. Let all praise the name of the Lord.His splendor above earth and heaven.He exalts the strength of his people.R. Let all praise the name of the Lord.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 35 pages. Stephen R Dalrymple #6753169. Published by Stephen R Dalrymple (A0.818377). Infinite, Eternal, Invisible, Undetectable God ♫ original song by Stephen R Dalrymple ♫ based on 2 Chronicles 2:6, John 1:18, John 4:24 ♫ CCLI song # 7193328 ♫ Does God, the Creator of the Universe, have a face, eyes, ears, hands, arms, and feet? (Eze 39:29, Ps 34:15, Isa 59:1, Ps 98:1) Does He have wings like a chicken that He uses to comfort us? (Ps 91:4) Does He travel on the back of a cherub? (Psalm 18:10) Are the clouds a hiding place for God? (Job 22:14) Is His residence a place called heaven? Is the earth the footstool of His throne? (Isaiah 66:1) Does God change His mind? (Ex 32:14) ♫ The poetry of the Bible, (like other ancient literature) is full of figures of speech. Figures of speech explain things in words and ideas we can understand. The Bible abounds in figures of speech such as simile (comparison using like or as), metaphor (comparison not using like or as), synecdoche (using a part for the whole), deliberate hyperbole [obvious exaggeration], verbal irony (the tone of voice tells that the speaker means the opposite of the words he or she is using), personification (attributing human features or feelings to animals or inanimate objects), anthropomorphism / anthropopathism (gives human attributes, feelings to God.) [or animals, inanimate objects, cartoon characters.] ♫ God is spirit. (John 1:18, John 4:24) He is infinite, eternal, invisible, undetectable. The humanlike descriptions of God are actually figures of speech that help us understand and identify with Him. Descriptions of God’s eyes, arms, feet, wings, etc. are all figures of speech that tell us God is present everywhere, sees everything, hears everything, and cares about every part of his creation. (God is imminent). ♫ The heavens, even the highest heavens cannot contain Him. (2 Chronicles 2:6, 6:18) God is separate from the universe. (God is transcendent.) Scientific measurements cannot detect Him because He is not in the universe, the universe is in Him. ♫ Just as you can feel your fingers and your toes at the same time, God knows what is happening in every atom of the universe simultaneously. Back to the original question. ♫ After swimming laps in our local pool, I like to float on my back a bit. It reminds me that as the water surrounds me and supports me, so I am constantly encircled and upheld by God’s actual presence ♫ music © 2022 Stephen R Dalrymploe♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).

Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1112895 Composed by Anne Britt. Christian,Christmas. Score. 8 pages. Anne Britt #714848. Published by Anne Britt (A0.1112895). A gentle Christmas lullaby for alto/mezzo soprano vocal solo and piano. Vocal range is A2-D4. Lyrics by Gay Tregaskis and music by Anne Britt. 8 pages. Performance time: approximately 4:35. Piano accompaniment is early intermediate level. Also available for bass/baritone (one octave lower). Lyrics: This is a lullaby for the Holy One, Sing praises to God’s begotten Son. Rocked and cradled in Mary’s embrace, Slept the tiny child of endless Grace. Swaddled with love in the manger laid, While lowly shepherds knelt and prayed. In the heavens hosts of angels sang: Glory to God! The Prince will reign! Ooh, Immanuel. This is the story of a life of love, All glory be given to God above. Together this lullaby we will tell, And shall call His name Immanuel. Still the Good Shepherd cares for His flock; Along His path He bids us walk. Bright is His light shining high on the hill, Words of the Holy One: “I’ll do thy will.� Ooh, Immanuel. Disciples were told to touch and trace The evident scars of mercy and grace. Just as the shepherds on bended knee, We’ve been invited to come and see. This is the story of a life of love, All glory be given to God above. Together this lullaby we will tell, And shall call His name Immanuel. All mankind may now rejoice; With heavenly choirs raise your voice. Together this lullaby we will tell, And shall call His name Immanuel. Ooh, Immanuel.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.974491 Composed by Bella Wu. Christian,Christmas,Contemporary,Easter,Sacred. Octavo. 20 pages. Bella Chia-Yu Wu #6305451. Published by Bella Chia-Yu Wu (A0.974491). The text for this song is based on John 1:29. Look, the Lamb of God, who takes away the sin of the world! and Psalm 48, Praise the Lord from the heavens; praise him in the heights above. Praise him, all his angels; praise him, all his heavenly hosts.It is ideal for Good Friday and Easter. This song was written by Bella Wu, a Toronto-based Christian composer. It is part of her Word of God collection where Bible verses and lyrics from old hymns are used for the texts. Listen to her other songs written for the church choir on SoundCloud: https://soundcloud.com/bella-wu-641794580The composer can be reached at bellawumusic@gmail.com.