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Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.875170 Composed by Composer Unknown. Arranged by Dr Jerry Nelson. Christian,Gospel. Individual part. 10 pages. Jerry Nelson #3874015. Published by Jerry Nelson (A0.875170). A century-old song that became an instant hit when rediscovered. Using word-painting and vivid imagery, it dramatically portrays the splendors of heaven and face-to-face with Jesus Himself.Progress rapidly using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accompaniment included, plus Chord Chart for live rhythm. Or perform with this thrilling Orchestral Accompaniment Track (#SO.432411).  Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and Audio Demo.Congrats!  You found the Gold Mine!  Whether you play winds or strings or '88 keys' â€“ you discovered awesome arrangements at multiple challenge levels.  SEARCH Jerry Nelson (plus your instrument's name and maybe include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 4.  (Time 6:10)  
I Bowed on my Knees and Cried Holy (Arrangements Level 2-4 for TENOR SAX + Written Acc) Hymn
Saxophone Tenor

$4.99 4.29 € Saxophone Tenor PDF SheetMusicPlus

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.809915 Composed by George Duffield, Jr. and George J. Webb. Arranged by Robert E. Proctor. Christian,Sacred. Octavo. 39 pages. R. E. Proctor #6132917. Published by R. E. Proctor (A0.809915). An arrangement of the hymn, Stand Up, Stand Up for Jesus for S.A.T.B. choir, string quintet, and piano with optional parts for clarinet. (The full score does not include the clarinet parts.) The clarinet parts substitute for the 2nd violin and the viola.  The piano part has chords for guitar.  The bass part could be played by an electric bass if needed. Flute can play the 1st violin part.  An octavo score is included along with the full score.  Duration is approx. 2:17.
Stand Up, Stand Up for Jesus for SATB Choir, String Quintet and Piano
Chorale SATB

$4.95 4.25 € Chorale SATB PDF SheetMusicPlus

C Instrument - Digital Download SKU: A0.808147 Composed by Smith/Medina. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 1 pages. Mark Wayne Music, LLC #2343157. Published by Mark Wayne Music, LLC (A0.808147). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
That Da Da Strain
Instruments en Do

$1.99 1.71 € Instruments en Do PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.726435 Composed by Various. Arranged by Kenneth Baird. Christian,Christmas,Standards. Score and parts. 24 pages. Kenneth Baird Music #6092095. Published by Kenneth Baird Music (A0.726435). Many have loved the duet arrangements found in the original collection of 12 Christmas Duets for Bass Clef Instruments arranged by Kenneth Baird. Volume 2 is now available! As in the original collection, this is a delightful collection of intermediate to advanced-intermediate level duets based on traditional Christmas carols. They are challenging at times (not for beginners) without being overwhelming; at times joyful, at times uplifting, at times serene. There's even a very jazzy version of Go Tell It on the Mountain! In addition to being a joy for friends to play together, they are a great resource for teachers to play at lessons with their students, they are are suitable for informal Christmas performances, and many are appropriate for church services. Note: the duets in this collection have NOT been arranged to be fully compatible with Mr. Baird's duet collections for other instruments. Instead, these have been arranged specifically for bass clef wind instruments (trombones, euphoniums, and/or bassoons). This collection does include the duets found in previously released Five More Christmas Duets for Bass Clef Instruments by Mr. Baird. Included in Christmas Duets, Volume 2, are: Carol of the Bells, Ding Dong! Merrily on High, the First Noel, Go Tell It on the Mountain, It Came Upon a Midnight Clear, Jingle Bells, Joy to the World (a more traditional version than found in the original duet collection), We Three Kings, Angels We Have Heard on High, God Rest Ye Merry Gentlemen, and In Dulci Jubilo (Good Christian Men Rejoice). If you are looking for simple harmonizations of Christmas Carols, this collection is not for you. If you are looking for something more, you've come to the right place.
Christmas Duets - Volume 2 - for Bass Clef Wind Instruments (Trombones, Euphoniums, and/or Bassoons)
Ensemble de cuivres

$12.99 11.16 € Ensemble de cuivres PDF SheetMusicPlus

Flute Solo - Level 2 - Digital Download SKU: A0.875201 Composed by Grape-Mason. Arranged by Dr Jerry Nelson. Christian,Easter,Sacred. Individual part. 6 pages. Jerry Nelson #3874553. Published by Jerry Nelson (A0.875201). The two songs in this medley combine perfectly for an Easter or Communion service.  A very sensitive arrangement with key changes plus a huge dynamic peak near the end, settling back into a worshipful finish.  Progress rapidly using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written PNO Accompaniment included, plus Chord Chart for live rhythm. Or perform with this worshipful Orchestral Accompaniment Track (#SO.432427).  Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and optional TrackCongrats!  You found the Gold Mine!  Whether you play winds or strings or '88 keys' â€“ you discovered awesome arrangements at multiple challenge levels.  SEARCH Jerry Nelson (plus your instrument's name and, if you wish, include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 4.  (Time 4:23)  
Jesus Paid It All with There Is A Fountain (Arrangements Level 2-4 for FLUTE + Written Acc) Hymn
Flûte traversière

$4.99 4.29 € Flûte traversière PDF SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
Quintette de Flûte : 5 flûtes

$15.00 12.89 € Quintette de Flûte : 5 flûtes PDF SheetMusicPlus

Choral Choir,Choral (3-Part Mixed) - Level 3 - Digital Download SKU: A0.1346160 By Jo Stafford. By Johnny Mercer and Victor Schertzinger. Arranged by Ivan Pyzow. 20th Century,A Cappella,Broadway,Jazz,Musical/Show,Standards. 4 pages. Pyzow! Publishing #930984. Published by Pyzow! Publishing (A0.1346160). 3-voice arrangement with occasional fun reharmonization.For choir or vocal trio.Clear, original melody for the top voice.Creative intro and outro that uses the main motif of the melody in a fugue-like way to outline the harmony.Could be sung with one high voice and two other voices, regardless of gender. Each part only spans a tenth in range, and each part doesn't jump around too much to make learning easier. Many voicings do not include the root, allowing for an even richer sound if performed with a bass player.Chords included.
I Remember You
Jo Stafford
$1.99 1.71 € PDF SheetMusicPlus

Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1117434 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and parts. 17 pages. David McKeown #718980. Published by David McKeown (A0.1117434). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The duets included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as duets for one Oboe and one Cor Anglais (or English Horn), and include all sections of the original compositions. The YouTube link showcases the clarinet version of these duets. The duets are suitable for players at an intermediate and and advanced intermediate level. Musicians will find these Ragtime duets ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation.    There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  
Five Ragtime Duets by Scott Joplin for Oboe and Cor Anglais (or English Horn)

$9.99 8.58 € PDF SheetMusicPlus

C Instrument - Digital Download SKU: A0.808534 Composed by Charles King. Arranged by Mark Huxhold. Contemporary. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #6669135. Published by Mark Wayne Music, LLC (A0.808534). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys are included with each title, each key having its own page.
Hawaiian Wedding Song
Instruments en Do

$1.99 1.71 € Instruments en Do PDF SheetMusicPlus

String Ensemble,String Quintet Cello - Level 3 - Digital Download SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533955. Published by Regis Bookshar (A0.813841). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violoncello Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violoncello Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of.
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violoncello Quintet)

$15.00 12.89 € PDF SheetMusicPlus






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