Ukulele - Level 2 - Digital Download SKU: A0.1184348 By Gabrielle Liriano. By Gabrielle Liriano and Jennifer Tilley-Feather. Children. Score (Chords/Lyrics). 10 pages. Art Haus Music Publishing #784073. Published by Art Haus Music Publishing (A0.1184348). This piece is a product of a warm reunion between student and teacher. When Gabrielle Liriano was just 7 years old she had Jennifer Tilley-Feather as her elementary public school music teacher. It was some of her first expeditions into the world of music. Back then Jennifer Tilley Feather was Ms. Tilley, a phenomenal music teacher and her classroom was where Gabrielle decided that music would be her path.Almost 20 years later Jennifer Tilley-Feather is still a phenomenal music teacher at the same elementary school, but now goes by Ms. Feather and her student Gabrielle has become a contemporary music composer, a career she owes to Jennifer. A simple visit to the school sparked an explosion of bonding, collaboration, and opportunities that resulted in this piece.We hope you enjoy it as much as we do!

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.768518 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christmas,Romantic Period. Octavo. 80 pages. KVAMusic Edition #6078597. Published by KVAMusic Edition (A0.768518). Charles-Camille Saint-Saëns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist. He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de Noël (Christmas Oratorio) at the end of the 1850s and completed it in 1860. The first performanse was at the church La Madeleine in Paris December 1869. The work is dedicated to A Madame la Vicomtesse de Grandval. The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de Noël is drawn from the Old and New Testaments: (1. Instrumental).    2. Luke 2,8-14.   3. Psalm 39,1.   4. John 11.27.   5. Psalm 117, 26-28.   6. Psalm 2,1 and Gloria Patri.   7. Psalm 109,3 and Graduale.   8. Isaiah 49,13.   9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1.   10. Psalm 95,8-9, 11,13.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1306222 By Years & Years. By Gregory Kurstin and Olly Alexander. Arranged by Robert Hales. 21st Century,Contemporary,Pop. 10 pages. Robert Hales #895610. Published by Robert Hales (A0.1306222). Inspired by a performance with the Absolut Choir, amplifying the voices of people and groups for whom Olly is an advocate. In this arrangement, the voices begin sparsely before the parts split to create a very rich harmony and light and shade. The piano accompaniment keeps up to the lively pace of the original. There is a small group or solo part that carries the main melody in some sections, but this could also be sung by a couple of sub-sections of the main choir (e.g. upper sopranos and upper tenors).

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.768516 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christian,Christmas,Romantic Period. Octavo. 144 pages. KVAMusic Edition #6078593. Published by KVAMusic Edition (A0.768516). Charles-Camille Saint-Saëns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist. He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de Noël (Christmas Oratorio) at the end of the 1850s and completed it in 1860. The first performanse was at the church La Madeleine in Paris December 1869. The work is dedicated to A Madame la Vicomtesse de Grandval. The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de Noël is drawn from the Old and New Testaments: (1. Instrumental).    2. Luke 2,8-14.   3. Psalm 39,1.   4. John 11.27.   5. Psalm 117, 26-28.   6. Psalm 2,1 and Gloria Patri.   7. Psalm 109,3 and Graduale.   8. Isaiah 49,13.   9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1.   10. Psalm 95,8-9, 11,13.

Concert Band - Level 3 - Digital Download SKU: A0.1024838 Composed by Stanley P. Hung. Contemporary,Holiday. Score and parts. 57 pages. Stanley P. Hung #4607751. Published by Stanley P. Hung (A0.1024838).     Inspire Infinite Potential is the first original composition of Stanley P. Hung. It was composed for the Massachusetts Institute of Technology Concert Band 70th Anniversary in 2019. MIT Concert Band was founded by students in fall of 1948 and directed for 51 years by conductor John D. Corley. He directed the band from its inception in 1948 until his retirement last spring in 1999. Dr. Thomas E. Reynolds continued the job of music education at MITCB up to now about 20 years. He is the current music director and conducting the band together with co-conductor Collin Myers. (Reference: band.mit.edu)    Mr. Hung had participated in a few public performances of MIT Concert Band and played trombone. His footprints not only appeared at MIT in Cambridge, but also in New York (2013), Maine (2014), and Philadelphia (2019) during spring tours. To come up with an idea by our originality then take it into practice was the spirit inspired by such ingenuity group. Therefore, Stanley tried to add this spirit into the music work Inspire Infinite Potential at creation stage. Its U.S. premiere was conducted by Dr. Reynolds and performed by the MIT Concert Band in campus (2019.12.10). The second edition is mostly based on the previous version. Some of notes, chords, articulations, and rhythms have been updated.   ISMN : 979-0-800170-03-4

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1024840 Composed by Stanley P. Hung. Contemporary,Holiday. 19 pages. Stanley P. Hung #6495927. Published by Stanley P. Hung (A0.1024840).  Inspire Infinite Potential is the first original composition of Stanley P. Hung. It was composed for the Massachusetts Institute of Technology Concert Band 70th Anniversary in 2019. MIT Concert Band was founded by students in fall of 1948 and directed for 51 years by conductor John D. Corley. He directed the band from its inception in 1948 until his retirement last spring in 1999. Dr. Thomas E. Reynolds continued the job of music education at MITCB up to now about 20 years. He is the current music director and conducting the band together with co-conductor Collin Myers. (Reference: band.mit.edu)    Mr. Hung had participated in a few public performances of MIT Concert Band and played trombone. His footprints not only appeared at MIT in Cambridge, but also in New York (2013), Maine (2014), and Philadelphia (2019) during spring tours. To come up with an idea by our originality then take it into practice was the spirit inspired by such ingenuity group. Therefore, Stanley tried to add this spirit into the music work Inspire Infinite Potential at creation stage. Its U.S. premiere was conducted by Dr. Reynolds and performed by the MIT Concert Band in campus (2019.12.10). The second edition is mostly based on the previous version. Some of notes, chords, articulations, and rhythms have been updated.

Digital Download SKU: A0.1071752 Composed by Stanley P. Hung. Contemporary,Holiday. Full Performance. Duration 293. Stanley P. Hung #6495921. Published by Stanley P. Hung (A0.1071752).  Inspire Infinite Potential is the first original composition of Stanley P. Hung. It was composed for the Massachusetts Institute of Technology Concert Band 70th Anniversary in 2019. MIT Concert Band was founded by students in fall of 1948 and directed for 51 years by conductor John D. Corley. He directed the band from its inception in 1948 until his retirement last spring in 1999. Dr. Thomas E. Reynolds continued the job of music education at MITCB up to now about 20 years. He is the current music director and conducting the band together with co-conductor Collin Myers. (Reference: band.mit.edu)    Mr. Hung had participated in a few public performances of MIT Concert Band and played trombone. His footprints not only appeared at MIT in Cambridge, but also in New York (2013), Maine (2014), and Philadelphia (2019) during spring tours. To come up with an idea by our originality then take it into practice was the spirit inspired by such ingenuity group. Therefore, Stanley tried to add this spirit into the music work Inspire Infinite Potential at creation stage. Its U.S. premiere was conducted by Dr. Reynolds and performed by the MIT Concert Band in campus (2019.12.10). The second edition is mostly based on the previous version. Some of notes, chords, articulations, and rhythms have been updated.

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.   Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Register for free lifetime updates and revisions at www.jamesguthrie.com

French Horn,Piano - Level 1 - Digital Download SKU: A0.548674 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410435. Published by jmsgu3 (A0.548674). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.   Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.    

Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410437. Published by jmsgu3 (A0.548675). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.   Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Register for free lifetime updates and revisions at www.jamesguthrie.com

Piano,Tuba - Level 1 - Digital Download SKU: A0.548679 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410443. Published by jmsgu3 (A0.548679). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English.   Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire.  Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind.  Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it.  He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute.  Register for free lifetime updates and revisions at www.jamesguthrie.com

Brass Ensemble - Level 4 - Digital Download SKU: A0.775299 By Chicago. By Robert Lamm. Arranged by Alex Wilson. Pop,Rock. Score and parts. 28 pages. Alexander Wilson #5299121. Published by Alexander Wilson (A0.775299). Written by Robert Lamm and recorded in 1969, 25 or 6 to 4 is one of the band Chicago's most well known hits.  There was speculation about the meaning of the title, including one hypothesis that led the song to be banned in Singapore for over 20 years for alleged allusions to drugs, but according to the composer the song is about writing music in the early morning, and the title is nothing more salacious than 3:35am (25 to 4) or 3:34am (26 to 4).In any case, this song remains a classic of the rock genre 40 years after its publication, and is arranged here for 10 Bb trumpets.  Most of the higher and more difficult licks are concentrated in the top 4 parts, and the 1st part requires particular skill (leading me to mark this arrangement's difficulty as advanced intermediate), but each trumpeter involved will have have at least one moment of guitar-solo glory.  Perfect for a large trumpet ensemble with diverse skill levels.

Soprano voice and piano - Medium - Digital Download SKU: MQ.8771-4E Composed by Tom Cipullo. 10 pages. E. C. Schirmer Music Company - Digital #8771-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8771-4E). English.The works in this volume were composed over more than fifteen years. Crickets was composed for the Joy in Singing’s millennium celebration at Merkin Hall and is dedicated to soprano Meagan Miller. Summer into Autumn Slips is a setting of an excerpt from one of Emily Dickinson’s poems. How to Get Heat Without Fire was premiered in April 2000 at The Great Hall at Cooper Union in NY. Jody Sheinbaum was the soprano with the composer accompanying. Over the years, The Pocketbook has proven the most popular of the songs and is often excerpted from the cycle. The five songs of In the Middle of a Life are excerpted from a collection of 15 solos, duets, and trios – all settings of poems by Linda Pastan. Rapture was composed for the wedding of two dear friends, both treasures of New York’s musical life. The George Eliot text was selected by the couple, and the music captures its great tenderness.Contents:Late Summer  1. Crickets             2. Summer into Autumn Slips       How to Get Heat without Fire  1. Why I Wear My Hair Long         2. Saying Goodbye           3. The Pocketbook           4. How to Get Heat without Fire       In the Middle of a Life  1. Because             2. Drift              3. In back of             4. RSVP: Regrets Only           5. In the Middle of a Life        Rapture.

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.546458 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Leo Silva. Broadway,Film/TV,Jazz,Multicultural,Musical/Show,Traditional,World. Individual part. 2 pages. MP Sheet Music #156478. Published by MP Sheet Music (A0.546458). Theme from New York, New York (or New York, New York) is the theme song for the Martin Scorsese film New York, New York (1977), composed by John Kander, with lyrics by Fred Ebb. It remains one of the best-known songs about New York City. In 2004, it finished 31st in the AFI's 100 Years...100 Songs poll of top American film songs. In 1979, Theme from New York, New York was recorded by Frank Sinatra for his album Trilogy: Past Present Future (1980), and has become closely associated with it as one of his signature songs. Don Costa received a Grammy nomination for energetic orchestration. Sinatra occasionally performed the song live with Minnelli as a duet. Sinatra recorded for the second time for his 1993 album Duets, with Tony Bennett. Sinatra's recording peaked at #32 in June 1980, becoming his final Top 40 hit. It was also an Adult Contemporary hit, reaching #10 in the US[2] and #2 in Canada. [3] The song made a small showing in the UK (#59); however, it reappeared several years later and reached No. 4 in 1986. The song was nominated for a Grammy Award for Best Pop Vocal Performance, Male and Sinatra made two more studio recordings of the song in 1981 (for their NBC TV special The Man and His Music) and 1993 (for Capitol Records). From the latter, an electronic duet with Tony Bennett was produced for Sinatra's Duets album.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1240133 Composed by Debbie Allen. Children,Contemporary,Contest,Festival,Folk,Historic. Octavo. 14 pages. Nottingham Scores #835514. Published by Nottingham Scores (A0.1240133). Mystery of the Hills is an S.A.T.B. choral work describing the wonder of the Flint Hills, a region in East Central Kansas.  I’m not a native Kansan, but whenever I drive through this area, I am enthralled by the infinite sense of expanse and gently rolling terrain. Geologists believe there was an inland seaway that covered central North America starting 290 million years ago. Over time, alternating layers of hard limestone and softer shale rocks formed. It is believed erosion caused the varied elevations of terrain, unique to the slopes of the Flint Hills. These surface layers of limestone and chert prevented the settler’s ability to farm, which in turn preserved the integrity of the soil. Today, the prairie grasses can reach 10 feet tall if not managed.  The rich grasses are prime for feeding livestock. This music attempts to provide images of traveling through the Flint Hills today, while imagining changes over eons of time, due to weather and eventually, human interaction.  Generally, the upper voices provide the imagery and some history, while the lower voices describe a bedrock foundation.  Describing the rock foundation found in the Flint Hills is also a metaphor for human strife and struggle as man, among living flora and fauna, interact with the area. The vocal ranges and harmonies are accessible for young ensembles, whether in development or with years of experience.