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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1153733 By Stewart J Wallace. By Traditional. Arranged by Stewart J Wallace. 19th Century,A Cappella,Comedy,Folk,Traditional. Octavo. 12 pages. Stewart J Wallace #753994. Published by Stewart J Wallace (A0.1153733). An arrangement of the traditional West Country English folksong Widicombe Fair for SATB a cappella voices. This is a ghostly and humorous tale of Tom Pearce's old grey mare and the motley collection of Bill Brewer, Jan Stewar, Peter Gurney, Peter Davey, Daniel Widdon, Harry Hawke and old Uncle Tom Cobley who all endeavour to go to Widicombe Fair with the horse as their means of transport. The melody is mainly in the tenors and basses at the beginning, and there is a minor section for two verses in the middle. In the original song there are up to 9 verses with several variations, but this arrangement cuts it down to 8 verses which is still almost 4 minutes running time! A simple piano, guitar, or accordion accompaniment can be added by playing the chord symbols and the choir should be encouraged to add vocal effects to bring this song (and possibly the old grey mare) alive.
Widicombe Fair - SATB
Chorale SATB
Stewart J Wallace
$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1075450 Composed by Lyrics by Brewster M. Higley, Music by Daniel E. Kelley. Arranged by Evan Halloin. Classical,Folk,Patriotic,Traditional. Score and parts. 118 pages. Evan Halloin #679638. Published by Evan Halloin (A0.1075450). Home on the Range is arranged here for full symphony orchestra, with and option to perform it as an audience sing-along. There is a short intro, 4 verses and choruses, and a short coda. Each verse and chorus is slightly different, like a series of variations.This arrangement was originally created for the Kansas City Symphony's Symphony in the Flint Hills event in 2022, an annual outdoor concert which traditionally ends with a crowd singing along to this, the state song of Kansas. The key is a friendly E flat, and the text is provided on the second page of the score. There are parts for:the sing-along vocal part 2 flutes, 2 oboes, 2 clarinets in B flat, 2 bassoons optional piccolo, English horn, bass clarinet, contrabassoon 4 horns in F, 3 trumpets in C, 2 trombones, bass trombone, tuba Timpani, 2 percussionists (glockenspiel, triangle, suspended cymbal), harp violin I, violin II, viola, cello, double bassI mean, it's a good tune! Score is 11 x 17 and parts are 9 x 12 size. Adobe Acrobat will easily shrink to fit letter size paper.
Home on the Range - for symphony orchestra (optional sing-along)
Orchestre

$60.00 51.55 € Orchestre PDF SheetMusicPlus

Concert band - Grade 3 - Digital Download SKU: IZ.CBS159 Composed by Arthur J. Michaels. Fusion Series. Score and Parts. 59 pages. Imagine Music - Digital #CBS159. Published by Imagine Music - Digital (IZ.CBS159). 9 x 12 in inches.Tomorrow's Hopes and New Horizons is a grade 3 concert band piece that captures both the excitement and thehesitancy of growing and taking on new challenges. The theme and variations suggest life's varied paths. Similarly,throughout the piece the different harmonies of the main theme's phrase endings remind us of our wide-rangingchoices as we grow. The piece is meant tobe performed with full concert band. However, the arrangement's flexible scoring provides the most performingopportunities for smaller ensembles of all sizes and configurations, as long as all four voices are included.Furthermore, the arrangement's solo and soli passages provide varied sound textures in the context of thisflexible scoring. The piece's ample yet judiciously placed cues allow instrument combinations other than thosewritten. Directors may use discretion in assigning solo passages as solos, as section solis, or either as solos orsolis from cued parts. Tomorrow's Hopes and New Horizons provides excellent opportunities to teach lessons in balance, blending,independence, intonation, and maintaining a steady tempo. This stirring work is suitable for any concert venue,and it is sure to please players and audiences..
Tomorrow's Hopes & New Horizons
Orchestre d'harmonie

$70.00 60.14 € Orchestre d'harmonie PDF SheetMusicPlus

String Quintet Viola - Level 2 - Digital Download SKU: A0.1164264 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #764611. Published by Woods Only, Arrangements (A0.1164264). This arrangement adapted for viola quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
Turkish March by Beethoven for Viola Quintet

$9.99 8.58 € PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.861864 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6204377. Published by Mark O'Connor Musik International (A0.861864). Limerock (score – vln, cel) MO124AScore (parts available)Music by Mark O’Connor8 pages - 2:20 minutes in length Limerock adapted for violin and cello is an arrangement of one of the most beautiful hoedowns in American fiddling literature. Originally a two part tune, Texas fiddling pioneer Benny Thomasson arranged a version that approximates the one most performed today. Mark O’Connor and Edgar Meyer built upon the Thomasson variations to create a unique and thrilling violin and bass duet that first appeared on O’Connor’s Grammy winning recording, New Nashville Cats. O’Connor has adapted the 2nd part to include violin, viola and doublebass to offer four different versions of the arrangement. Limerock is a fine example of how a tune O’Connor learned by ear as a youth evolved into a virtuoso piece in a classical setting. It is most suitable for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1990 Composed by Mark O’ConnorLimerock can be heard on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalLimerock can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, and The New Nashville Cats Warner Bros. Records Catalogue Number MO124ACopyright © 1990 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
Limerock (score - vln, cel)
Violon, Violoncelle (duo)

$6.00 5.15 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1123301 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Sudario Cunha. Baroque,Easter,Instructional,Sacred,Wedding. Score. 8 pages. Flavio Regis Cunha #724117. Published by Flavio Regis Cunha (A0.1123301). Are you a student, an amateur or a professional pianist? Look no further for the perfect sheet music to define your music standards.Introducing 'Sonata for Solo Violin No. 3 in C Major, BWV 1005: I. Adagio' by Johann Sebastian Bach as played by Víkingur Ólafsson. Get this sheet music and give your performance the edge that it needs! This is one of Bach’s pioneering works; the precise combination of vigor and serenity has made it Bach's most popular work. Accessible, yet masterfully crafted for every level of pianist, this sheet music will allow you to truly express your musicality.  Let Víkingur Ólafsson's stunning interpretation of this Bach classic inspire and enhance your own rendition. Achieve the highest level of musical excellence with this exquisite arrangement and enliven every performance. Don’t miss out! Get your 'Sonata for Solo Violin No. 3 in C Major, BWV 1005: I. Adagio' sheet music now!Adagio from Sonata for Solo Violin No. 3 in C Major, BWV 1005, as played by Víkingur Ólafsson. This beautiful Adagio movement by composer J. S. Bach is featured on the newest album release Fom Afar by acclaimed Icelandic pianist Víkingur Ólafsson.Intermediate LevelFormat: Concert, 9 x 12 inches.5 pages.Program notesJohann Sebastian Bach's third sonata for solo violin, BWV 1005, is an incomparable masterwork of Baroque music. Written in 1720, this sonata continues Bach's mastery of the solo violin, balancing lyrical expressivity and technical complexity within a single work.   The opening Adagio movement is particularly beloved for its slow, passionate melody and depth of emotion. The movement's simple structure – two repeating harmonic progressions that contrast and combine – is especially beautiful in its unadorned melodic lines and sonorous tones. At the same time, the movement is filled with subtle variations and technical challenges, making it a dazzling display of Bach's technical brilliance.  Come and experience Bach's heartfelt music. You will be warmed by its passionate lyricism, enchanted by its technical mastery, and moved by its profound emotional depth.
Adagio from Sonata for Solo Violin No. 3 in C Major, BWV 1005 - Víkingur Ólafsson Version
Piano seul
Johann Sebastian Bach and Víkingur Ólafsson
$6.99 6.01 € Piano seul PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.  Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
Violoncelle, Piano

$32.95 28.31 € Violoncelle, Piano PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1346173 By Henrietta Atkin. By African American spiritual and Heinlein. Arranged by Henrietta Atkin. Christian,Lent,Religious,Sacred,Spiritual. Score. 12 pages. Henrietta Atkin #930995. Published by Henrietta Atkin (A0.1346173). Lenten planning just got a whole lot easier with these three keyboard preludes for Lent.A poignant arrangement of the beautiful African-American spiritual I Want Jesus to Walk With Me (featured in the movie Selma) headlines the collection. This thoughtful, contemplative rendition is sure to induce prayerful reflection.A set of Baroque variations will have you seeing the classic Lenten tune Heinlein in a new light. Appropriate for the entire forty days of Lent.Finally, a moving meditation on the spiritual Jesus is a Rock in a Weary Land will be one your congregation will never forget. This timeless classic is rarely set as a prelude, which is why it's time to include it in your Lenten planning today.
Three Preludes for Lent
Piano seul
Henrietta Atkin
$10.99 9.44 € Piano seul PDF SheetMusicPlus

Piano,Trombone - Level 2 - Digital Download SKU: A0.549368 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3491299. Published by jmsgu3 (A0.549368). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano - S0.662021. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  
Bach-Gounod: Ave Maria for Trombone & Piano
Trombone et Piano

$32.95 28.31 € Trombone et Piano PDF SheetMusicPlus


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