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Jazz Combo - Level 5 - Digital Download SKU: A0.790222 Composed by Stephen Sondheim. Arranged by Nigel Hanley. 20th Century,Broadway,Contemporary,Musical/Show,Opera,Pop. 22 pages. Nigel Hanley Music #4267263. Published by Nigel Hanley Music (A0.790222). This chart is an 8 piece musical theater pit band arrangement of the Stephen Sondheim tune from the musical 'Company'. The instrumentation is keyboards, bass, guitar, drums, trumpet, alto & tenor saxes, and trombone. The keyboard/piano part has cues for strings, oboe, horns, and guitar, which means the chart will work with various instrumentations, ie a trio, up to an octet. Download the complete mp3 track from www.nigelhanleymusic.com Other keys and instrumentation available on request: info@nigelhanley.com
Being Alive
Jazz combo

$29.99 25.71 € Jazz combo PDF SheetMusicPlus

Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.933816 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and parts. 22 pages. William Pagan-Perez #3023279. Published by William Pagan-Perez (A0.933816). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serení About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children.     Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class.  --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas líneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodías expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez.  Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases. 
Four Hispanic Children’s Songs for Flute or Oboe and Piano
Flûte traversière et Piano

$8.95 7.67 € Flûte traversière et Piano PDF SheetMusicPlus

Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596379 Composed by John Hatton. Arranged by Kristin Campbell. Sacred. Score and parts. 22 pages. Horsehair Music #4274745. Published by Horsehair Music (A0.596379).      The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part.     The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work.       This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination.       Jesus Shall Reign is a hymn text by Isaac Watts and was set to music by John Hatton. This triumphant hymn may not be known to young string players so the words to the hymn are written into the melody part of each instrument. While this is unusual to find hymn text in instrumental arrangements, the printed lyric allows us to play with understanding. The melody part can be played all in first position.  Set in the keys of D and G, a modulation allows the players play the tune using different finger patterns, and adds variety to the arrangement while staying in position. 
Jesus Shall Reign - Flex Orchestra
having one or more instruments play the melody part, and then add any other instrument on their ensemble part

    The melody part is overall the easiest or simplest part
$9.99 8.56 € PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.790271 By Steve Tyrell. By John Frederick Coots. Arranged by Nigel Hanley. Christmas,Film/TV,Holiday,Jazz,Pop. Score and parts. 22 pages. Nigel Hanley Music #4887639. Published by Nigel Hanley Music (A0.790271). This chart is an 8-piece swing band arrangement of ‘Santa Claus Is Coming To Town'. It is in the key of C and suitable for a male vocalist. The instrumentation is keyboards, guitar, bass, drums, trumpet, alto sax, tenor sax, and trombone. The keyboard/piano part has cues for horns and strings, which means the chart will work with various instrumentations, ie, from a trio up to a septet.The complete mp3 track is available from www.bandchartpro.comMore details:  info@nigelhanley.com    www.nigelhanley.com  Suitable for: pop jazz band with horns, little big band, funk band with horns, cover band with horns, cruise ship bands, high school & college bands, party and wedding bands, Christmas functions and Christmas shows ie Carols By Candlelight.
Santa Claus Is Comin' To Town
Ensemble Jazz
Steve Tyrell
$19.99 17.14 € Ensemble Jazz PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Multi-Percussion,Vibraphone - Level 5 - Digital Download SKU: A0.977038 Composed by Paul SanGregory. Contemporary. Score and parts. 12 pages. Distant Engraver Music #3538593. Published by Distant Engraver Music (A0.977038). This imaginative piece evokes the creation of a large metal sculpture and the various natural sounds that inspired it. Percussion instruments are used to evoke the quiet sounds of water bubbles, rain, ocean waves, a bird call... Then there are also many metallic scraping, tapping, dragging and hammering sounds evoking the sculptures creation. The sculpture itself is represented by a bright colorful chord succession, but the complete succession doesn't immediately appear. While the artist is still gathering metal materials and working on the sculpture, the chords appear as various isolated arpeggios in and around the various other sounds of the piece. It isn't until the sculpture begins taking shape that the tempo increases and the chords become recognizable as a theme. This piece requires performers with good ears for color and a knack for finding just the right way to strike or scrape an instrument (instructions are provided on the score). Also, there is much changing of mallets and/or the way they are held, and at times the vibraphone part requires wide-ranging fast arpeggios.INSTRUMENTATIONPerformer 1:vibraphonelarge suspended cymbal (22 preferred)
Shaping Metal (percussion duo)

$10.00 8.57 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.896781 Composed by Marcelo Torca. Contemporary,Instructional,Latin. Score. 335 pages. Marcelo Torca #431171. Published by Marcelo Torca (A0.896781). Músicas para instrumento solo, duos, conjuntos e voz. 1. Sol. Livro 1. 2. Lua. Livro 1. 3. Terra. Livro 1. 4. Tizé. Livro 1. 5. Vejo. Livro 1. 6. Aurora. Livro 1. 7. Coral. Livro 1. 8. A Certeza. Livro 1. 9. Abertura de Tenebroso Livro 1. 10. Ossepcvipegmpm. Livro 1. 11. Orquestra Grupo Instrumental 1. Livro 2. 12. Orquestra Grupo Instrumental 2. Livro 2. 13. Orquestra Grupo Instrumental 3. Livro 2. 14. Orquestra Grupo Instrumental 4. Livro 2. 15. Orquestra Grupo Instrumental 5. Livro 2. 16. Orquestra Grupo Instrumental 6. Livro 2. 17. Orquestra Grupo Instrumental 7. Livro 2. 18. Orquestra Grupo Instrumental 8. Livro 2. 19. Orquestra Grupo Instrumental 9. Livro 2. 20. Orquestra Grupo Instrumental 10. Livro 2. 21. O Rio. Livro 3. 22. Ali. Livro 3. 23. Sempre Estarei. Livro 3. 24. Batendo. Livro 3. 25. Fiz. Livro 3. 26. Alguma coisa. Livro 3. 27. Entendendo. Livro 3. 28. Como Sempre. Livro 4. 29. 1729. Livro 4. 30. Pauliceia. Livro 4. 31. Músicas Católicas 1. Livro 5. 32. Músicas Católicas 2. Livro 5. 33. Músicas Católicas 3. Livro 5. 34. Músicas Católicas 4. Livro 5. 35. Músicas Católicas 5. Livro 5. 36. Músicas Católicas 6. Livro 5. 37. Músicas Católicas 7. Livro 5. 38. Músicas Católicas 8. Livro 5. 39. Músicas Católicas 9. Livro 5. 40. Músicas Católicas 10. Livro 5. 41. Tenebroso: Dia Que Virou Noite. Livro 6. 42. Tenebroso: Rua do Perigo. Livro 6. 43. Tenebroso: Agindo. Livro 6. 44. Tenebroso: A Neblina. Livro 6. 45. Tenebroso: O Esconderijo da Neblina. Livro 6. 46. Tenebroso: A Escuridão. Livro 6. 47. Tenebroso: A Sombra. Livro 6. 48. Tenebroso: Sinistro. Livro 6. 49. Melodias em Um Outono. Livro 7.
2012 Musical: Coletânea de Músicas
Piano, Voix et Guitare

$6.00 5.14 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1488143 Composed by Rudesindo Soutelo. Arranged by Piano and Voice and Piano. Children. Score. 5 pages. Publisher by Rudesindo Soutelo #1065024. Published by Publisher by Rudesindo Soutelo (A0.1488143). As ruas da minha terra / The streets of my land for Piano or Voice and Piano (2024). [ca. 2' 33]Première: 26-VI-2024. Auditório Ramos Pereira de V.P. de Âncora. Int.: Alunos do 4º ano da EBS do Vale do Âncora; Prof. Manuela Moura.ISWC: T-324.609.050-2ISMN: 979-0-707704-22-6Info: https://soutelo.euSample pages / Páginas de amostra: https://www.researchgate.net/publication/382941838---ooo---A children’s song with a reduced range and lyrics alluding to cultural memory protection. Piano score with or without voice. The voice can be doubled by Orff instruments and accompanied by a bass. Lyrics in English and Portuguese.Range: D4 - A4---ooo---Canção infantil com um âmbito reduzido e letra alusiva à proteção da memória cultural. Partitura para Piano com ou sem voz. A voz pode ser duplicada por instrumentos Orff e acompanhada por um baixo. Letra em português e inglês.Âmbito: Ré4 - Lá4.
As ruas da minha terra / The streets of my land (Children's song)
Piano, Voix

$6.00 5.14 € Piano, Voix PDF SheetMusicPlus

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.933817 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and part. 22 pages. William Pagan-Perez #3024439. Published by William Pagan-Perez (A0.933817). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serení About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children.     Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class.  ------------------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas líneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodías expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez.  Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases. Note: The MP3 sound is the midi version for flute and piano.
Four Hispanic Children’s Songs for Alto Sax. in Eb and Piano
Saxophone Alto et Piano

$8.95 7.67 € Saxophone Alto et Piano PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1081261 Composed by Irwin Kostal, Richard M Sherman, and Robert B Sherman. Arranged by Luis Turina and Nonamé Música. 20th Century,Broadway,Film/TV,Musical/Show,Wedding. Score and parts. 22 pages. Nonamé Música #685399. Published by Nonamé Música (A0.1081261). (Spanish below) Based on the suite A Symphonic Fantasy, we did a conversion with three of the most remembered melodies from Mary Poppins. You have an intro with chim-chim-cheree, followed by feed the birds, but they don't fully develop. After that, A Spoon of Sugar, with the birds part made by the first violin and the second and viola enkoying. The next part is, now complete, Chim-Chim-Cheree, with the melody starting in the cello, and then passing by the rest of instruments from lower to higher. When the second plays the melody, the first plays a counter-theme a little bit tricky. And, in the end, now complete, Feed the Birds, with constant dialogs between the violins. Tested and approved arrangement. All Nonamé arrangements are prepared to avoid page turns if you print the covers properly. Basándonos en la suite A Symphonic Fantasy, hicimos una conversión con tres de las melodías más recordadas de Mary Poppins. Tienes una introducción con chim-chim-cheree, seguida de Pan para los pájaros, pero no se desarrollan por completo. Después, Con un Poco de Azúcar, con la parte de los pájaros hecha por el primer violín y el segundo y la viola disfrutando. La siguiente parte es, ya completa, Chim-Chim-Cheree, con la melodía comenzando en el violoncello, y luego pasando por el resto de instrumentos de más grave a más agudo. Cuando el segundo toca la melodía, el primero tiene un contratema un poco complicado. Y, al final, ya completo, Pan Para los Pájaros, con diálogos constantes entre los violines. ¡Arreglo probado y aprobado! Todos los arreglos de Nonamé están preparados para evitar el paso de página si imprimes las portadas correctamente.
Mary Poppins: A Symphonic Fantasy
Quatuor à cordes: 2 violons, alto, violoncelle

$19.99 17.14 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano,Tuba - Level 2 - Digital Download SKU: A0.933819 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and part. 22 pages. William Pagan-Perez #3024447. Published by William Pagan-Perez (A0.933819). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serení About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children.     Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class.  --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas líneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodías expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez.  Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases. Note: The MP3 Sound if from the Trombone arrangement...
Four Hispanic Children’s Songs for Tuba and Piano
Tuba et Piano

$8.95 7.67 € Tuba et Piano PDF SheetMusicPlus

Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596380 Composed by Wyth's Repository of Sacred Song. Arranged by Kristin Campbell. Praise & Worship,Sacred. Score and parts. 22 pages. Horsehair Music #4278067. Published by Horsehair Music (A0.596380).  The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part.    The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work.       This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination.       This upbeat arrangement of Come Thou Fount is perfect for beginners. The violin solo is one of Kristin's best sellers on Sheet Music Plus. Here are the duet, trio or quartet parts to go along with that solo. 
Come Thou Fount - Flex Orchestra
having one or more instruments play the melody part, and then add any other instrument on their ensemble part

    The melody part is overall the easiest or simplest part
$9.99 8.56 € PDF SheetMusicPlus

Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596381 Composed by Samuel Stone. Arranged by Kristin Campbell. Sacred. Score and parts. 22 pages. Horsehair Music #4278645. Published by Horsehair Music (A0.596381).  The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part.    The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work.       This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination.       This arrangement for strings is easy and all set in first position in the keys of C and G. A straightforward and simple setting to help students learn this classic hymn tune.
The Church's One Foundation - Flex Orchestra
having one or more instruments play the melody part, and then add any other instrument on their ensemble part

    The melody part is overall the easiest or simplest part
$9.99 8.56 € PDF SheetMusicPlus

Oboe,Piano - Level 3 - Digital Download SKU: A0.834653 By Bruno Mars, Anderson .paak And Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Brandon Paak Anderson, Bruno Mars, Chris Brody Brown, Christopher Brody Brown, and Dernst Emile. Arranged by MAJOR SCORE PUBLISHING TM. Funk,Pop,R & B,Singer/Songwriter,Soul. Score and part. 22 pages. Major Score Publishing #6330587. Published by Major Score Publishing (A0.834653). Leave the Door Open (Silk Sonic)Oboe & piano accompanimentLook no further! Instrumentalists, are you looking for a highly detailed & professional arrangement of Leave the door open Silk Sonic? - then this is the version for you! Put together specifically for an authentic performance to satisfy both the performers & listening audience, this arrangement is ideal for concerts, recitals, auditions, teaching & more! This arrangement is fully written out to match the recording balancing the background vocal lines between solo instrument and on the piano. The piano part also doubles as a full score as it contains the solo instrument part as well with all expected details! This arrangement is in the original key as performed by Silk Sonic.Whats included in your premium sheet music download?part: 3 pagesPiano part: 6 pagesScore: 13 pagesFREE PLAY ALONG TRACK: YOUTUBE
Leave The Door Open
Hautbois, Piano (duo)
Bruno Mars, Anderson paak And Silk Sonic
$7.99 6.85 € Hautbois, Piano (duo) PDF SheetMusicPlus






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