(Choral) - Digital Download SKU: H1.AG7295PDP Composed by Carlton Young. Arranged by Carlton Young. Piano Accompaniment with Optional Instrumental Parts. Christmas, Sacred. Instrumental Parts. 27 pages. Hope Publishing - Digital #AG7295PDP. Published by Hope Publishing - Digital (H1.AG7295PDP). Shirley Erena Murray. 2 Peter 1:19 - 2 Timothy 2:5 - Luke 2:14 - Matthew 2:2 - Numbers:24:17 - Revelation 22:16.Original Christmas anthem Shirley Erena Murray, New Zealand's premier hymnwriter, first introduced the words to Star-Child on her Christmas card in 1994. Within 24 hours, Carlton R. Young responded and composed a simple lilting tune to the socially conscious text. Ms. Murray explained the genesis of her poem like this: The carol grew out of increasing concern at the market values dictating our welfare system, now creating more and more 'social reject. ' This relevant Christmas anthem can be embellished with various optional instruments or simply sung with piano accompaniment. Either way, the result is glorious.

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.969649 Composed by Christopher Gleeson. Contemporary. Score and parts. 22 pages. Christopher gleeson #2613249. Published by christopher gleeson (A0.969649).  This trio in one movement for Clarinet, Violin and Piano, is quiet and reflective. Warm feelings flow between the instruments in a pleasant and easy going manner depicting a first meeting between musicians destined to become close friends.

Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.1050451 By Charles H. Gabriel and Sharon Wilson. By Charles H. Gabriel, Charles Hutchinson Gabriel, and Ina Duley Ogdon. Arranged by Sharon Wilson. Children,Instructional,Praise & Worship,Sacred,Traditional. Score and parts. 17 pages. Sharon Wilson #654806. Published by Sharon Wilson (A0.1050451). Here is a fun and upbeat instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the familiar Gospel song Brighten the Corner Where You Are by Charles H. Gabriel. This quick-paced arrangement will lift the spirits of the listeners as they are reminded of the lyrics penned by Ina D. Ogdon: Do not wait until some deed of greatness you may do, Do not wait to shed your light afar. . . Both the VIOLIN and the CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. This cheerful and uplifting instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred worship repertoire. Duration 2:00. The range for each part is as follows: VIOLIN ~ E4 to G5; CELLO ~ C3 to C4 (middle C). All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (3 pages)3. a combined VIOLIN and CELLO score (2 pages) This hymn represents GOODNESS and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin and Cello Duet with Piano Accompaniment) Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.1050439 By Sharon Wilson and William B. Bradbury. By Edward Mote and William B. Bradbury. Arranged by Sharon Wilson. Children,Praise & Worship,Sacred,Standards,Traditional. Score and parts. 21 pages. Sharon Wilson #654794. Published by Sharon Wilson (A0.1050439). Here is a fun and upbeat instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the beloved Gospel hymn My Hope Is Built on Nothing Less by William B. Bradbury. This quick-paced arrangement will lift the spirits of the listeners as they are reminded of the lyrics penned by Edward Mote: …On Christ, the solid Rock, I stand: All other ground is sinking sand… Both the VIOLIN and the CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. This cheerful and uplifting instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred worship repertoire. Duration 2:00. The range for each part is as follows: VIOLIN – D4 to B5; CELLO – C3 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (8 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)3. a combined VIOLIN and CELLO score (3 pages) This hymn represents FAITH and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin and Cello Duet with Piano Accompaniment) Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe,  edited by Wilhelm Rust.  The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying.  The Arrangement is relatively easy to perform, also appropriate for beginners.  It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All Your Love and Compassion. Love Forever. Luis Anjos Teixeira

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe,  edited by Wilhelm Rust.  The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying.  The Arrangement is relatively easy to perform, also appropriate for beginners.  It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All Your Love and Compassion. Love Forever. Luis Anjos Teixeira

SSAA choir and piano - Moderately Difficult - Digital Download SKU: MQ.AHM-22-E Composed by Christopher Aspaas. Christmas. Instrument part. 16 pages. Aspen Hill Music - Digital #AHM-22-E. Published by Aspen Hill Music - Digital (MQ.AHM-22-E). English.This setting of ‘Twas in the Moon of Wintertime was created for the Manitou Singers of St. Olaf College and their conductor, Dr. Therees Tkach Hibbard. I was asked to re-arrange my SATB setting of the same tune and text (published by earthsongs) but could not come up with a workable solution. Instead, I started over with a setting for accompanied treble choir and viola knowing the skill and musicianship of violist Dr. Charles Gray, Professor of Music (Viola, Violin, String Literature and Pedagogy). Three tunes are incorporated in this arrangement: Une Jeune Pucelle; Vom Himmel Hoch; and, Veni, Emmanuel. The first tune, Une Jeune Pucelle, is the ‘Twas in the Moon of Wintertime melody, and first appears in fragments within the opening viola solo. The second theme, Vom Himmel Hoch, is found in the viola part in measure 30, and implies the text, “From heaven above to earth I come To bear good news to every home; Glad tidings of great joy I bring, Whereof I now will say and sing...� which matches the unfolding drama of the ‘Twas in the Moon story. The third tune, Veni, Emmanuel, comes in response to the viola solo with the interjection: “Rejoice, rejoice, Emmanuel, shall come to you, O Israel.�.

Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1046277 By Georg Neumark and Sharon Wilson. By Georg Neumark. Arranged by Sharon Wilson. Praise & Worship,Romantic Period,Sacred. Score and parts. 22 pages. Sharon Wilson #650783. Published by Sharon Wilson (A0.1046277). This deeply moving hymn is arranged as an instrumental trio (for two VIOLINS with PIANO accompaniment). Verse 1 and 3 are the same with VIOLIN 1 playing the melody. Verse 2 is slower and quieter with the two VIOLINS alternating leading with the melody. The piano provides a flowing, delicate accompaniment throughout. After a faith-building experience when Georg Neumark claimed the promise found in Psalm 55:22, he wrote the lyrics to this song: If you but trust in God to guide you and place your confidence in him, you'll find him always there beside you to give you hope and strength within…. The range for each part is as follows: VIOLIN 1 – F#4 to B5; VIOLIN 2 – F#4 to G5. All notes for both VIOLINS are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for each VIOLIN part (2 pages each) and PIANO (4 pages)3. a combined VIOLIN 1 and VIOLIN 2 score (3 pages) This hymn represents PATIENCE and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin Duet with Piano Accompaniment) Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1050446 By Georg Neumark and Sharon Wilson. By Georg Neumark. Arranged by Sharon Wilson. 20th Century,Easter,Praise & Worship,Sacred. Score and parts. 22 pages. Sharon Wilson #654802. Published by Sharon Wilson (A0.1050446). This deeply moving hymn is arranged as an instrumental trio (for VIOLIN and CELLO duet with PIANO accompaniment). Verse 1 and 3 are the same with the VIOLIN playing the melody. Verse 2 is slower and quieter with the VIOLIN and CELLO alternating leading with the melody. The piano provides a flowing, delicate accompaniment throughout. After a faith-building experience when Georg Neumark claimed the promise found in Psalm 55:22, he wrote the lyrics to this song: If you but trust in God to guide you and place your confidence in him, you'll find him always there beside you to give you hope and strength within…. The range for each part is as follows: VIOLIN – F#4 to B5; CELLO – G2 to C4 (middle C). All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)3. a combined VIOLIN and CELLO score (3 pages) This hymn represents PATIENCE and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin and Cello Duet with Piano Accompaniment) Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Full Orchestra - Digital Download SKU: A0.819681 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 112 pages. J.G. Cuco Barber #5988667. Published by J.G. Cuco Barber (A0.819681). Composer Haydn, JosephOpus/Catalogue Number Hob.I:87Key A majorMovements/Sections 4 movements:Vivace (A major, 201 bars)Adagio (D major, 104 bars)Minuet - Trio (A major, 72 bars)Finale. Vivace (A major, 215 bars)Year/Date of Composition 1785First Publication 1787 – Vienna: ArtariaAverage Duration 22 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:FluteOboe 1Oboe 2Bassoon 1Bassoon 2Horn in A/D 1 original & F transposedHorn in A/D 1 original & F transposedViolin IViolin IIViolaVioloncelloContrabass

Chamber Orchestra - Digital Download SKU: A0.952849 Composed by Bruce Reiprich. Contemporary. Score and parts. 22 pages. American Composers Alliance Inc. #4625205. Published by American Composers Alliance Inc. (A0.952849). A concertino for violin and chamber orchestra - instrumentation: 2222 - 3000 - solo violin - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1463544 By Various. By Traditional. Arranged by Will Corbin. Blues,Jazz,Traditional. 22 pages. Will Corbin #1042269. Published by Will Corbin (A0.1463544). This song's roots go back to medieval England and may or may not refer to a hospital for lepers. Or maybe one for prostitutes. Or for young rakes with veneral disease and an addiction to alcohol. Whatever the case, it has been through many iterations, many names and many supposed composers. Louis Armstrong's 1928 recording put it permanently on the U.S. blues/jazz map.This rendition is inspired in part by a treatment by Troy Andrews, otherwise, and mostly, known as Trombone Shorty.If you need alternative instrumentation, please contact me at wilcor@aol.com.

British Brass Band, Mixed Percussion - Level 3 - Digital Download SKU: A0.1034910 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Philip Bushnell. 21st Century,Broadway,Children,Film/TV,Musical/Show,Pop. Score and parts. 81 pages. Philip Bushnell #6590531. Published by Philip Bushnell (A0.1034910). This arrangement of Let It Go (from the Soundtrack to Disney's Animated Film Frozen) is written for Brass Band (Level 4, Intermediate, with a simplification if required). It contains the score and parts for a British Brass Band (pages 1 to 21 and 22 to 59 respectively) plus alternative parts for Horns in F (pages 60 to 65), Bass Trombone in Bb (treble clef, pages 74 to 75), and lower brass in C (bass clef, pages 66 to 73 and 76 to 81). For reference, the original song can be found on YouTube (https://www.youtube.com/watch?v=iEKLFS-aKcw).Instrumentation: B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone.

Full Orchestra - Digital Download SKU: A0.819619 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 56 pages. J.G. Cuco Barber #5987233. Published by J.G. Cuco Barber (A0.819619). Composer Haydn, JosephOpus/Catalogue Number Hob.I:28Key A majorMovements/Sections 4 movements:Allegro di molto (A major, 164 bars)Poco adagio (D major, 124 bars)Minuet. Allegro molto (A major, 32 bars) - Trio (A minor, 22 bars)Presto assai (A major, 98 bars)Year/Date of Composition 1765First Publication 1769Average Duration 23 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:Oboe 1Oboe 2BassoonHorn in A 1 original & F transposedHorn in A 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass

Marching Band - Level 3 - Digital Download SKU: A0.1372344 By Taylor Swift. By Annie Clark, Jack Antonoff, and Taylor Swift. Arranged by Stephen C. Lytle. Pop. 22 pages. Stephen C. Lytle #956643. Published by Stephen C. Lytle (A0.1372344). Hit song by Taylor Swift, arranged for pep band. Full band instrumentation plus bass guitar and drum set parts included.