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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart.  .
Rhapsody for Concert Band
Orchestre d'harmonie
July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
$20.00 17.24 € Orchestre d'harmonie PDF SheetMusicPlus

Brass Quintet Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1249436 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 31 pages. Regis Bookshar #841720. Published by Regis Bookshar (A0.1249436). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Brass Quintet (2 Trps, 2 Trbs, 1 Tuba) - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in th middle of his Cantata No.   4.This arrangement is for a Brass Quintet, consisting of 2 Bb Trumpets, 2 Trombones and 1 Tuba. Included are a score and a complete set of parts (31 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 2 Trb, 1 Tuba)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$30.00 25.85 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Voice and piano - Digital Download SKU: XB.DNLB01055OR Original keys. Composed by Robert Schumann. Song cycles. Score. 68 pages. Bells Publishing #DNLB01055OR. Published by Bells Publishing (XB.DNLB01055OR). 1. Widmung (A-flat major) [Range: Bb3-Gb5] 2. Freisinn (E-flat major) [Range: Eb4-Eb5] 3. Der Nussbaum (G major) [Range: D4-F#5] 4. Jemand (E minor) [Range: E4-G5] 5. Lieder I (Sitz ich allein) (E major) [Range: B3-D#5] 6. Lieder II (Setze mir nicht) (A minor) [Range: B3-F#5] 7. Die Lotosblume (F major) [Range: C4-G5] 8. Talismane (C major) [Range: B3-(D4)G5] 9. Lied der Suleika (A major) [Range: E4-F#5] 10. Die Hochlander-Wittwe (E minor) [Range: D4-G5] 11. Lied der Braut I (G major) [Range: D4-A5] 12. Lied der Braut II (G major) [Range: D4-E5] 13. Hochlanders Abschied (B minor) [Range: B3-F#5] 14. Hochlandisches Wiegenlied (D major) [Range: E4-F#5] 15. Aus den hebraischen Gesangen (E minor) [Range: A3-F#5] 16. Ratsel (B major) [Range: B3-F#5] 17. Zwei Venetianische Lieder I (G major) [Range: D4-D5] 18. Zwei Venetianische Lieder II (G major) [Range: F#4-E5] 19. Hauptmanns Weib (E minor) [Range: B3-G5] 20. Weit, weit (A minor) [Range: E4-G5] 21. Was will die einsame Trane (A major) [Range: E4-F#5] 22. Niemand (F major) [Range: D4-F5] 23. Im Westen (F major) [Range: E4-F5] 24. Du bist wie eine Blume (A-flat major) [Range: G4-F5] 25. Aus den ostlichen Rosen (E-flat major) [Range: D4-Eb5] 26. Zum Schluss (A-flat major) [Range: F4-F5]
Myrten, Op. 25
Piano, Voix

$10.95 9.44 € Piano, Voix PDF SheetMusicPlus

Organ,Trumpet - Level 3 - Digital Download SKU: A0.1000582 Composed by Dietrich Buxtehude (1637-1707). Arranged by Matthias Eckart - Edition Ensemble Akzente. Baroque. 22 pages. Matthias Eckart #6349665. Published by Matthias Eckart (A0.1000582). Fanfare & Chorus from cantata „Ihr lieben Christen, freut euch nun from Dietrich Buxtehude (1637-1707) is a powerful baroque piece for two trumpets and organ (timpani ad lib.). Trumpet parts in Bb, C, D and A are included. A virtuoso piece for concerts in three different keys Bb, C and D.Fanfare & Chorus aus der Kantate „Ihr lieben Christen, freut euch nun von Dietrich Buxtehude (1637-1707) ist ein kraftvolles Barockstück für zwei Trompeten und Orgel (Pauken ad lib.). Trompetenstimmen in B, C, D und A sind vorhanden. Ein virtuoses Stück für Konzerte in drei unterschiedlichen Tonarten B-, C- und D-Dur..
Fanfare & Chorus from „Ihr lieben Christen, freut euch nun" Version in Bb, C & D - arrangement for
Orgue, Trompette (duo)

$17.00 14.65 € Orgue, Trompette (duo) PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.645794 Composed by SilverTonalities. Arranged by SilverTonalities. Christian,Gospel,Praise & Worship,Sacred. Score. 22 pages. SilverTonalities #6501617. Published by SilverTonalities (A0.645794). Little Christians for Easiest Piano Booklet A Traditional Hymns for Beginner and Novice Pianists by SilverTonalities! With Colored Notation to enable Beginner Pianists to read Music quickly and accurately! Booklet A includes:   -        Beulah Land -        Blessed Assurance -        Just a Word for Jesus -        Lily of the Valley -        Shall We Gather at the River -        The Old Rugged Cross -        What a Friend We Have in Jesus
Little Christians for Easiest Piano Booklet A
Piano Facile

$5.99 5.16 € Piano Facile PDF SheetMusicPlus

Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.565310 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Holiday,Praise & Worship,Sacred. Score and parts. 21 pages. Sharon Wilson #3873115. Published by Sharon Wilson (A0.565310). This original Scripture song based on Psalm 57 verses 1 and 7-10 is arranged as an instrumental trio (for FLUTE and/or VIOLIN Duet with PIANO Accompaniment). Though notated with FLUTE on part 1 and VIOLIN on part 2, the ranges are also accessible for other combinations of C instruments (2 violins, 2 flutes, etc.). The range for both parts is identical: B4 to B5 (the first B above middle C to the second B above). For the violin on either part, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. Duration 3:00.The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the FLUTE and VIOLIN (2 pages each) and PIANO (3 pages)3. a combined FLUTE and VIOLIN score (4 pages)This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The beautiful, lyrical style of this instrumental piece creates an atmosphere of worship and is an ideal selection for any church setting. The lyrics (not included on the sheet music) were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.
Be Merciful to Me ~ Psalm 57 (for Flute and/or Violin Duet with Piano accompaniment)
Accompagnement Piano
Sharon Wilson
$5.99 5.16 € Accompagnement Piano PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017146_AX2 2nd E-flat Alto Saxophone. Composed by Vince Gassi. Jazz; Rock. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017146_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017146_AX2). UPC: 038081335728.What is a Pacific Attitude? It's cool, it's refreshing, it's a fun-to-play rock chart. This one is easy to play, quick to rehearse, and includes a written tenor sax solo, a nice ensemble interlude, a few strategically placed one-measure drum solos and a 1st trumpet range to written E, top space. The band will dig this chart and ask to play this one every rehearsal. A winner, for sure. (3:22) This title is available in SmartMusic.
Pacific Attitude: 2nd E-flat Alto Saxophone
Saxophone (partie séparée)

$3.00 2.59 € Saxophone (partie séparée) PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1027430 Composed by Robert L. Anello. Arranged by Robert Anello. 20th Century,Traditional. Score and parts. 22 pages. Robert Anello #4765283. Published by Robert Anello (A0.1027430). A couple of years ago, I was thinking about how Elvis Presley in 1956 turned the Civil War-era ballad Aura Lee into a hit love song. Over time, I identified a half-dozen ballads and folk tunes that Presley and his writers reworked into hit tunes. I mused on Elvis’ popular title as the King of Rock and Roll, and thought of another king, as Karl L. King is often called the King of the Circus March. I decided to write a march paying tribute to both Elvis Presley and Karl L. King: March: The Kings. I composed the march loosely styled on King’s famous circus marches but overlay the march with five original, public domain ballads and folk tunes later arranged into popular love songs performed by Elvis. • Plaisir d’Amour (Jean-Paul Martini, 1784) • O Sole Mio (Edorado de Capua, 1899) • Muss i denn (Friedrich Silcher, 1827) • Torna a Surriento (Ernesto DeCurtis, 1902) • Aura Lee (George Poulton, 1861) I hope you enjoy this pleasant little novelty piece.  Your audience will have fun guessing the names of the hit tunes Elvis Presley adapted from these ballads and folk tunes.
March: The Kings (Conductor's Score)
Orchestre d'harmonie

$4.99 4.3 € Orchestre d'harmonie PDF SheetMusicPlus

Oboe,Piano - Level 4 - Digital Download SKU: A0.549726 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531383. Published by jmsgu3 (A0.549726). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
Fauré: Élégie Op. 24 for Oboe & Piano
Hautbois, Piano (duo)

$32.95 28.4 € Hautbois, Piano (duo) PDF SheetMusicPlus






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