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Chorus - Digital Download SKU: AX.00-PO-0002590 The Polar Express: A Choral Medley - 3-Part Mixed. Arranged by Alan Silvestri, Glen Ballard, and Teena Chinn. Choral. 22 pages. Alfred Music - Digital Sheet Music #00-PO-0002590. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002590). UPC: 654979088936.The score from the highly successful Tom Hanks movie The Polar Express featured a wide variety of music. Teena Chinn has captured the essense of the original score within this varied and fun-to-sing medley. Includes: Believe, Hot Chocolate, When Christmas Comes To Town, Santa Claus Is Coming to Town, Rockin' on Top of the World, and Spirit of the Season. Medley is approximately six minutes in length.Inst. Parts Available (choral); Recorded Acc. Available.
The Polar Express: A Choral Medley

$3.95 3.43 € PDF SheetMusicPlus

Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-27847 Composed by Lloyd Larson. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. H. W. Gray. Ascension; Baptism; Confirmation; Easter; Pentecost; Sacred; Spring; Wedding. Part(s). 29 pages. H. W. Gray #00-27847. Published by H. W. Gray (JX.00-27847). English. Words by Henry H. Tweedy. Genesis 11:1-9, Exodus 19:3-20, Psalm 104, John 7:37-39, John 14:23-26, John 15:26-27, John 16:12-15, John 20:19-23, Acts 2:1-11, Romans 8:8-17, Romans 8:22-27, 1 Cornithians 12:3-13, 2 Corinthians 3:3.What a perfect choice for the Easter season! Lloyd Larson's triumphant arrangement begs for big voices and the optional solo trumpet or instrumental ensemble will round out the full sound. This one will surely wow your congregation.
Canticle to the Spirit

$25.00 21.69 € PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1243795 Composed by Traditional Celtic Folk Songs. Arranged by SilverTonalities. Celtic,Folk,Instructional,Irish. Score. 30 pages. SilverTonalities #838766. Published by SilverTonalities (A0.1243795). The Leaving of Liverpool for Easy PianoCeltic Mists Series for Novice Pianists by SilverTonalities Featuring the popular “The Leaving of Liverpoolâ€, and also Including 10 Traditional Irish Folk Songs, with Letter Names Embedded in Noteheads to increase the ability to recognize Musical Pitch and Read Music Quickly and AccuratelyPREVIEW, pages 1-2THE BOYS OF COOMANORE, pages 3-5THE DAIRY MAID, pages 6-8THE FOX AND HIS WIFE, pages 9-10I MET HER IN THE GARDEN, pages 11-12THE MORNING STAR, pages 13-14THE PARTING GLASS, pages 15-17SIT DOWN BESIDE ME, pages 18-19THE LEAVING OF LIVERPOOL, pages 20-22THE MANTLE SO GREEN, pages 23-24WITH BIDDY BY MY SIDE, pages 25-26WITHIN THIS VILLAGE DWELLS A MAID, pages 27-28.
The Leaving of Liverpool for Easy Piano
Piano Facile

$9.99 8.67 € Piano Facile PDF SheetMusicPlus

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1457458 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 22 pages. Matthew Nunes Music #1036483. Published by Matthew Nunes Music (A0.1457458). Named and written in honor of a New York summer resort. This Brass Quintet arrangement was made using “The President’s Own” United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Manhattan Beach was composed in 1893, and the referenced edition was made Public Domain in 2016. The piece is catalogued as Volume 3, No. 49.Section titles (such as “First Strain” and “Trio”) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.
Manhattan Beach
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$1.99 1.73 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart.  .
Rhapsody for Concert Band
Orchestre d'harmonie
July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
$20.00 17.35 € Orchestre d'harmonie PDF SheetMusicPlus






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