Choral Choir (SA) - Level 3 - Digital Download SKU: A0.821275 Composed by Judith L. Maggs. Christian,Christmas,Religious,Sacred. Octavo. 6 pages. Maggs #6011333. Published by Maggs (A0.821275). This is a fun and upbeat arrangement of John 3: 16 (&17). It's a simple partner song, with both parts sung individually, then put together. There are 2 sets of words, one for Christmas, and one for general use. (The recording uses the Christmas words.)

Three-part Mixed Chorus - Digital Download SKU: C7.CGE515 Composed by George L.O. Strid and Mary Donnelly. General. Sing! Octavo. 12 pages. Chorister's Guild - Digital #CGE515. Published by Chorister's Guild - Digital (C7.CGE515). A spirited original melody paired with the traditional spiritual Little David, Play on Your Harp, is the foundation of this bright and bouncy offering by Mary Donnelly and George L. O. Strid. With its accessible partner song format, this lively piece features simple harmonies supported by a fun, rhythmic piano accompaniment and is terrific for teaching part-singing to young and developing choirs.

Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.1226493 By Ed Sheeran. By Ed Sheeran, Jake Gosling, and Peter Gosling. Arranged by Jean-Francois Noel. Folk,Pop,Traditional. Octavo. 4 pages. Jean-Francois Noel #822496. Published by Jean-Francois Noel (A0.1226493). Simple and effective men's voices of the popular Ed Sheeran song The Parting Song.

Choral Choir (SSA) - Level 3 - Digital Download Composed by Russian - Kieff Melody. Arranged by Andrew Emmet. 163, A Cappella, Christian, Classical, Sacred. Octavo. 3 pages. Andrew J Emmet #712200. Published by Andrew J Emmet

Choral Choir,Choral,SAB Chorus - Level 3 - Digital Download SKU: A0.1509184 By The Everly Brothers. By Gilbert Becaud, Mann Curtis, and Pierre Delanoe. Arranged by Andrew Emmet. A Cappella,Folk,Pop,Rock. 3 pages. Andrew J Emmet #1084438. Published by Andrew J Emmet (A0.1509184). SAB A Cappella arrangement.

Choral Choir (3-Part) - Level 3 - Digital Download SKU: A0.844645 Composed by Phil Beaman. Folk,Jazz,Spiritual. Octavo. 13 pages. Phil Beaman #4719605. Published by Phil Beaman (A0.844645). This piece is a Showstopper! Rock-a-My-Soul is a Choral piece based on the traditional folk/gospel/spiritual. I originally envisioned this piece for a Middle School Choir, but it works well with any group that wants to have fun. It is written in 3 part Treble clef which the conductor may assign as they see fit for their choir and performance. (Part 3 works very well with male voices.) Parts all stay within an octave from Middle C to C above.  This lively version uses many styles of jazz to drive this piece, yet there is also a recurring descending third ostinato which is the rocking comfort this piece imparts.   The piano part plays an important role in driving this piece and setting the moods. Each of the seven sections shifts the mood and jazz style but maintains a level of energy.  After completing the jazz arrangements of the traditional chorus I tried various ways to extend the piece. One day while working on this piece I saw a news clip about another school bullying incident. I immediately made the connection -- at its heart Rock-a-My-Soul is really about overcoming obstacles to find comfort and acceptance. So I wrote some additional lyrics to create an anti-bullying, anti-depression section. I have soloists deliver the main lines to make it personal and invitational then the choir backs them up, call and response style, with Everything's gonna be alright.  Lyrics throughout are all carefully worded so that the song may be used for either secular or sacred purposes. The context and location where it is sung will flesh out the implied and intended meaning. If sung in school it means you have friends here who accept you; if sung in your place of worship then it means that your God accepts you.Simple power, beauty and meaning all wrapped in joyous jazz!13 page score, 4:00 minute performancerecording is various excerpts of the accompaniment to show different stylistic sections

Choral Choir,Choral,SAB Chorus - Level 1 - Digital Download SKU: A0.1491536 By Betty Everett & Jerry Butler. By Gilbert Becaud, Mann Curtis, and Pierre Delanoe. Arranged by Sharon Lewis. 20th Century,Contemporary,Pop,Rock. 2 pages. Sharon Lewis #1068258. Published by Sharon Lewis (A0.1491536). A simple SAB arrangement of this beautiful classic. This song sounds nice with a simple guitar or piano accompaniment.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.971998 Arranged by Jane Anderson-Brown. 20th Century,Christmas,Sacred. Octavo. 6 pages. Jane Anderson-Brown #3691615. Published by Jane Anderson-Brown (A0.971998). Based on Pachelbel's canon in D (with a swung rhythm), this arrangement adds in The First Nowell and Jolly Old St Nicholas to make a fun song for the festive season.Easy piano part plays the canon throughout.

Choral Choir (SSA) - Level 5 - Digital Download SKU: A0.962531 Composed by G.F. Skipworth. Concert. Octavo. 12 pages. George Skipworth #3244457. Published by George Skipworth (A0.962531). From Songs of the Ancients, Paidir de Scaradh is a Prayer of Parting. Text, however, is in English. Mezzo or soprano voice is effective. For the pianist, moderate difficulty. Excellent for use in collegiate or professional recital. The text is taken from the composer's novel, I. Cherubino.

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.628621 Composed by Traditional. Arranged by Stephen DeCesare. Celtic,Folk,Holiday,Irish,Multicultural,Traditional,World. Octavo. 6 pages. Exultet Music #6199173. Published by Exultet Music (A0.628621). The traditional parting song that is sung at the end of a gathering of friends has now been freshly arranged for a Vocal Trio (SAB) with Piano accompaniment. Accessible and appropriate for any school or concert venue.  .

Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.1037444 Composed by Alan Bullard. Children,Christmas,Classical,Contemporary,Praise & Worship. Octavo. 8 pages. Colne Edition / BullardMusic #642413. Published by Colne Edition / BullardMusic (A0.1037444). With a rustic, medieval flavour, this bright and rhythmic carol is a setting of an old English text which sings God's praise through dance, music, and friendship. It can be sung by equal voices in two or three parts and is accompanied by piano or organ, and optional flute or treble recorder.A version for mixed voices in three parts (S A Bar) is also available. Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.972800 Composed by John Sandford. Folk,World. Octavo. 5 pages. John A Sandford #6129559. Published by John A Sandford (A0.972800). A 3 part version (SAB) of a new arrangement of the 18th century Scottish text which is also very popular in Ireland. Please note that there is an SATB version also available from Sheet music Plus.

Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1371023 Composed by Traditional Irish Folk Song. Arranged by John Trent Wallace. Celtic,Folk,Irish. 3 pages. TS3 #955347. Published by TS3 (A0.1371023). As part of John Trent Wallace's Modern Classics, this arrangement brings an emotive and heartwarming Traditional Irish Folk Song to SAB choruses. This piece can be sung unaccompanied or with pianoIdeally suited to mixed chorus looking to bring a timeless piece to their audiences.

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.773782 Composed by Anthony Giamanco. Concert,Sacred. Octavo. 17 pages. Whole Tone Press #5306531. Published by Whole Tone Press (A0.773782). This colorful, exciting work for 3-part choir, piano and optional tambourine, is a delight to sing, and easy to learn! It is a versatile piece with a Middle Eastern flavor, useful for almost any worship service, and well-suited to smaller choirs. There are three editions: Full score, choir edition, and instrumental parts (tambourine and piano). Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, and on YouTube. Contact info:tony@shalomlife.org.

Choral Choir (SA) - Level 1 - Digital Download SKU: A0.782807 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3507649. Published by Nicholas D Palmer (A0.782807). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers. These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses. This volume contains the first 10 exercises of Volume 1, and then 10 more exercises that use only longer note values. Since Volume 1 also covers eighth note and sixteenth note rhythms and some compound meters, I decided to provide a volume with only the longer note values and then restructure the collection in the following way: in each series of volumes, A includes only longer note values, B introduces eighths and sixteenths, C introduces compound meter, and D introduces melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo.  Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page.  In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing. If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is!   Nick Palmer www.nicholaspalmer.com nicholasdpalmer@gmail.com