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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.867641 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Rock. 8 pages. RayThompsonMusic #474085. Published by RayThompsonMusic (A0.867641). Arranged standrard sax quartet: SATB Transposed into Bb from original A to aid players. Melody and guitar break given to sop tenor and alto take middle section. Bari covers bass guitar.Great fun with mixed time sigs!!Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band.It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes. Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the song The song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.YouTube Link https://youtu.be/xTpiETCrAqw is my brass quartet version.
Good Morning Good Morning
Quatuor de Saxophones: 4 saxophones
The Beatles
$14.95 12.66 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.1508802 By Francesco Leone. By Leo Delibes. Arranged by Francesco Leone. Romantic Period. 22 pages. Glissato Edizioni Musicali #1084073. Published by Glissato Edizioni Musicali (A0.1508802). Experience the enchanting and lively Waltz from Léo Delibes' ballet Coppélia with this beautiful transcription for Flute Quartet by Francesco Leone. Designed for intermediate-level musicians, this arrangement captures the graceful and melodic charm of Delibes' classic piece, bringing the delightful spirit of the ballet to your flute ensemble.Includes:Full ScoreSet of Parts (5):C Flute 1C Flute 2C Flute 3C Flute 4Optional G Alto Flute (instead of Flute 4)Features:Charming Ballet Feel: Francesco Leone's transcription preserves the elegance and playful rhythm of Delibes' original composition, ensuring an engaging and dynamic performance.Intermediate Level: This arrangement is tailored for intermediate-level flutists, providing a balanced challenge that is both enjoyable and accessible.Flexible Instrumentation: The inclusion of an optional part for G Alto Flute offers greater flexibility in ensemble configuration, accommodating different instrumental setups.Comprehensive Package: Includes a full score and individual parts for each member of the quartet, facilitating a smooth rehearsal and performance process.Audio Demo Available: Listen to an audio demo of this arrangement on www.glissato.it to preview its delightful and harmonious sound.Why Choose This Transcription? This transcription is perfect for flute quartets looking to explore the rich traditions of ballet music and add a piece of whimsical beauty to their repertoire. Whether for concerts, recitals, or community events, the Waltz from Coppélia arranged by Francesco Leone offers a captivating and enjoyable musical experience.Bring the enchanting and rhythmic sounds of Léo Delibes' Waltz from Coppélia to your flute quartet and delight audiences with this timeless ballet classic. Get your copy today and let Delibes' music inspire your next performance!
Coppélia Waltz - Flute Quartet score & parts
Quatuor de Flûtes : 4 flûtes
Francesco Leone
$12.00 10.16 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.1509401 By Francesco Leone. By Leo Delibes. Arranged by Francesco Leone. Romantic Period. 21 pages. Glissato Edizioni Musicali #1084640. Published by Glissato Edizioni Musicali (A0.1509401). Experience the playful and rhythmic charm of Pizzicati from Léo Delibes' ballet Sylvia with this delightful transcription for Flute Quartet by Francesco Leone. Designed for intermediate-level musicians, this arrangement brings the light-hearted and intricate qualities of Delibes' composition to your flute ensemble.Includes:Full ScoreSet of Parts (5):4 C FlutesOptional G Alto Flute (instead of Flute 4)Features:Authentic Ballet Feel: Francesco Leone's transcription captures the lively and whimsical qualities of Delibes' original composition, ensuring an engaging and dynamic performance.Intermediate Level: This arrangement is tailored for intermediate-level flutists, providing a balanced challenge that is both rewarding and accessible.Flexible Instrumentation: The inclusion of an optional part for G Alto Flute provides greater flexibility in ensemble configuration, accommodating different instrumental setups.Comprehensive Package: Includes a full score and individual parts for each member of the quartet, facilitating a smooth rehearsal and performance process.Why Choose This Transcription? This transcription is perfect for flute quartets looking to explore the rich traditions of ballet music and add a piece of joyful energy to their repertoire. Whether for concerts, recitals, or special events, Pizzicati transcribed by Francesco Leone offers a captivating and enjoyable musical experience.Bring the lively and rhythmic sounds of Léo Delibes' Pizzicati to your flute quartet and delight audiences with this ballet classic. Get your copy today and let the music of Delibes inspire your next performance!
Flute Quartet "Pizzicati" by Delibes - score & parts
Quatuor de Flûtes : 4 flûtes
Francesco Leone
$13.00 11.01 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 4 pages. Thomas Oboe Lee #2071133. Published by Thomas Oboe Lee (A0.869426). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card.  And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 18 La Stella
2 Pianos, 4 mains

$9.99 8.46 € 2 Pianos, 4 mains PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.528895 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 52 pages. Diego Marani #6639961. Published by Diego Marani (A0.528895). The Year 1812 Solemn Overture, Op. 49, popularly known as the 1812 Overture, is a concert overture in Eâ™­ major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky to commemorate the successful Russian defense against Napoleon's invading Grande Armée in 1812.The 15-minute overture is best known for its climactic volley of cannon fire, ringing chimes, and a brass fanfare finale. It has also become a common accompaniment to fireworks displays on the United States' Independence Day. The 1812 Overture went on to become one of Tchaikovsky's most popular works, along with his ballet scores to The Nutcracker, The Sleeping Beauty, and Swan Lake.This arrangement for clarinet quartet reflects faithfully the original and includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
1812 Overture for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes

$19.99 16.93 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528899 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 12 pages. Diego Marani #6645729. Published by Diego Marani (A0.528899). The Year 1812 Solemn Overture, Op. 49, popularly known as the 1812 Overture, is a concert overture written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky to commemorate the successful Russian defense against Napoleon's invading Grande Armée in 1812.The 15-minute overture is best known for its climactic volley of cannon fire, ringing chimes, and a brass fanfare finale. It has also become a common accompaniment to fireworks displays on the United States' Independence Day. The 1812 Overture went on to become one of Tchaikovsky's most popular works, along with his ballet scores to The Nutcracker, The Sleeping Beauty, and Swan Lake.This arrangement for flute quartet of choral and finale includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto flute.
Choral and Finale from "1812 Overture" for Flute Quartet
Quatuor de Flûtes : 4 flûtes

$12.99 11 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1088525 By Jaeil Jung. By Jea Il Jung. Arranged by AJ Tan. 20th Century,Children,Contemporary,Film/TV,Multicultural,World. Score. 4 pages. AJTanPiano #692798. Published by AJTanPiano (A0.1088525). The piano is also a percussion instrument. Sometimes playing music is also playing rhythm, without pitches:)Way Back Then is the main theme of Squid Game. It is featured twice in the episode Red Light, Green Light, in the opening scene where Seong Gi-hun narrates his childhood playing Squid Game, and when he wins the game of Ddakji against The Salesman.The intro opens with the 3-3-7 clapping rhythm-- commonly used in South Korea to cheer someone on and the crashing minor 2nds playing the hook intends to imitate the recorder, played by Jung himself, that has a slight beep.Suitable for Grade 4 and above level learning.
Way Back Then
1 Piano, 4 mains
Jaeil Jung
$4.99 4.23 € 1 Piano, 4 mains PDF SheetMusicPlus

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 
Solage: Le basile for Flute Quartet
Quatuor de Flûtes : 4 flûtes

$32.95 27.91 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

String Ensemble Violin - Level 3 - Digital Download SKU: A0.523803 Composed by Gustav Holst. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 18 pages. John A. Dempsey #3913585. Published by John A. Dempsey (A0.523803). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant violin quartet, this snowy, atmospheric music is  recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  Key: G major.  14 pages of music (that includes separate two-page parts for violin 1, violin 2, violin 3 and violin 4)     What can I give Him, poor as I am?     If I were a shepherd, I would give a lamb.     If I were a wise man, I would do my part     But what can I give Him?  Give Him my heart.
In the Bleak Midwinter (Violin Quartet)
Quatuor à cordes: 4 violons

$11.99 10.15 € Quatuor à cordes: 4 violons PDF SheetMusicPlus

Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 
Solage: Le basile for Trombone Quartet
Quatuor de cuivres: 4 trombones

$32.95 27.91 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus






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