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Full Orchestra - Level 5 - Digital Download SKU: A0.730521 Composed by James Nathaniel Holland. Contemporary. Score and parts. 224 pages. James Nathaniel Holland #6198859. Published by James Nathaniel Holland (A0.730521). Full Score (in concert pitch) and individual parts including the solo piano part. American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.  YouTube video demo: https://youtu.be/WbK8Mc7N-sc.
Concerto No. 4 for Piano and Orchestra "The Bells" Full Score and Parts
Orchestre

$25.95 22.54 € Orchestre PDF SheetMusicPlus

3, 4, 5, 6, or 7 octaves handbells - Level 3 - Digital Download SKU: C7.CGB883 Composed by Michael J. Glasgow. General. With 2 or 3 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB883. Published by Chorister's Guild - Digital (C7.CGB883). UPC: 749193020425.Sometimes, worship needs to happen in a profound, awe-inspiring way, with powerful, compelling music that evokes images of great cathedrals with grand architecture. And sometimes, the music simply embodies youthful joy. This commissioned original work is a lighthearted, creative celebration of the very act of praise itself, a reminder that praise can happen anywhere, and the ordinary miracles of life are to be celebrated. Ostinato patterns coupled with various techniques (including mallets on the table foam!) make it fun and relatively easy to put together. This catchy piece will offer a cheerful start to worship services and festival concerts!
Whimsical Praise
Cloches

$4.95 4.3 € Cloches PDF SheetMusicPlus

Handbell - Level 3 - Digital Download SKU: A0.953729 Composed by Elisha Albright Hoffman, Leila Taylor Morris, Virginia Harmony, and William A. Ogden and Daniel B. Towner. Arranged by G. R. Adkison. Christian,Sacred. Score. 7 pages. Gary Ray Adkison #14567. Published by Gary Ray Adkison (A0.953729). Jesus: Savior is a 110 measure, 4-5 octave bell choir arrangement, which also uses 3 octaves of OPTIONAL handchimes, although bells can be substituted for the chimes. It is a medley of the Christian hymns: Are You Washed in the Blood, Let Jesus Come into Your Heart, Amazing Grace! How Sweet the Sound, He is Able to Deliver Thee and At Calvary. The obvious theme is Jesus as Savior, as portrayed in these hymns. There are numerous bass runs, descant lines, and, in the upper bells, doubled melodic lines. The melody is in the bass clef, in the chorus of Let Jesus Come into Your Heart. The harmonies used are often more exotic than those in the original hymn compositions. The shake technique is occasionally used. There is an extra tag ending in the last 2 measures. The MP3 audio file provided is in a piano patch/voice, but suffices to demonstrate how the arrangement is generally meant to sound. This is probably a 3- (3 minus) difficulty rating.
Jesus: Savior (for 4 and 5 octave handbell choirs)
Cloches

$4.00 3.47 € Cloches PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting.   The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.  
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
Chorale SATB

$1.99 1.73 € Chorale SATB PDF SheetMusicPlus


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