Trombone Quartet Trombone - Level 3 - Digital Download SKU: A0.1237892 Composed by Horatio Spafford, Philip P. Bliss. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 21 pages. John A. Dempsey #833373. Published by John A. Dempsey (A0.1237892). An unforgettable hymn of comfort and assurance, this peaceful trombone quartet is recommended for traditional church services and other worship events (including funerals), as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Concert Key: Bb major. 17 pages of music (that includes the score and separate two-parts for trombone 1, trombone 2, trombone 3 and trombone 4).          When peace like a river attendeth my way     When sorrows like sea billows roll;     Whatever my lot, Thou hast taught me to say     It is well, it is well with my soul.

French Horn Quartet Horn - Level 3 - Digital Download SKU: A0.1237897 Composed by Horatio Spafford, Philip P. Bliss. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 21 pages. John A. Dempsey #833378. Published by John A. Dempsey (A0.1237897). An unforgettable hymn of comfort and assurance, this peaceful horn in F quartet is recommended for traditional church services and other worship events (including funerals), as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Concert Key: Eb major. 17 pages of music (that includes the score and separate two-parts for horn 1, horn 2, horn 3 and horn 4).          When peace like a river attendeth my way     When sorrows like sea billows roll;     Whatever my lot, Thou hast taught me to say     It is well, it is well with my soul.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1407609 By 4 P.M. By Buzz Cason, Hachidai Nakamura, Rokusuke Ei, and Tom Leslie. Arranged by Khin-Wee Chen. 20th Century,Pop. 8 pages. Sesame #990257. Published by Sesame (A0.1407609). Sukiyaki, a cherished Japanese classic, originally performed by Kyu Sakamoto, has been reimagined for string quartet. Transformed into a lively and cheerful piece, this arrangement promises enjoyment for both players and listeners,  and offers a playful and engaging musical experience.

Flute Quartet,Woodwind Ensemble Alto Flute,Soprano Flute - Level 3 - Digital Download SKU: A0.1396073 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic Period,Standards. 29 pages. Diego Marani #979456. Published by Diego Marani (A0.1396073). In 1882, Tchaikovsky considered creating a concert suite out of numbers from his marvelous ballet Swan Lake, which he had composed six years previously. However, he seems not to have made a final decision, and the authorship of the concert suite published after his death as Op.20a is unknown.In this arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) we have the most famous number of the suite: Waltz (Valse). It is suitable for any occasion: repertorie, classroom, recital or for an impressive and wonderful encore.

4 P. S. (Trgl. · Gong · 6 Beck. · Tamt. · 4 Gl. · 2 Bong. · 3 Tomt. · 2 Cong. · 3 Holzbl. · Glsp. · Xylorimba · Vibr.) (6 Spieler) - Hfe. · Cel. · Klav. (auch Clav.) - Str. (20 · 0 · 8 · 8 · 6) strings and percussion - Digital Download SKU: S9.Q581819 For strings and percussion groups. Composed by Krzysztof Penderecki. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q581819. Published by Schott Music - Digital (S9.Q581819).

By 4 P.M., Kyu Sakamoto. Arranged by Kenneth Pasciak. Score. 4 pages. Published by Kenneth Pasciak

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.854102 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. 32 pages. Diego Marani #460664. Published by Diego Marani (A0.854102). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by Antonín Dvořák and Josef Suk. The final movement begins with slow and subdued section, based on a Russian folk song, stands in stark contrast to the core of the movement, which is a very quick-paced and rollicking finale based on another Russian folk melody—this time a dance tune. This dance tune spins out and gives the orchestra a rather strenuous workout. It is almost as if the piece is continually building and building, seemingly getting faster, until Tchaikovsky channels the inventiveness and unpredictability of his beloved Mozart. This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) reflects faithfully the original and is suitable for classroom, repertoire and recital.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

By 4 P.M., Kyu Sakamoto. Arranged by Kenneth Pasciak. Score. 4 pages. Published by Kenneth Pasciak

1 Piano,4 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1037604 By Lady Gaga. By Michael Tucker P/k/a Bloodpop and Stefani Germanotta. Arranged by Warren & Debby. 20th Century,Classical,Contemporary,Film/TV,Pop. Score. 3 pages. World Music #642504. Published by World Music (A0.1037604). Hold my Hand in G Major Easy Piano with chords for the teacher!! An easy piano arrangement where the beginning student can play beautiful music by reading sheet music! In this arrangement, the student divides the melody into the two keys using both hands and the teacher accompanies him making the chords.

Solo Guitar - Level 3 - Digital Download SKU: A0.1226026 By Tony Bennett. By Bart Howard. Arranged by MARCIO ROBERTO AMARAL. Folk,Jazz,Latin,Standards. Individual part. 4 pages. Marcio Amaral #822052. Published by Marcio Amaral (A0.1226026). Arranjo do estilo fingerstyle.IntermediárioArquivo pdf com 4 páginas. Contém partitura, cifras, tablatura e diagramas do braço do violão.

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.783052 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. 17 pages. Diego Marani #390415. Published by Diego Marani (A0.783052). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by Antonín Dvořák and Josef Suk. The third movement, entitled “Elegy�, is certainly the kind of direct, emotional and extremely lyrical writing for which Tchaikovsky is known. The harmony is robust and evocative, always the perfect underpinning for the melancholic melodies heard above. This arrangement for flute quartet (Flute1, Flute 2, Flute 3, Flute 4 or Alto Flute) reflects faithfully the original and is suitable for classroom, repertoire and recital.

Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.1307782 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. 10 pages. Diego Marani #897042. Published by Diego Marani (A0.1307782). In 1882, Tchaikovsky considered creating a concert suite out of numbers from his marvelous ballet Swan Lake, which he had composed six years previously. However, he seems not to have made a final decision, and the authorship of the concert suite published after his death as Op.20a is unknown.In this arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) we have the very famous and engaging introduction of the suite: Scene N. 1. It is suitable for any occasion: repertorie, classroom and recital.

Clarinet Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1235762 Composed by Everardo García Vargas. Chamber,Classical,Holiday,Multicultural,Traditional,World. 48 pages. Everardo García Vargas #831269. Published by Everardo García Vargas (A0.1235762). El Aventurero - Cuarteto para ClarinetesEn julio de 2019, se lanzó esta nueva versión oficial definitiva de la composición Nº 07 “El Aventurero�, un cuarteto para clarinetes.Esta actualización fue posible gracias a la valiosa retroalimentación proporcionada por maestros, compañeros, alumnos y público en general, quienes solicitaron la incorporación de nuevos temas y una mayor duración de la obra para satisfacer la demanda de una experiencia auditiva más completa.Los aspectos más destacados y significativos de esta nueva versión radica en la incorporación de nuevos temas inéditos, tales como dos estribillos, un trío y un montuno extendido en forma de improvisación. Este último elemento fue fundamental para desarrollar, expandir y aventurarme nuevamente en la obra. A través de él, pude plasmar los ciclos de mi vida y transportar el pasado hacia el presente. Asimismo, se incorporó un desenlace explícito y coherente para garantizar que el oyente comprenda de manera inequívoca la conclusión de la obra. Esto contrasta con la versión anterior, que dejaba cierta ambigüedad sobre si la pieza continuaba o había llegado a su fin.Además de los nuevos temas, se realizaron mejoras en los ya existentes ampliando algunas frases y motivos y se añadieron puentes para facilitar la unión y repetición, y también se introdujeron cambios en los contrapuntos y armonías en frases específicas.En su obra “El Aventurero�, el compositor mexicano comparte su historia personal a través de las distintas etapas que ha experimentado a lo largo de su vida. Originario de la comunidad de Tlahuitoltepec Mixe, Oaxaca, el autor creció hablando la lengua mixe y se sumergió en las tradiciones, usos y costumbres de una comunidad rica en cultura. Desde temprana edad, estuvo expuesto a bandas filarmónicas con repertorios de sones y jarabes.A la edad de diez años, tuvo su primer acercamiento a la música a través de lecciones impartidas por su padre. Posteriormente, continuó su aprendizaje de manera autodidacta y se unió a la banda municipal del pueblo. Con el paso del tiempo, la banda municipal, ahora conocida como BASTLAM, alcanzó su máximo potencial en la década de los 90. Fue entonces cuando comenzaron las giras musicales y el autor tuvo la oportunidad de visitar las ciudades de Oaxaca, México y Veracruz. Quedó impresionado por la belleza de las grandes ciudades y sus distintas tradiciones, pero sobre todo por su rica cultura musical.Posteriormente, se trasladó a la Ciudad de México para residir allí temporalmente. Sus viajes musicales continuaron por casi todos los estados de la República Mexicana. Durante estos viajes, adquirió experiencias y conocimientos valiosos, maravillándose ante la magnificencia de las diferentes culturas, tradiciones y estilos musicales de cada estado.En conclusión: “El Aventurero� es una obra fascinante en la que el compositor mexicano relata su historia personal a través de las distintas etapas de su vida. Desde sus orígenes en la comunidad de Tlahuitoltepec Mixe, Oaxaca, hasta sus viajes musicales por la República Mexicana, el autor ha tenido la oportunidad de experimentar y aprender de las ricas culturas y tradiciones de su país. Su pasión por la música lo ha llevado a lugares y experiencias inolvidables, y esta obra es un testimonio conmovedor de su viaje. La nueva versión de “El Aventurero� representa una evolución enriquecedora de la obra original. Gracias a la incorporación de nuevos temas y desarrollos que invita al oyente a sumergirse en un emocionante viaje musical. Las sugerencias y comentarios recibidos permitieron mejorar y expandir esta composición para ofrecer una experiencia única.