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2 (2:picc.) · 1 · c.a. · 2 (2: b.cl.) · 2 (2: cbsn.) - 2 · 0 · 0 · 0 - perc. (timp., b.d., tam-tam, sus. cym., vibra., glock., tub. bells, marimba) (2 players) - hp - str. (6 · 6 · 4 · 4 · 2 minimum) cello and orchestra - Digital Download SKU: S9.Q3688 Farewell to philosophy. Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 35 minutes. Schott Music - Digital #Q3688. Published by Schott Music - Digital (S9.Q3688). I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars.
Cello Concerto
Violoncelle, Orchestre

$30.99 26.45 € Violoncelle, Orchestre PDF SheetMusicPlus

Choral Choir (TB) - Level 3 - Digital Download SKU: A0.1003389 Composed by Blasius Amon. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 18 pages. CantemusDomino.Net #3540025. Published by CantemusDomino.Net (A0.1003389). A polyphonic mass for ATTB choir by Blasius Amon (or Ammon) (c.1560–1590) consisting of the following movements:1. Kyrie (~1:30);2. Gloria (~3:00 plus chanted Gloria incipit [not included in score]);3. Credo* (~5:00 plus chanted Credo incipit [not included in score]);4. Sanctus (~0:50);5. Benedictus** (~1:10);5b. Hosanna (~0:45; sung after both Sanctus and Benedictus);6. Agnus Dei…miserere (~0:30 per invocation); Agnus Dei…dona nobis (~1:00).*Credo includes a passage for TB duet and a passage for TTB trio.**Benedictus is TTB.Total length: ~15:00 (all movements); ~10:00 (without Credo); ~7:00 (without Gloria and Credo)Key: C LydianMode: VRange requirements (middle C = C4):· Cantus [Alto]: A3–D5· Altus [Tenor I]: D3–G4· Tenor [Tenor II: C3–E4· Bassus [Bass]: E2–A3Format: 8.5x11Systems per page: 4 (5 for Benedictus)Accompaniment: none
Missa super «Dixit Dominus mulieri Chananeae» (Amon)
Chorale 2 parties

$4.50 3.84 € Chorale 2 parties PDF SheetMusicPlus

Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839793 Composed by Jerry Gray. Arranged by Bobby Hesch. Contemporary. Individual part. 4 pages. Bobby Hesch #6794173. Published by Bobby Hesch (A0.839793). PENNSYLVANIA 6 5 THOUSAND !!! CARL SIGMAN & JERRY GRAY COMPOSERS!!! PERFORMED BY THE GLENN MILLER ORCHESTRA IN 1940 !! STILL GREAT TODAY !!!LET'S PLAY SOME JAZZ!!! KEY OF Bb !! LOW Eb - HIGH Eb!!CHALLENGING PASSAGES !!! MP3 FOR JAZZ STYLE& INTERPRETATION CONTACT INFORMATION :bobbyhesch@yahoo.com IG :@bobbyhesch !!! E MAIL QUESTIONS ! I CAN HELP !!! SAY THE WORDS PENNSYLVANIA 6 5 THOUSAND & PENNSYLVANIA 6 5 0 0 0 !!! THE NUMBER FOR THE HOTEL PENNSYLVANIA !!! HAVE FUN PERFORMING THIS GREAT CHART!!!
Pennsylvania 6-5000
Saxophone Tenor

$4.99 4.26 € Saxophone Tenor PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1371218 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. Score. 237 pages. Rachel J Peters #955471. Published by Rachel J Peters (A0.1371218). Libretto by Royce Vavrek, based on and further inspired by Mermaid in the Jar by Sheila Heti.This triptych of short chamber operas (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy) takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chicken pox and shingles force her to confront what it means to care for others and be cared for herself.INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-ukulele (doubling banjo)/1.0.0.1.1 (Full orchestra score and parts will need to be rented separately.)DURATION: 90 minutesPAGES: 237WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights, please contact the composer at rachel@racheljpeters.com.
The Wild Beast of the Bungalow
Piano, Voix
Rachel J Peters
$37.50 32 € Piano, Voix PDF SheetMusicPlus

2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) double bass and orchestra - Digital Download SKU: S9.Q6372 Farewell to St. Petersburg. Composed by Gavin Bryars. This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Duration 28 minutes. Schott Music - Digital #Q6372. Published by Schott Music - Digital (S9.Q6372). Written for Duncan McTier, this concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bass can emerge. The emphasis in terms of tessitura is on the middle register, though in the closing section there is a passage in natural harmonics. Although the piece is not designed to be a virtuoso showpiece, there is a brief cadenza in which the soloist is supported at times by other solo instruments (bass clarinet, viola, cello, bass).’ (Gavin Bryars).
Double Bass Concerto

$25.99 22.18 € PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.958080 Composed by David Berlin. 20th Century,Classical,Instructional,Standards. Score and parts. 68 pages. David Berlin #3009125. Published by David Berlin (A0.958080). P.p1 {margin: 0.0px 0.0px 12.0px 0.0px; font: 16.0px Helvetica} p.p2 {margin: 0.0px 0.0px 12.0px 0.0px; font: 19.0px Helvetica; color: #1b1b1b}Intended for middle school and intermediate high school musicians, performance time for this two-movement set is between 3 1/2 and 4 minutes. Some minimal syncopation may provide a bit of a challenge but should not be a major problem. Students learn to hear, see and perform various articulations and rhythm patterns. Score and parts are in open scoring and can be played by small or large groups with nearly any possible combination of instruments. Fanfares originated in the Middle Ages. They are generally composed to announce important occasions such as coronations, the olympics and other important occasions. Fanfares are frequently played outdoors and rely heavily on loud instruments such as brass and percussion. The Estampie was a popular instrumental style of the 13th and 14th centuries.The estampie consists of four to seven sections, called puncta, each of which is repeated, Students learn to hear, see and perform the difference between compound-duple and simple-duple meter as well as a variety of tempi.
Fanfare and Estampie
Ensemble de cuivres

$3.99 3.41 € Ensemble de cuivres PDF SheetMusicPlus

2.0.1.bcl.1.cbsn-2.0.0.0-timp.2perc(glsp, crot, vib, tub bells, tam-t, b.d)-hp-str(0.0.6.4.2 preferred) solo double bass, optional 3 part bass chorus and chamber orchestra - Digital Download SKU: S9.Q47174 (Farewell to St. Petersburg). Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 28 minutes. Schott Music - Digital #Q47174. Published by Schott Music - Digital (S9.Q47174). Russian.This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bass can emerge. The emphasis in terms of tessitura is on the middle register, though in the closing section there is a passage in natural harmonics. Although the piece is not designed to be a virtuoso showpiece, there is a brief cadenza in which the soloist is supported at times by other solo instruments (bass clarinet, viola, cello, bass).’.
Double Bass Concerto
Orchestre de chambre

$16.99 14.5 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1368170 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. 337 pages. Rachel J Peters #952492. Published by Rachel J Peters (A0.1368170). The Wild Beast of the Bungalow is a triptych of short operas (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself. Libretto by Royce Vavrek, based on and further inspired by the short story by Sheila Heti.CAST: 1 coloratura soprano plus eight additional principals playing multiple rolesINSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-ukulele (doubling banjo)/1.0.0.1.1 (Parts must be rented separately.)DURATION: 90 minutesPAGES: 337WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights and more information, please write to the composer at rachel@racheljpeters.com.
The Wild Beast of the Bungalow (Orchestra Score) - Score Only
Orchestre de chambre
Rachel J Peters
$70.00 59.74 € Orchestre de chambre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. Published by Rachel J Peters (A0.1325451). A short chamber operaLibretto by Royce Vavrek, based on the short story by Sheila Heti.Mermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voices. (If the Prologue is omitted, no bass-baritone is required.)INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-1.0.0.1.1 (Parts need to be rented separately.)DURATION: 20 minutesPAGES: 86WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright.. For all performance inquiries, please write to rachel@racheljpeters.com.
Mermaid in the Jar Full Score - Score Only
Orchestre de chambre
Rachel J Peters
$28.00 23.89 € Orchestre de chambre PDF SheetMusicPlus

Digital Download SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott Music - Digital #Q6264. Published by Schott Music - Digital (S9.Q6264). English â?¢ German.Music of iron and bronze, appropriate to its Trojan War settingâ??of fanfares and percussion tattoos, but with plangent windows of orchestral and vocal beautyâ??Tippettâ??s second opera is unlike his first in every respect except that of the immediacy and fullness with which it portrays the feelings and predicaments of a variety of characters. We understand the warmth and anxiety of Andromache, the majestic command of Hecuba and the erotic charge that runs through Helenâ??the Trojan women who come together at the start of the third act, and who double as the goddesses among whom Paris has to choose at the end of the first. We understand, too, the varieties of blindness and determination inside the male characters who dominate the central act, set on the Trojan plain. Chief among them are Achilles, singing with the vehemence but also the tenderness of a hero, and the troubled Priam, whose tragedy this essentially is, a tragedy multiplied many times over, because it brings about those of so many others.That central, determining tragedy results from Priamâ??s decision to sacrifice his young son Paris and thereby go against his instincts, a decision he takes to forestall a prophesy that Paris will bring about his death. Everything that takes place thereafter unfolds on this battleground between necessity and desire, a battleground on which there can be no conquerors, only casualties.(Paul Griffiths)2 Flutes (doubling 2 piccolos), Oboe, Cor Anglais, Clarinet, Clarinet in Eb, Bass Clarinet, Bassoon, Contrabassoon, 4 Horns in F, 4 Trumpets, 2 Trombones, Tuba, Timpani, Percussion (3 players): Snare Drum, Bass Drum, Cymbal, Wood Block, Tambourine, Triangle, Tam-tam, Xylophone; Harp, PIano (doubling Celesta), Guitar, Strings (6.0.4.4.2 minimum).
King Priam

$83.99 71.68 € PDF SheetMusicPlus

Bass solo, vocal ensemble (7 male voices), 2 mixed choirs (each 24 parts), boy's voices and orchestra - difficult - Digital Download SKU: S9.Q2783 Für Bass-Solo, Vokalensemble (7 Männerstimmen), 2 gemischte Chöre (je 24-stimmig), Knabenstimmen und Orchester. Composed by Krzysztof Penderecki. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 40 minutes. Schott Music - Digital #Q2783. Published by Schott Music - Digital (S9.Q2783). Latin.3 (1. u. 2. auch Picc., 3. auch Altfl. in G) * 3 (3. auch Engl. Hr.) * 4 (4. auch Bassklar. in B) * 3 (3. auch Kfg.) - 5 * 3 * 2 Bachtrp. * 3 * 1 - P. S. (Glsp. * Rohrengl. * Tamt. * Bong. * gr. Tr.) (1 Spieler) - Hfe. * Cel. * Harm. * Klav. - Str. (24 * 0 * 8 * 8 * 8)3 (1. u. 2. auch Picc., 3. auch Altfl. in G) · 3 (3. auch Engl. Hr.) · 4 (4. auch Bassklar. in B) · 3 (3. auch Kfg.) - 5 · 3 · 2 Bachtrp. · 3 · 1 - P. S. (Glsp. · Röhrengl. · Tamt. · Bong. · gr. Tr.) (1 Spieler) - Hfe. · Cel. · Harm. · Klav. - Str. (24 · 0 · 8 · 8 · 8).
Magnificat

$43.99 37.54 € PDF SheetMusicPlus

Digital Download SKU: S9.Q21106 Musikalische Komödie nach dem Lustspiel des Calderón. Composed by Gerhard Wimberger. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 120 minutes. Schott Music - Digital #Q21106. Published by Schott Music - Digital (S9.Q21106). German.3 (2., 3. auch Picc.) * 1 * 3 (3. auch Bassklar.) * 1 - 2 * 3 * 1 * 0 - 3 P. S. (3 Trgl. * hg. Beck. * Tamb. * 3 Timb. * 3 Tomt. * kl. Tr. * gr. Tr. * 4 Tempelbl. * Kast. * Mar. * Xyl. * Glsp.)(2 Spieler) - Git. * Hfe. * Cemb. * Klav. - Str. (6 * 6 * 4 * 3 * 2 [11 Funfsaiter]) hinter der Buhne: elektr. Git (oder Vibr.)3 (2., 3. auch Picc.) · 1 · 3 (3. auch Bassklar.) · 1 - 2 · 3 · 1 · 0 - 3 P. S. (3 Trgl. · hg. Beck. · Tamb. · 3 Timb. · 3 Tomt. · kl. Tr. · gr. Tr. · 4 Tempelbl. · Kast. · Mar. · Xyl. · Glsp.)(2 Spieler) - Git. · Hfe. · Cemb. · Klav. - Str. (6 · 6 · 4 · 3 · 2 [11 Fünfsaiter]) hinter der Bühne: elektr. Git (oder Vibr.).
Dame Kobold

$39.99 34.13 € PDF SheetMusicPlus






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