C Instrument - Digital Download SKU: A0.1258209 Composed by Sarah Josepha Hale. Arranged by Darek. 19th Century,Children,Multicultural,World. Lead Sheet / Fake Book. 1 pages. Darek #851456. Published by Darek (A0.1258209). Mary Had a Little Lamb (LEAD SHEET) [Sarah Josepha Hale]Lead Sheet arrangements of Mary Had a Little Lamb by Sarah Josepha Hale on viarious instruments. Included: Lead Sheet, Chords and Lyrics. Unlock the versatility of Mary Had a Little Lamb with our lead sheet for various instruments. Whether you play the piano, guitar, flute, or any other instrument, our comprehensive lead sheet allows you to bring this beloved nursery rhyme to life. Our lead sheet provides the melody, chords, and lyrics of Mary Had a Little Lamb, making it a valuable resource for musicians of all levels. Beginners will find the simplicity of this tune ideal for their early repertoire, while more experienced players can use it as a foundation for improvisation and exploration. Position yourself as a go-to destination for lead sheets by offering this timeless piece from the traditional era. Mary Had a Little Lamb has been passed down through generations, making it a recognizable and enjoyable addition to any musician's repertoire. Whether you're a student, a teacher, or a performer, our lead sheet enables you to showcase your musicality and creativity. Experiment with different instrumental arrangements and adapt the melody to suit your instrument and personal style. Emphasize the educational value of our lead sheet to attract musicians looking to expand their repertoire and improve their skills. Playing Mary Had a Little Lamb on different instruments helps develop a solid understanding of melody, harmony, and rhythm, fostering musical growth and versatility. Promote the convenience and accessibility of our lead sheet for various instruments. With the melody, chords, and lyrics all in one place, musicians can quickly and easily learn and perform this beloved nursery rhyme. Optimize your online presence by utilizing keywords such as lead sheet, Mary Had a Little Lamb, versatile, traditional, and repertoire. Highlight the benefits of our product, such as its suitability for musicians of all levels, the ability to adapt the melody for different instruments, and the educational value it offers. Connect with musicians worldwide who trust our lead sheet to enhance their musical journey. By providing a comprehensive and flexible resource for Mary Had a Little Lamb, we empower musicians to explore their creativity and enjoy the process of making music. Choose our lead sheet to expand your musical repertoire and express your unique musical voice. With its versatility, educational value, and accessibility, our lead sheet for Mary Had a Little Lamb is a must-have resource for musicians of all levels and instruments. Unleash your creativity and create beautiful music with this timeless nursery rhyme.

Solo Guitar - Level 1 - Digital Download SKU: A0.1152461 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #752687. Published by Yuri Noronha (A0.1152461). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb fingerstyle, mary had a little lamb fingerstyle guitar, mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner #fingerstyleguitar #easyfingerstyle.

Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.

Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340354 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 72. Heather Mueller Music #5fwfv60k3hWZCRdc02BIm2. Published by Heather Mueller Music (A0.1340354). Key: A major.Because He Was A Bonny Lad - A Major Folk Tune Sheet Music Indulge in the timeless charm of Because He Was A Bonny Lad with our meticulously crafted sheet music. Set in the uplifting key of A Major, this traditional folk tune comes to life with a delightful melody, harmonies, a dynamic bassline, and convenient chord symbols. Tailored for fiddle players, this sheet music also offers versatility for melodic instruments tuned to the brilliance of A Major or accompaniment instruments. Key Features: Authentic transcription of Because He Was A Bonny Lad in the joyful key of A Major. Melody, harmonies, and a lively bassline thoughtfully arranged. Chord symbols for seamless accompaniment. Suited for fiddle players and adaptable to various melodic instruments. Celebrate the uplifting spirit of Because He Was A Bonny Lad as you explore its melodic richness in A Major. Whether you're a fiddler looking to add a lively piece to your repertoire or a musician on a melodic instrument seeking a joyful tune, this sheet music invites you to embrace the essence of this cherished composition. Elevate your performance and share the joy of Because He Was A Bonny Lad with this expertly crafted arrangement.

Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 1 - Digital Download SKU: A0.569907 By Sharon Wilson. By William Moore. Arranged by Sharon Wilson. 20th Century,Easter,Folk,Sacred,Traditional. Individual part. 10 pages. Sharon Wilson #6685591. Published by Sharon Wilson (A0.569907). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Praise for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Solo Guitar - Level 1 - Digital Download SKU: A0.1152477 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #752703. Published by Yuri Noronha (A0.1152477). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb fingerstyle, mary had a little lamba fingerstyle guitar, mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner #fingerstyleguitar.

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5820835. Published by Keith Terrett (A0.746989). A great sounding arrangement of A Night in Tunisia, your String Orchestra will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.814007 Composed by James R. Murray. Arranged by Regis Bookshar. Christmas,Instructional,Standards. Score and parts. 10 pages. Regis Bookshar #6658469. Published by Regis Bookshar (A0.814007). Euphonium Quintet - Intermediate - Digital Download. This arrangement of Away in a Manger, would be a fine addition to any music library and could be performed for Christmas concerts, recitals and church services. It is equally suitable for junior and senior high school students, and, depending on their ability, even younger students, too. Included are a score and a complete set of parts (10 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Away in a Manger is one of the most popular Christmas carols and there are a number of musical settings of it. The most popular musical setting of it in the United States is the tune commonly known as Mueller. It was composed by James R. Murray and was first published under the name Luther's Cradle Hymn, in his collection Dainty Songs for Little Lads and Lasses, in 1887. It was intended for use in kindergarten, school and home.In this selection, Regis Bookshar has arranged three verses of this popular Christmas carol for a Euphonium Quintet, written in Bass Clef. There is also a version for a Euphonium Quintet, written in Treble Clef, if you prefer. The first verse is a traditional setting of the tune while the second verse has a more complex accompaniment. The third verse also includes a descant. Between the second and third verses, he has included a short interlude. In addition to this arrangement for a Euphonium Quintet, there are also other Quintet arrangements of Away in a Manger for a variety of instrumental ensembles, as well as quite a few other Christmas selections, readily available for purchase. Please take the time to look for other versions of this composition and other selections. You may find something else that may also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Away in a Manger will continue to entertain both performers and audiences alike for years to come.

Harmonica - Level 1 - Digital Download SKU: A0.1151196 Composed by Traditional. Arranged by Yuri Noronha. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 1 pages. Yuri Noronha #751375. Published by Yuri Noronha (A0.1151196). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for Harmonica in G. Ideal for beginners (easy harmonica). Level is easy! 1 Page. mary had a little lamb on a harmonica, how to play mary had a little lamb on a harmonica, mary had a little lamb harmonica G, mary had a little lamb harmonica notes, mary had a little lamb harmonica, mary had a little lamb harmonica tabs, how do you play mary had a little lamb on the harmonica, easy harmonica mary had a little lamb, harmonica notes for mary had a little lamb, how to play mary had a little lamb harmonica, mary had a little lamb in harmonica, mary had a little lamb harmonica tab, mary had a little lamb harmonica sheet music, harmonica songs mary had a little lamb #maryhadalittlelamb #harmonicachildren #traditionalchildren #harmonica #easyharmonica #howtoplayharmonica #traditionalharmonica #harmonicaG #sheetmusicharmonica.

Harmonica - Level 1 - Digital Download SKU: A0.1151146 Composed by Traditional. Arranged by Yuri Noronha. Children,Early Music,Folk,Instructional,Traditional. Score. 1 pages. Yuri Noronha #751326. Published by Yuri Noronha (A0.1151146). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for Harmonica in C. Ideal for beginners (easy harmonica). Level is easy! 1 Page. mary had a little lamb on a harmonica, how to play mary had a little lamb on a harmonica, mary had a little lamb harmonica c, mary had a little lamb harmonica notes, mary had a little lamb harmonica, mary had a little lamb harmonica tabs, how do you play mary had a little lamb on the harmonica, easy harmonica mary had a little lamb, harmonica notes for mary had a little lamb, how to play mary had a little lamb harmonica, mary had a little lamb in harmonica, mary had a little lamb harmonica tab, mary had a little lamb harmonica sheet music, harmonica songs mary had a little lamb #maryhadalittlelamb #harmonicachildren #traditionalchildren #harmonica #easyharmonica #howtoplayharmonica #traditionalharmonica #harmonicaC #sheetmusicharmonica.

Easy Piano - Level 1 - Digital Download SKU: A0.1259061 Composed by Michal Kleofas Oginski. Arranged by Darek. Classical,Patriotic,Romantic Period,Traditional. Score. 2 pages. Darek #852325. Published by Darek (A0.1259061). Polonaise in A Minor (VERY EASY PIANO) Farewell to the Homeland [Michał Kleofas Ogiński]Simplified arrangement for beginner pianists of Polonaise in A Minor Farewell to the Homeland (Polonez A-moll „Pozegnanie Ojczyzny� / Polonez „Pożegnanie Ojczyzny� / „Les adieux à la Patrie)  by Michał Kleofas Ogiński (Michal Kleofas Oginski). Very easy version for beginner pianists / Very easy piano arrangement. Included: Letter notes for right hand, Fingering, very easy chords and video Youtube tutorial. Experience the timeless beauty of the Polonaise in A Minor Farewell to the Homeland by Michał Kleofas Ogiński (Michal Kleofas Oginski) with my specially curated sheet music collection. Designed for beginner pianists, this collection provides a seamless introduction to the enchanting world of classical music. With my easy-level piano sheet music, you'll find yourself effortlessly mastering this cherished piece, also known as Polonez A-moll Pożegnanie Ojczyzny or Les adieux à la Patrie. Every sheet includes meticulously crafted Letter notes and Fingering instructions, ensuring a smooth learning process for aspiring musicians. To enhance your progress, my sheet music goes beyond traditional notation and incorporates very easy chords, allowing you to explore a fuller and more harmonious sound. Whether you're a budding pianist or an experienced musician seeking a relaxing repertoire, this collection offers a delightful challenge. As a testament to my commitment to your musical journey, each purchase includes a bonus YouTube tutorial video, where you can watch and learn from professionals who bring this remarkable composition to life. The video tutorial not only aids in understanding the piece but also adds a dynamic visual element to your learning experience. Polonaise in A Minor Farewell to the Homeland belongs to the Romantic era, a period renowned for its emotional depth and expressive melodies. Immerse yourself in the rich history of music and explore the captivating nuances of Oginski's composition. Unlock your potential as a pianist and indulge in the joy of creating beautiful music. Embrace the power of notes, music, and the piano, and let this Polonaise captivate your soul. With my meticulously curated sheet music and accompanying resources, your musical journey is destined for success. Rediscover the joy of playing the piano and embark on a truly fulfilling musical adventure today.

Flute Solo - Level 2 - Digital Download SKU: A0.1219725 Composed by William J. Kirkpatrick. Arranged by Yuri Noronha. Christmas,Folk,Holiday,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #816094. Published by Yuri Noronha (A0.1219725). Away In A Manger is a Traditional.This arrangement was written for easy flute in G.Level is easy!1 Page.away in a manger on a flute, how to play away in a manger on a flute, away in a manger flute, away in a manger flute notes, away in a manger flute, away in a manger flute, how do you play away in a manger on the flute, easy flute away in a manger, flute notes for away in a manger, how to play away in a manger flute, away in a manger in flute, away in a manger flute, away in a manger flute sheet music, flute songs away in a manger,.

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.