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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre

$20.00 19.11 € Orchestre PDF SheetMusicPlus

Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
Clarinette

$3.50 3.34 € Clarinette PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1477880 Composed by Siu Tin Chi. Broadway,Comedy,Film/TV,Multicultural,Musical/Show,Pop,World. Score. 5 pages. Musical Trio Ltd. (HK) #1055262. Published by Musical Trio Ltd. (HK) (A0.1477880). The Heart of Growth, a musicalChildren's literary author A Nong's work The Heart of Growth has accompanied an entire generation of Hong Kong people as they grew up and is a treasure of local cultural and artistic heritage! His works are filled with deep and sincere emotions, exuding the nostalgic atmosphere of youthful school days and showcasing a positive and proactive attitude towards life.The theatrical version adapted six of his short stories: Listen, the Cicadas Sing!, A Thread of Love, The Shoe-Shining Gang, The Story on the Bus, Tales on a Rainy Day, and Mom, You Should Give Him a Good Scolding!. With live musical accompaniment and dance, these stories were transformed into a musical collection that vividly recreates the people and emotions of old Hong Kong.The Heart of Growth, a musical premiered in the Hong Kong International Arts Carnival (HKIAC) in 2019 as a community and school touring production and an extended theatrical version was staged at the Sai Wan Ho Civic Centre Theatre in 2021, also as a programme of the HKIAC. The two productions were produced by Musical Trio, a Hong Kong Arts Group.  2019 Community and School Touring ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director & Accompanist: Janice TsuiCast: Judy Or, Tony Li, Suet Ip Wong & Seth Chan (Replacement: Vince Lau & Ariel Cheung)Producer: Cheryl Li 2021 Sai Wan Ho Civic Centre Theatre ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director: Frankie HoAccompanist: Janice TsuiCast: Ariel Cheung, Judy Or, Luk Pang-yue, Rick Cheung & Vince Lau Set and Costume Designer: Bill CheungLighting Designer: Leo SiuSound Designer: Martin LaiIllustrator:  A Day A LoneStage Manager: Win LeungDeputy Stage Manager: Nancy LeeProducer: Cheryl Li Complete Song List1. Overture: Listen, the Cicadas Sing!2. Disconnected3. No more Dating!4. Tales on a Rainy Day: Green Mist5. Tales on a Rainy Day: Passerby6. Tales on Rainy Day: Love Fraud7. Prestigious School Girls8. The Distance Between Two Hearts9. Denouement10. Apart for You11. Finale: Listen, the Cicadas Sing!12. Curtain Call13. Apart for You (Solo Version)More information: www.musicaltrio.hkMusical Trio is financially supported by HKADC.
13. Apart for You (Solo Version) (from The Heart of Growth, a musical)
Piano, Voix et Guitare

$2.99 2.86 € Piano, Voix et Guitare PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Hautbois (partie séparée)

$3.50 3.34 € Hautbois (partie séparée) PDF SheetMusicPlus

Harmonica - Level 1 - Digital Download SKU: A0.1151146 Composed by Traditional. Arranged by Yuri Noronha. Children,Early Music,Folk,Instructional,Traditional. Score. 1 pages. Yuri Noronha #751326. Published by Yuri Noronha (A0.1151146). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for Harmonica in C. Ideal for beginners (easy harmonica). Level is easy! 1 Page. mary had a little lamb on a harmonica, how to play mary had a little lamb on a harmonica, mary had a little lamb harmonica c, mary had a little lamb harmonica notes, mary had a little lamb harmonica, mary had a little lamb harmonica tabs, how do you play mary had a little lamb on the harmonica, easy harmonica mary had a little lamb, harmonica notes for mary had a little lamb, how to play mary had a little lamb harmonica, mary had a little lamb in harmonica, mary had a little lamb harmonica tab, mary had a little lamb harmonica sheet music, harmonica songs mary had a little lamb #maryhadalittlelamb #harmonicachildren #traditionalchildren #harmonica #easyharmonica #howtoplayharmonica #traditionalharmonica #harmonicaC #sheetmusicharmonica.
Mary Had a Little Lamb - For Harmonica in C
Harmonica

$1.99 1.9 € Harmonica PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1477870 Composed by Siu Tin Chi. Broadway,Comedy,Multicultural,Musical/Show,Pop,World. Score. 1 pages. Musical Trio Ltd. (HK) #1055252. Published by Musical Trio Ltd. (HK) (A0.1477870). The Heart of Growth, a musicalChildren's literary author A Nong's work The Heart of Growth has accompanied an entire generation of Hong Kong people as they grew up and is a treasure of local cultural and artistic heritage! His works are filled with deep and sincere emotions, exuding the nostalgic atmosphere of youthful school days and showcasing a positive and proactive attitude towards life.The theatrical version adapted six of his short stories: Listen, the Cicadas Sing!, A Thread of Love, The Shoe-Shining Gang, The Story on the Bus, Tales on a Rainy Day, and Mom, You Should Give Him a Good Scolding!. With live musical accompaniment and dance, these stories were transformed into a musical collection that vividly recreates the people and emotions of old Hong Kong.The Heart of Growth, a musical premiered in the Hong Kong International Arts Carnival (HKIAC) in 2019 as a community and school touring production and an extended theatrical version was staged at the Sai Wan Ho Civic Centre Theatre in 2021, also as a programme of the HKIAC. The two productions were produced by Musical Trio, a Hong Kong Arts Group.  2019 Community and School Touring ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director & Accompanist: Janice TsuiCast: Judy Or, Tony Li, Suet Ip Wong & Seth Chan (Replacement: Vince Lau & Ariel Cheung)Producer: Cheryl Li 2021 Sai Wan Ho Civic Centre Theatre ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director: Frankie HoAccompanist: Janice TsuiCast: Ariel Cheung, Judy Or, Luk Pang-yue, Rick Cheung & Vince Lau Set and Costume Designer: Bill CheungLighting Designer: Leo SiuSound Designer: Martin LaiIllustrator:  A Day A LoneStage Manager: Win LeungDeputy Stage Manager: Nancy LeeProducer: Cheryl Li Complete Song List1. Overture: Listen, the Cicadas Sing!2. Disconnected3. No more Dating!4. Tales on a Rainy Day: Green Mist5. Tales on a Rainy Day: Passerby6. Tales on Rainy Day: Love Fraud7. Prestigious School Girls8. The Distance Between Two Hearts9. Denouement10. Apart for You11. Finale: Listen, the Cicadas Sing!12. Curtain Call13. Apart for You (Solo Version)More information: www.musicaltrio.hkMusical Trio is financially supported by HKADC.
9. Denouement (from The Heart of Growth, a musical)
Piano, Voix et Guitare

$1.99 1.9 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1477351 Composed by Siu Tin Chi. Broadway,Comedy,Multicultural,Musical/Show,Pop,World. Score. 6 pages. Musical Trio Ltd. (HK) #1054774. Published by Musical Trio Ltd. (HK) (A0.1477351). The Heart of Growth, a musicalChildren's literary author A Nong's work The Heart of Growth has accompanied an entire generation of Hong Kong people as they grew up and is a treasure of local cultural and artistic heritage! His works are filled with deep and sincere emotions, exuding the nostalgic atmosphere of youthful school days and showcasing a positive and proactive attitude towards life.The theatrical version adapted six of his short stories: Listen, the Cicadas Sing!, A Thread of Love, The Shoe-Shining Gang, The Story on the Bus, Tales on a Rainy Day, and Mom, You Should Give Him a Good Scolding!. With live musical accompaniment and dance, these stories were transformed into a musical collection that vividly recreates the people and emotions of old Hong Kong.The Heart of Growth, a musical premiered in the Hong Kong International Arts Carnival (HKIAC) in 2019 as a community and school touring production and an extended theatrical version was staged at the Sai Wan Ho Civic Centre Theatre in 2021, also as a programme of the HKIAC. The two productions were produced by Musical Trio, a Hong Kong Arts Group.  2019 Community and School Touring ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director & Accompanist: Janice TsuiCast: Judy Or, Tony Li, Suet Ip Wong & Seth Chan (Replacement: Vince Lau & Ariel Cheung)Producer: Cheryl Li 2021 Sai Wan Ho Civic Centre Theatre ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director: Frankie HoAccompanist: Janice TsuiCast: Ariel Cheung, Judy Or, Luk Pang-yue, Rick Cheung & Vince Lau Set and Costume Designer: Bill CheungLighting Designer: Leo SiuSound Designer: Martin LaiIllustrator:  A Day A LoneStage Manager: Win LeungDeputy Stage Manager: Nancy LeeProducer: Cheryl Li Complete Song List1. Overture: Listen, the Cicadas Sing!2. Disconnected3. No more Dating!4. Tales on a Rainy Day: Green Mist5. Tales on a Rainy Day: Passerby6. Tales on Rainy Day: Love Fraud7. Prestigious School Girls8. The Distance Between Two Hearts9. Denouement10. Apart for You11. Finale: Listen, the Cicadas Sing!12. Curtain Call13. Apart for You (Solo Version)More information: www.musicaltrio.hkMusical Trio is financially supported by HKADC.
2. Disconnected (from The Heart of Growth, a musical)
Piano, Voix et Guitare

$2.49 2.38 € Piano, Voix et Guitare PDF SheetMusicPlus

Flute Solo - Level 2 - Digital Download SKU: A0.1219725 Composed by William J. Kirkpatrick. Arranged by Yuri Noronha. Christmas,Folk,Holiday,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #816094. Published by Yuri Noronha (A0.1219725). Away In A Manger is a Traditional.This arrangement was written for easy flute in G.Level is easy!1 Page.away in a manger on a flute, how to play away in a manger on a flute, away in a manger flute, away in a manger flute notes, away in a manger flute, away in a manger flute, how do you play away in a manger on the flute, easy flute away in a manger, flute notes for away in a manger, how to play away in a manger flute, away in a manger in flute, away in a manger flute, away in a manger flute sheet music, flute songs away in a manger,.
Away In A Manger - For Flute (G Major)
Flûte traversière

$1.99 1.9 € Flûte traversière PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1259061 Composed by Michal Kleofas Oginski. Arranged by Darek. Classical,Patriotic,Romantic Period,Traditional. Score. 2 pages. Darek #852325. Published by Darek (A0.1259061). Polonaise in A Minor (VERY EASY PIANO) Farewell to the Homeland [Michał Kleofas Ogiński]Simplified arrangement for beginner pianists of Polonaise in A Minor Farewell to the Homeland (Polonez A-moll „Pozegnanie Ojczyzny†/ Polonez „Pożegnanie Ojczyzny†/ „Les adieux à la Patrie)  by Michał Kleofas Ogiński (Michal Kleofas Oginski). Very easy version for beginner pianists / Very easy piano arrangement. Included: Letter notes for right hand, Fingering, very easy chords and video Youtube tutorial. Experience the timeless beauty of the Polonaise in A Minor Farewell to the Homeland by Michał Kleofas Ogiński (Michal Kleofas Oginski) with my specially curated sheet music collection. Designed for beginner pianists, this collection provides a seamless introduction to the enchanting world of classical music. With my easy-level piano sheet music, you'll find yourself effortlessly mastering this cherished piece, also known as Polonez A-moll Pożegnanie Ojczyzny or Les adieux à la Patrie. Every sheet includes meticulously crafted Letter notes and Fingering instructions, ensuring a smooth learning process for aspiring musicians. To enhance your progress, my sheet music goes beyond traditional notation and incorporates very easy chords, allowing you to explore a fuller and more harmonious sound. Whether you're a budding pianist or an experienced musician seeking a relaxing repertoire, this collection offers a delightful challenge. As a testament to my commitment to your musical journey, each purchase includes a bonus YouTube tutorial video, where you can watch and learn from professionals who bring this remarkable composition to life. The video tutorial not only aids in understanding the piece but also adds a dynamic visual element to your learning experience. Polonaise in A Minor Farewell to the Homeland belongs to the Romantic era, a period renowned for its emotional depth and expressive melodies. Immerse yourself in the rich history of music and explore the captivating nuances of Oginski's composition. Unlock your potential as a pianist and indulge in the joy of creating beautiful music. Embrace the power of notes, music, and the piano, and let this Polonaise captivate your soul. With my meticulously curated sheet music and accompanying resources, your musical journey is destined for success. Rediscover the joy of playing the piano and embark on a truly fulfilling musical adventure today.
Polonaise in A Minor (VERY EASY PIANO) "Farewell to the Homeland" [Michał Kleofas Ogiński]
Piano Facile

$2.00 1.91 € Piano Facile PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Flute (partie séparée)

$3.50 3.34 € Flute (partie séparée) PDF SheetMusicPlus

Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel

$9.99 9.55 € PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1169170 Composed by Traditional. Arranged by Yuri Noronha. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 1 pages. Yuri Noronha #769521. Published by Yuri Noronha (A0.1169170). Mary Had a Little Lamb is a Traditional Children.This arrangement was written for easy Piano in C.Ideal for beginners (easy piano).Level is easy!1 Page.mary had a little lamb on a piano, how to play mary had a little lamb on a piano, mary had a little lamb piano, mary had a little lamb piano notes, mary had a little lamb piano, mary had a little lamb piano, how do you play mary had a little lamb on the piano, easy piano mary had a little lamb, piano notes for mary had a little lamb, how to play mary had a little lamb piano, mary had a little lamb in piano, mary had a little lamb piano, mary had a little lamb piano sheet music, piano songs mary had a little lamb,.
Mary Had a Little Lamb - For Easy Piano
Piano Facile

$1.99 1.9 € Piano Facile PDF SheetMusicPlus

Trumpet Solo - Level 5 - Digital Download SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
Trompette

$3.50 3.34 € Trompette PDF SheetMusicPlus

Trumpet Solo - Level 5 - Digital Download SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
Trompette

$3.50 3.34 € Trompette PDF SheetMusicPlus

Harmonica - Level 1 - Digital Download SKU: A0.1151184 Composed by Traditional. Arranged by Yuri Noronha. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 1 pages. Yuri Noronha #751363. Published by Yuri Noronha (A0.1151184). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for Harmonica in D. Ideal for beginners (easy harmonica). Level is easy! 1 Page. mary had a little lamb on a harmonica, how to play mary had a little lamb on a harmonica, mary had a little lamb harmonica D, mary had a little lamb harmonica notes, mary had a little lamb harmonica, mary had a little lamb harmonica tabs, how do you play mary had a little lamb on the harmonica, easy harmonica mary had a little lamb, harmonica notes for mary had a little lamb, how to play mary had a little lamb harmonica, mary had a little lamb in harmonica, mary had a little lamb harmonica tab, mary had a little lamb harmonica sheet music, harmonica songs mary had a little lamb #maryhadalittlelamb #harmonicachildren #traditionalchildren #harmonica #easyharmonica #howtoplayharmonica #traditionalharmonica #harmonicaD #sheetmusicharmonica.
Mary Had a Little Lamb - For Harmonica in D
Harmonica

$1.99 1.9 € Harmonica PDF SheetMusicPlus






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