Viola Solo - Level 4 - Digital Download SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078711. Published by Benjamin Sajo (A0.1018957). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.    The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.519150 By Howard Goodall. By Howard Goodall. Arranged by Karen Ivana. 20th Century,Film/TV. Octavo. 9 pages. Karen Ivana #129770. Published by Karen Ivana (A0.519150). A fun musical romp based on the theme from Blackadder featuring some of the lyrics used in the series. Arranged for three part women's choir and piano. There are two parts, and part one may be sung alone.

Piano Solo - Level 4 - Digital Download SKU: A0.1025227 Composed by Thomas C. Baggaley. 20th Century,Contemporary. Score. 27 pages. Quest Haven Publishing #4600795. Published by Quest Haven Publishing (A0.1025227). Images of Family is a collection of six pieces for solo piano inspired by the scenes from the passage through an individual's life and the different roles they play as members of a family. The first movement, Toddler, begins with a single repeated note to simulate the ticking of a clock. As any parent of a toddler knows, when things are that quiet, it's time to go find out what that toddler is up to. The second movement, Dandelion Bouquet, celebrates the precious, intimate moments spent with a young child, representing a small bouquet of dandelions carefully picked and presented to the child's mother. The third movement, Loading the Car, portrays the chaos of a larger family trying to leave on a family vacation. Fourth is Newlywed, a celebration of the optimism and beauty seen through a newly married couple's eyes. The fifth movement, Afternoon in Grandpa's Meadow, looks at life through the eyes of the more experienced generation. And finally, the sixth movement, Journey Home, portrays the final moments of life, the goodbyes to family members on this side of death's door, and the joyous reunion with other family members who have already passed on from this life and await eagerly on the other side. A more detailed description is included in the work's program notes.Difficulty: The difficulty varies from movement to movement. (Movements may be performed separately if desired.) The most difficult movements will provide a nice challenge for intermediate and advanced students.Total Duration: 15 minutesThe composer (Thomas C. Baggaley) is a member of ASCAP (Performance rights organization)Follow the composer on Twitter (@tbaggaley), Facebook (https://www.facebook.com/Thomas-C-Baggaley-104402682016/) and Spotify (https://open.spotify.com/artist/5w8hCxLossKZuXCV9ta1X2?si=hxxGgUdGR9WyW9nTja4x0g) and visit his web page at http://www.baggaleymusic.comFollow Quest Haven Publishing on Facebook (https://www.facebook.com/Quest-Haven-Publishing-107839156014/) and visit us at http://www.questhavenpublishing.comA recording of the work can be found on iTunes, Apple Music, Spotify, Pandora and all other major audio streaming services. (YouTube playlist: https://www.youtube.com/watch?v=UQJO64_HsB0&list=OLAK5uy_lXk-jDDfjmVe3ljmH6K4kEuZYUwjIBrKQ)

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1016225 Composed by Anthony Theodore. Contemporary. Octavo. 5 pages. Anthony Theodore #5316925. Published by Anthony Theodore (A0.1016225). I am 17 years old and this the very first composition I have ever written. My vision for the world is to try and help people keep positive no matter how bad or how unbarring the situation may be. There are many people on the planet that have issues that need to be dealt with and I believe that one way that they can help themselves is by trying to thing of the times where things weren't so bad. Even if they were bad, those memories should be the reminders to help you grow throughout life. This is the message that I am trying to portray with Those Memories. At the age of 15, I had a vision to help people not to forget the good and the bad moments of their lives because once the memories are forgotten, people will never be able to go back and tell stories about how they developed and came to be. â€ƒSome of the lyrics were picked from a poem that was written 4 years ago in 2016 called One Brief Moment by John Fleming. The poem was found on a website that provides poems to those who like reading poems. The website is called poetrysoup.com and I think it's a pretty cool website for poem readers, so if you like poems and you want something new, you can go there and check it out. I hope you all enjoy the piece as much as I had fun writing it. Haha. 

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.828101 By Benny Goodman. By Benny Goodman, Chick Webb, and Edgar Sampson. Arranged by Bob O'Connell. A Cappella,Jazz. Octavo. 11 pages. Bob OConnell #5454017. Published by Bob OConnell (A0.828101). This is a Barbershop style 8 part a cappella arrangement for men and women of this classic Benny Goodman tune. .

Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World,  a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter.  The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances.  Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range.  Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable.  Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.   She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music.  The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock.  Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships.  Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1001554 Composed by Hagood Hardy. Arranged by Rita Arendz. Contemporary. Brass Band. 27 pages. Rita Arendz #6624115. Published by Rita Arendz (A0.1001554). Juno Award winner, Hugh Hagood Hardy, CM, spent his early musical life in bebop jam sessions.  Ultimately, he would become a composer, pianist, and percussionist (vibraphone), focussing mainly on jazz and easy listening music.His 1975 single The Homecoming reached number 6 on the US easy listening charts, 41 on the US pop charts, and certified Gold in Canada, reaching number one on the Adult Contemporary chart.  The soothing melody was well suited as the jingle for the Salada Tea commercial in 1972.  It is still a charming selection today, being both subtle and simple-an excellent choice for a moment of repose in any program. Scored for the smaller British Brass Band with a minimum of 9 parts (11 players) up to a full band.  Duration ~ 2:45.  27 pages.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1028524 Composed by James Hickey. Christian,Instructional,Sacred,Standards. Score. 8 pages. Musendo Productions #3582861. Published by Musendo Productions (A0.1028524). Inspired by Psalms 46:10: Be still and know that I am God. This piece is dramatic, ranges in dynamics, and offers good some challenge for diction, clarity, dynamics, and breath control. It was inspired by the moment a Catholic (or any Christian receiving communion at their church) goes up to their pastor to receive it, and how in those moments, our heads could be rushing when we just need to be still. .

Piano Solo - Level 2 - Digital Download SKU: A0.1301699 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Matheus Viana. Children,Country,Film/TV,Pop,Singer/Songwriter. Score. 4 pages. Matheus Viana #891310. Published by Matheus Viana (A0.1301699). Calling all piano enthusiasts and Taylor Swift fans! Get ready for a musical journey like no other with our Shake It Off Piano Arrangement Experience the magic of Shake It Off in a whole new light! Our talented team of arrangers has meticulously crafted stunning piano arrangements of Taylor Swift's chart-topping hit Shake It Off. Dive into the world of music and elevate your piano skills with these exceptional arrangements.Sheet Music Masterpieces: Explore our extensive collection of professionally transcribed sheet music. From beginner-friendly versions to advanced renditions, there's something for every skill level.Whether you're a budding pianist or a seasoned player looking to add a fresh twist to your repertoire, our Shake It Off Piano Arrangement is your gateway to musical excellence. Join us in celebrating the art of piano with Taylor Swift's timeless hit.Don't wait! Shake off any doubts and seize this chance to own and master the piano arrangements of Shake It Off. Elevate your piano skills and let the music sweep you off your feet.Shake It Off, Taylor Swift, Pop music, Piano arrangement, Upbeat melody, Catchy tune, Chart-topping hit, Modern pop, Sheet music, Keyboard rendition, Musical energy, Taylor Swift's hit, Piano cover, Chords and rhythm, Energetic atmosphere, Danceable piano, Contemporary pop, Taylor's style, Keyboard performance, Feel-good song, Musical arrangement, Playful notes, Pop sensation, Taylor Swift's magic, Keyboard interpretation, Fun and lively, Catchy chorus, Dance-pop vibes, Piano solo, Hit single, Musical dynamism, Taylor's charisma, Upbeat piano rendition, Infectious rhythm, Modern classic, Pop anthem, Chart success, Keyboard expressiveness, Taylor's influence, Dancefloor favorite, Pop piano magic, Joyful chords, Taylor's artistry, Piano dynamics, Chart-topping magic, Pop sensation, Taylor Swift's impact, Feel-good vibes, Playful piano arrangement, Musical exuberance, Contemporary charm, Taylor Swift's brilliance, Piano interpretation, Pop sensation, Danceable keys, Taylor's chart-topper, Piano rendition, Feel-good energy, Catchy piano, Pop success, Taylor's musicality, Upbeat tempo, Keyboard magic, Infectious melody, Taylor's hit-making, Piano performance, Chart-topping prowess, Pop phenomenon, Taylor's influence, Playful piano magic, Energetic performance, Feel-good piano, Taylor Swift's chart success, Pop magic, Piano expressiveness, Catchy hooks, Modern pop brilliance, Taylor's infectious beats, Danceable piano, Chart-topping excellence, Keyboard virtuosity, Playful piano interpretation, Taylor Swift's chart-topping hit.

Brass Quintet - Level 5 - Digital Download SKU: A0.1350175 Composed by Various. Arranged by Sy Brandon. 19th Century,Christmas. 61 pages. Sy Brandon #934956. Published by Sy Brandon (A0.1350175). This setting of Christmas carols is modeled after parts of the Ravel transcription of Mussorgsky’s “Pictures at an Exhibition.� It begins with a “Promenade� in 5/4 based on “O Come, O Come Emmanuel�. Measures 20 - 140 is modeled after “The Ballet of Unhatched Chicks� and uses the carols “O Come Little Children,� “Pat-a-pan,� and “Fum Fum Fum.� This is followed by the “Promenade� from measures 141 to 151. Measures 152 to 214 is modeled after “Bydlo� and uses the carols “God Rest Ye Merry, Gentlemen� and “Good King Wenceslaus�. Measures 215 - 225 is a shorter, more pensive “Promenade�. “Samuel Goldenberg and Schmuyle� is the influence on the setting of “Rise Up Shepherds and Follow� from measures 226 -252. This is followed by a setting of Hark! The Herald Angels Sing� from measures 253 - 280 that is influenced by “The Hut on Fowl’s Legs.� This leads directly into a majestic chorale setting of “O Come, All Ye Faithful� that is modeled after “The Great Gate of Kiev� as it brings the piece to a triumphant conclusion.

Soprano solo, SSAA choir, organ, cello, synthesizer, and handbells - Medium - Digital Download SKU: MQ.56-0021-E Composed by Howard Goodall. 14 pages. Duration 7 minutes, 12 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0021-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0021-E). Latin. Lamentations 1:2; John 14:18.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and women’s chorus (mostly SSA but with a few SSAA passages), organ, cello, synthesizer, and handbells, the music has a light, ethereal feeling. “Beati� can be taken as a sort of “Blessed are they� prefix for the movements which are not direct quotes from the Beatitudes. In this case the only English text is at the beginning and end, sung by the soprano soloist. The rest is a Latin setting of Lamentations 1:2 (“Weeping, she hath wept in the night�) and John 14:18 (“I will not leave you orphans�). Duration 7:12Instrumentalists play from the choral score.

C Instrument,Electric Guitar,Fiddle,Instrumental Solo,Keyboard,Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1353297 By Diversos. By Diversos. Arranged by Israel Pessoa. 21st Century,Christian,Christmas,Classical,Multicultural,World. Score and individual part. 72 pages. Israel Pessoa #938063. Published by Israel Pessoa (A0.1353297). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para você que quer começar ou expandir seu repertório. Todas as partituras foram escritas e revisadas com extremo cuidado para que você possar baixar e tocar.1 A Pele que há em Mim - Márcia e JP Simões2 A Tua Mesa Cura - Thamires Garcia3 Always - Bon Jovi4 Anjos de Deus - Pe. Marcelo Rossi5 Baianidade Nago - Banda Mel6 Bate o Sino - Tradicional Natalina7 Bem-Vindo - Irmão Urso8 Boas Festas - Assis Valente9 Carinhoso - Pixinguinha10 Chega De Saudade - Tom Jobim11 Colo de Mãe - Frei Gilson12 Conquistando o Impossível - Jamilly13 Dindi - Tom Jobim14 Divertissement - Saint Preux15 Dust The Wind - Kansas16 Eles Se Amam - Vocal Livre17 Então é Natal - Simone18 Flowers - Miley Cyrus19 Fogo Abrasador - Maikel Marques20 Glória - Surgem Anjos - Tradicional Natalina21 Goodness Of God - Bethel Music22 IF I AINT'T GOT YOU - Alicia Keys23 I'll Be There - Jackson 524 Impossível de Esquecer - Eyshila25 Jesus Alegria Dos Homens - J.S. Bach26 Marcha Nupcial + Ai que Saudade D'ocê27 Marcha Nupcial + Pode Morar Aqui28 Minha Raiz - Fluminense29 Natal Branco - Tradicional Natalina30 O Amor Do Nosso Deus - Diante do Trono31 O Dono da Seara - Anderson Freire32 O Grande Pintor - Hino Avulso CCB33 O Rosto de Cristo - Sarah Farias34 Ousado Amor - Isaias Saad35 Pai De Menina - Ferrugem36 Panis Angelicus - Cesar Frank37 Pelos Prados E Campinas - Frei Fabretti38 Raridade - Anderson Freire39 Samba de Verão - Marcos Valle40 Save A Prayer - Duran Duran41 Será assim abençoado - Salmo42 Shine Jesus, Shine43 Sorriso Resplandescente - Dragon Ball GT44 Tá Chorando Por Quê - Preto No Branco45 The Legend Of Zelda - Kõji Kondõ46 Último Romance - Los Hermanos47 Valsa Brasileira - Chico Buarque48 We Wish You A Merry Christmas - Tradicional Natalina49 You And Me - Soja50 You're The Inspiration - Chicago.

Easy Piano - Level 1 - Digital Download SKU: A0.1295489 By Taylor Swift. By Annie Clark, Jack Antonoff, and Taylor Swift. Arranged by Matheus Viana. Broadway,Country,Musical/Show,Pop,Singer/Songwriter,Wedding. Score. 4 pages. Matheus Viana #885780. Published by Matheus Viana (A0.1295489). Dive into the emotional depths of Taylor Swift's hit song Cruel Summer like never before with our exclusive piano arrangement sale!Are you a piano enthusiast or a Taylor Swift fan looking to add a touch of musical magic to your repertoire? Look no further! Our expertly crafted piano arrangement of Cruel Summer is here to transport you to a world of passion and heartache through the power of music.What to Expect:- Professionally arranged sheet music for piano, suitable for pianists of all levels.- A faithful and captivating interpretation of Taylor Swift's iconic song.Why Choose Our Arrangement:- Meticulously transcribed and arranged by seasoned musicians.- High-quality notation that ensures a smooth learning experience.- Instant digital download for quick access and convenience.About Cruel Summer:Cruel Summer is a chart-topping hit by Taylor Swift, known for its emotional lyrics and catchy melody. Now, you can bring this captivating song to life on your piano and experience its magic in a whole new way.Let your fingers dance across the keys and immerse yourself in the Cruel Summer atmosphere. Order your piano arrangement today and embark on a musical journey filled with love, longing, and memories.Don't wait! Grab your copy now and start playing this unforgettable song on your piano. Whether you're a beginner or an experienced pianist, our arrangement will inspire and captivate your heart. Get ready to feel the warmth and chill of the Cruel Summer in your fingertips.Click Add to Cart and let the music begin!Cruel Summer, Taylor Swift, Pop music, Piano arrangement, Captivating melody, Summer anthem, Chart-topping hit, Synth-pop vibes, Sheet music, Keyboard rendition, Musical allure, Taylor Swift's masterpiece, Piano cover, Chords and harmonies, Intense atmosphere, Catchy piano, Contemporary pop, Taylor's storytelling, Keyboard performance, Vibrant energy, Musical arrangement, Emotional notes, Pop sensation, Taylor Swift's artistry, Keyboard interpretation, Heartfelt and dramatic, Evocative piano rendition, Infectious rhythm, Modern classic, Pop anthem, Chart-topping success, Keyboard expressiveness, Taylor's narrative, Emotional piano, Summer love, Hit single, Musical dynamism, Taylor's poetic lyrics, Keyboard magic, Captivating chorus, Danceable keys, Piano solo, Hit-making prowess, Musical intensity, Taylor's charisma, Emotional piano arrangement, Synth-pop magic, Joyful chords, Taylor's storytelling, Piano dynamics, Chart-topping magic, Pop sensation, Taylor Swift's impact, Emotional piano interpretation, Evocative vibes, Playful piano arrangement, Musical exuberance, Contemporary charm, Taylor Swift's brilliance, Piano expressiveness, Summer romance, Catchy piano, Pop success, Taylor's emotional depth, Piano rendition, Vibrant energy, Feel-good vibes, Keyboard magic, Infectious melody, Taylor's songwriting, Piano performance, Chart-topping excellence, Pop phenomenon, Taylor's influence, Playful piano magic, Emotional intensity, Feel-good piano, Taylor Swift's storytelling, Pop magic, Piano expressiveness, Catchy hooks, Synth-pop brilliance, Taylor's emotional resonance, Danceable piano, Chart-topping prowess, Keyboard virtuosity, Playful piano interpretation, Taylor Swift's chart-topping hit.