Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).� (Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenes�. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopski�, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1306639 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by AZSAP MUSiC. Film/TV,Latin,Rock. 7 pages. AZSAP MUSiC #895968. Published by AZSAP MUSiC (A0.1306639). Indulge in the romantic allure of Have You Ever Really Loved a Woman by Bryan Adams from the movie Don Juan DeMarco with our exquisite string quartet arrangement. This rendition encapsulates the heartfelt and timeless essence of the original song, making it a perfect choice for weddings, special events, and performances that celebrate love and passion.Key Features:1. **Timeless Romance:** Have You Ever Really Loved a Woman is celebrated for its emotional lyrics and evocative melody. Our string quartet arrangement pays homage to the song's timeless allure while adding a classical touch, resulting in a performance that is both enchanting and emotionally resonant.2. **Versatile Usage:** This arrangement is ideal for a range of settings, from wedding ceremonies and anniversary celebrations to intimate gatherings and concerts, creating a passionate and romantic atmosphere for your special moments.3. **Professionally Notated:** Our sheet music is professionally notated, ensuring that each member of your quartet has meticulously crafted parts that harmonize seamlessly, delivering a polished and expressive performance.4. **Room for Artistic Interpretation:** While remaining true to the original, our arrangement allows for artistic interpretation, giving your ensemble the freedom to infuse their unique style and emotions into the performance.5. **Instant Digital Download:** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation convenient and efficient.Celebrate love and passion with Have You Ever Really Loved a Woman through your string quartet. This arrangement was thoughtfully designed to bridge the gap between contemporary sentiment and classical sophistication, offering a passionate and emotionally charged musical experience. Order your copy today and embark on a musical journey that captures the depth of this beloved classic, leaving a lasting impression on your audience.

Composed by Kim Kirkman. Arranged by Kim Kirkman. 21st Century, World, Folk, Recital. Score. 3 pages. Published by Kim Kirkman

Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin (1944-). 21st Century, 20th Century, Romantic Period, Modern. Piano Reduction, Solo Part. 33 pages. Published by Cherry Classics Music

Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Romantic. Solo Part. 31 pages. Published by Cherry Classics Music

Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #1065122. Published by Artaria Editions (A0.1488235). Artaria Editions AE379 The flute writing in Wanhal's quartets is a good deal less virtuosic than the solo writing found in Hofmann's quartets. The principal reason for this lies in the greater equality of part-writing and in this respect Wanhal's quartets are more modern and technically advanced than those of Hofmann. One prime example of this can be seen in Wanhal's adoption of the modern alla breve notation in first movements in preference to the fussy eight-in-a-bar favoured by Hofmann and others. There is also a greater emphasis on the development of thematic material although not to the same extent or intensity that one encounters in the composer's symphonies. In keeping with the conventional practice of the period the flute quartets were conceived to be played with a variety of possible instruments on the top part. The London publisher Welcker, for example, issued the Op. 7 set with the title page Six Quartettes for a / Hautboy or German Flute whereas Sieber styled them Six Quartetto Concertante / Pour une Flute au Hautbois. Copies of several works from the set are preserved in manuscript as string quartets and at least one work as a clarinet quartet. There is good reason to believe that the six flute quartets under consideration were conceived as a set and probably intended for immediate publication. They first appeared under Huberty's imprint in 1771 (as Op.8) and may have been composed reasonably close to the publication date. Whether Wanhal sent the works direct to Huberty is uncertain. It is very interesting to note, however, that Sieber issued the same works in a new edition the following year - it was announced on 28 January 1772 - and this seems to have been the basis for the later (undated) Welcker edition published in London and many of the extant manuscript copies.In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets. Paul Bryan, Uwe Grodd

By Steve Kaufman. For Mandolin. Fiddle Tunes. 72 pages. Published by Mel Bay Publications - Digital Sheet Music

Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.601828 By YO YO MA and Kathryn Stott. By Sergei Rachmaninoff. Arranged by Flavio Regis Cunha. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pages. Flavio Regis Cunha #6669111. Published by Flavio Regis Cunha (A0.601828). Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) ARRANGED for VIOLIN and Piano.___________________________________________Зде�ь хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.Songs of Comfort and Hope is inspired by the series of recorded-at-home musical offerings that Ma began sharing in the first days of the COVID-19 lockdown in the United States. Over the course of the last year, Yo-Yo Ma’s #SongsofComfort grew from a self-shot video of Antonín Dvořák’s Goin’ Home into a worldwide effort that has reached more than 20 million people. Ma and Stott marked the next chapter in the project with this album, offering consolation and connection in the face of fear and isolation. The album includes 21 new recordings, which span modern arrangements of traditional folk tunes, canonical pop songs, jazz standards, and mainstays from the western classical repertoire.Official Video by Yo-Yo Ma and Kathryn Stott, performing Rachmaninoff 'Zdes' khorosho' from Songs of Comfort and Hopehttps://youtu.be/bcBcXV3lmKs 8 pages.

Piano Solo - Intermediate - Digital Download Composed by Tommy Johansson, Hjo. Classical Period, Post- Romantic. Individual Part. 2 pages. Published by Tommy Johansson, Hjo

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.922624 By Billy Joel. By Billy Joel. Arranged by David F. Coleman. Pop,Rock. Octavo. 7 pages. David Freeman Coleman #5753453. Published by David Freeman Coleman (A0.922624). Finally, an SSA arrangement of this classic song for your treble choir.

Piano Solo - Level 2 - Digital Download SKU: A0.742447 Composed by Ludwig van Beethoven. Classical,Concert,Standards,World. Score. 3 pages. Arte Nova Music Lab #3867553. Published by Arte Nova Music Lab (A0.742447). Ludwig van Beethoven (/ˈlÊŠdvɪɡ væn ˈbeɪt(h)oÊŠvÉ™n/ (listen); German: [ˈluË�tvɪç fan ˈbeË�thoË�fnÌ©] (listen); baptised 17 December 1770[1] â€“ 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.Taken from https://en.wikipedia.org/wiki/Ludwig_van_Beethoven

Small Ensemble Bass Guitar,Mandolin - Level 5 - Digital Download SKU: A0.533658 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #3035635. Published by Musik Fabrik Music Publishing (A0.533658). Jaunts (2001) for mandolin quintet (2 mandolins, mandola, guitar and bass guitar) was written for and is dedicated to the Sydney Mandolins,with much admiration.The work is about travel -- not long journeys or voyages -- but rather jaunts which thedictionary defines as short trips or excursions, usually for pleasure. The work exploresdiverse textures within a short time-span. The piece is in four general sections: It begins witha slow and unfolding opening leading to a moderate jaunt. This proceeds into a much fasterand driving section which ends very abruptly. The moderate pace begins again to themoderate pace which leads finally the opening spare textures again.The seeds of the musical material for the entire work come from the first mandolin's openinggesture.Aspects of the color and textures of the mandolin ensemble have been utilized by thecomposer in the work, inspired very much from the hearing of countless recordings of theSydney Mandolins in the performance of contemporary music.

By Steve Kaufman. For Mandolin. Fiddle Tunes. 76 pages. Published by Mel Bay Publications - Digital Sheet Music

By Steve Kaufman. For Mandolin. Celtic/Irish. 96 pages. Published by Mel Bay Publications - Digital Sheet Music

By Steve Kaufman. For Mandolin. Celtic/Irish. 100 pages. Published by Mel Bay Publications - Digital Sheet Music