B-Flat Clarinet,Instrumental Duet,Tuba - Level 3 - Digital Download SKU: A0.1349249 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933995. Published by Phil Beaman (A0.1349249). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A below staff to D middle line2 pages score, 1 page @ part,  2:05 minutes.

B-Flat Clarinet,Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.1349247 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 5 pages. Phil Beaman #933992. Published by Phil Beaman (A0.1349247). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

Flute,Instrumental Duet,Marimba - Level 2 - Digital Download SKU: A0.1350511 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935323. Published by Phil Beaman (A0.1350511). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, low A to 4th line D2 pages score, 1 page @ part,  2:05 minutes.

Double Bass,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350489 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935298. Published by Phil Beaman (A0.1350489). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

Bass Guitar,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350497 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935308. Published by Phil Beaman (A0.1350497). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

B-Flat Clarinet,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349240 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933985. Published by Phil Beaman (A0.1349240). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

Euphonium,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350505 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 5 pages. Phil Beaman #935316. Published by Phil Beaman (A0.1350505). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

Flute,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.1350499 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935311. Published by Phil Beaman (A0.1350499). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

B-Flat Clarinet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1349244 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933989. Published by Phil Beaman (A0.1349244). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

B-Flat Clarinet,Bass Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349242 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933987. Published by Phil Beaman (A0.1349242). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

Flute,Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1350487 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935296. Published by Phil Beaman (A0.1350487). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.

SSAA a cappella - Intermediate - Digital Download By Extreme. Arranged by Julie Gaulke. Score. 6 pages. Published by Julie Gaulke

Strings Bells,Choir,Horn,Medium-High Voice,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1406235 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Full Performance. Duration 198. Exultet Music #989208. Published by Exultet Music (A0.1406235). Tender setting based on John 14:15 that is scored for a variety of arrangements. Accessible and appropriate for any church setting. Can be used at many times throughout the liturgical year.

Clarinet Duet Bass Clarinet - Level 2 - Digital Download SKU: A0.1349255 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 2 scores. 4 pages. Phil Beaman #934000. Published by Phil Beaman (A0.1349255). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, low B to 4th space E 2 pages score, 1 page @ part,  2:05 minutes.

Bass Clarinet,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1350510 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935322. Published by Phil Beaman (A0.1350510). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, low B to 4th space E2 pages score, 1 page @ part,  2:05 minutes.