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Concert Band - Level 3 - Digital Download SKU: A0.1153134 Composed by Joseph Hasper. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 93 pages. Joseph Hasper #753375. Published by Joseph Hasper (A0.1153134). There are five main sections in this piece, each lasting exactly 21 measures. Why this unlikely number? I chose this number because the percussion parts, which are the driving force behind the piece, are based repeating patterns of 6, 7, and 8 eighth notes. It works out that these patterns only line up every 168 half-beats—which happens only at the end of 21 measures! The title for this piece was provided by Armstrong High School student Aaron Baker and was used as inspiration for the work. The phrase “endless routes†guided my decision to have several main themes instead of just one or two. The themes are widely different in character but share the feature that they each go to the same place—the very last half of the last beat of every twenty-first measure. The Minimalist style of music often features short musical fragments that are repeated many times in different combinations, and I used that technique to create a seemingly “endless†effect in the percussion parts. The percussion parts also use a colotomic structure, a technique often used in gamelan music of the far East. Unlike Western music, which generally has a strong accent on the first beat of a phrase, colotomic music accents the last beat of a phrase. You can hear this in Endless Routes when the percussion parts all become aligned and hit a simultaneous accent at the end of each section. This piece was commissioned and premiered by the Armstrong High School, under the direction of Jason Venesky. Mr. Venesky is a veteran teacher with over twenty years of experience in the Armstrong School District. He is a graduate of Carnegie Mellon University with a Bachelor of Fine Arts in Music Performance (Tuba) and Music Education Certification and an active performer as Principal Tuba for the Butler County Symphony Orchestra; tubaist for the Armstrong Brass Quintet and Windsor Brass Quintet; and Bass Trombonist for the Gibbons Big Band. Mr. Venesky is currently Instructor of Tuba at Grove City College and Music Director for the Kittanning Community Band. Includes a full score and complete set of parts.
Endless Routes
Orchestre d'harmonie

$40.00 34.17 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1370325 Composed by John McAllister. 21st Century,Contest,Festival,Instructional,March,Patriotic. 58 pages. John McAllister #954701. Published by John McAllister (A0.1370325). Compton Bridge Road is a musical journey inspired by the scenic drive along Compton Bridge Road in Inman, South Carolina. The undulating hills stretching endlessly beneath the warm embrace of the setting sun served as the impetus for this composition. Written for the Chapman High School Band, the march captures the essence of the picturesque landscape surrounding the school.The piece is loosely characterized as a pastoral march, reflecting the intention to infuse harmonies and melodies that resonate with the spirit of Americana. Drawing inspiration from how Aaron Copland's music mirrors the landscapes it depicts, the composition aims to create a sonic representation of the visual beauty of Inman.Not adhering strictly to traditional march conventions, the piece incorporates a lush trio section, enhancing the overall sense of grandeur and tranquility. While Compton Bridge Road may deviate from the conventional march style, it remains a valuable educational tool, providing opportunities for students to explore different musical elements and forms within the context of a march. This composition offers a refreshing perspective, allowing musicians to expand their understanding of the genre while maintaining essential march style and structure.
Compton Bridge March - for Concert Band
Orchestre d'harmonie

$45.00 38.44 € Orchestre d'harmonie PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre

$10.99 9.39 € Orchestre PDF SheetMusicPlus

Level 3 - Digital Download SKU: A0.781970 Composed by Terry Rendall and Werner Thomas. Arranged by Aaron Hettinga. Children,Contemporary,Folk,Multicultural,Standards,World. 12 pages. Aaron Hettinga #6014805. Published by Aaron Hettinga (A0.781970). This wedding reception/dance party standard is presented here in an arrangement for Brass Quintet. As this song meant to be a fun participation number, much interpretation of tempo and form will be left to the performers. It’s best to start moderately slow, then increase tempo a little more every time taking the D.S. There is no need to limit a performance to following this road map once through, be ready to repeat it for as long as your dancers are still active...and up to as fast as your players can handle! Flexibility: The 5 core brass parts will work fully freestanding on their own without drums as the accompaniment can propel itself forward without depending on the drummer alone for the rhythm. This arrangement’s package includes a sub part for Alto Sax in place of the F Horn. Find more from this arranger at https://aaronhettinga.com  
The Chicken Dance
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$14.99 12.8 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus


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