Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553726 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century. 8 pages. RayThompsonMusic #3578839. Published by RayThompsonMusic (A0.553726). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This movt. is arranged for wind quintet.I have also arrangements of another suite by Parry on this site: The English Suite

Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........

String Ensemble - Level 2 - Digital Download SKU: A0.1101781 Composed by Susan Brown. Chamber,Classical,Traditional. 48 pages. Susan Brown #705164. Published by Susan Brown (A0.1101781). 3 pieces for strings - a reflection of an unexpectedly fast changing world as witnessed since the beginning of this decade. Can be played as separate movements or flowing into each other. Passing opens with shock, disbelief and realisation that change has begun, followed by questioning why, and anger at at the loss of what was once a world understood to a feeling of being left behind. A feeling of the passing of time and lost youth gives way to self-pity and sadness. Anger follows, then resistance, then reflection on the speed of such change. Ultimately resignation. Looking back through the rose-tinted glasses of Reminiscing brings forth varied memories of times past and what hindsight deems to be 'those halcyon days'. Apprehensively Emerging into the new territory of change. Initially accepting the opportunities of it, then cautious and worried about the unknown to finally the knowledge that change will happen anyway - so just get on with it!

B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1328347 By Kris Allen. By John Lennon and Paul McCartney. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #916343. Published by M das Melodias (A0.1328347). Sheet Music for Trumpet in Bb.#LetItBe#TheBeatles#PaulMcCartney#BeatlesLetItBe#BeatlesClassic#BeatlesHope#BeatlesAcceptance#BeatlesPeace#LetItBeLyrics#LetItBeMusic#LetItBeVideo#LetItBeCovers#LetItBeMeaning#LetItBeInfluence#LetItBeLegacy.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.950771 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score. 3 pages. Christopher M. Monteiro #3399871. Published by Christopher M. Monteiro (A0.950771). Therefore, receiving a Kingdom that can’t be shaken, let’s have grace, through which we serve God acceptably, with reverence and awe, for our God is a consuming fire.This song in E Major for Piano, Voice and Guitar has been fashioned to help you internalize God’s Word. The melody ranges from B below Middle C to the 2nd C♯ above Middle C. If playing an electronic keyboard, a right-hand Piano/String With Sustain setting and a left-hand Piano/String With Fade setting are recommended. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.971795 Composed by Britt Andrew Burns. Contemporary. Individual part. 14 pages. Indie Classical Publications #41475. Published by Indie Classical Publications (A0.971795). VALOR is one of my very early compositions, yet it remains one of my favorites I have composed to this day. When writing this, I was trying to capture this sense of emotional struggle that we all face at times. The title is a metaphor for the feeling of being intimidated and overwhelmed by the difficulties we face in life, and making the choice of accepting them and trying to work through them. Often times I think people tend to shy away from their problems rather than addressing them. This work is meant to reflect those emotions when we must have some courage. Like most of my works, this is not written intentionally to indicate a specific form, but it does follow an ABA form. The performers may express some rubato throughout, as it is encouraged in this piece. Originally for Horn & Piano, this version is for the Alto Saxophone & Piano. Difficulty: grade 4 (intermediate).

Piano Solo - Level 3 - Digital Download SKU: A0.1319805 Composed by Mark Allstrom. 21st Century,Contemporary,Jazz,Praise & Worship,Religious. Score. 3 pages. MB Allstrom #908364. Published by MB Allstrom (A0.1319805). Recognizing everyone occasioanlly is afraid and confused, embattled and embittered, this piece uses a hard-drive piano score to inspire a congregation to remember faith, hope and love in accepting the challenge contemporary life throws at each of us. Why are we where we are? Why are we who we are? What can anyone do to make things better? Upbeat and powerful, this worship service interlude seeks to arouse a congregation's creative spirit. Using strong rhythmic patterns, it serves to both comfort and challenge.

String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1328343 By Kris Allen. By John Lennon and Paul McCartney. Arranged by Josiel Oliveira. Multicultural,Pop,World. 7 pages. M das Melodias #916338. Published by M das Melodias (A0.1328343). Sheet Music for String Quartet.#LetItBe#TheBeatles#PaulMcCartney#BeatlesLetItBe#BeatlesClassic#BeatlesHope#BeatlesAcceptance#BeatlesPeace#LetItBeLyrics#LetItBeMusic#LetItBeVideo#LetItBeCovers#LetItBeMeaning#LetItBeInfluence#LetItBeLegacy.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.890456 Composed by Benny Andersson, Bjorn Ulvaeus, and Tim Rice. Arranged by Kathleen McGuire. Contemporary. Octavo. 9 pages. Kathleen McGuire #5793881. Published by Kathleen McGuire (A0.890456). This widely performed arrangement by Kathleen McGuire www.mcguiremusicworks.com of the timeless classic from CHESS is a huge hit with singers and audience alike. The theme of a common humanity is highly relevant for graduations, school concerts, accepting differences and much more: My land’s only borders lie around my heart. Also available for TTBB. Instrumental parts (strings or woodwinds) available separately. Duration: 4 min.

Marching Band - Level 4 - Digital Download SKU: A0.1150293 Composed by Michael Giacchino. Arranged by Timothy C. Gasperson. Film/TV. Score and parts. 26 pages. Timothy C. Gasperson #750471. Published by Timothy C. Gasperson (A0.1150293). The full audio sample is available at the YouTube link below. The Marvel Studios Fanfare is renowned worldwide as the exhilarating opening to most Marvel Studios films since 2016. This piece would greatly complement a superhero or pop culture themed performance. The fast string-like articulations demanded in this theme are the most demanding feature, however, an acceptable remedy for younger players would be to change the triplet rhythm to an accented quarter note.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.     So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.     School is a time of great change in our lives and often we are so focused on “getting through� that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house� being our self.

Choir Sacred Opt. C-Instrument (SATB choir) - Grade 3 - Digital Download SKU: JX.00-18030 Composed by Patrick M. Liebergen. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Communion; Holy Week; Lent; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-18030. Published by Jubilate Music Group - Digital (JX.00-18030). English. Exodus 12:1-14; Mark 14:12-25; Matthew 26:17-25; Psalm 116; 1 Corinthians 11:23-36; John 13:1-30; Luke 22:7-13.Come to the Table of the Lord is a Communion anthem that may be performed throughout the year and especially during Holy Week. Suggested corresponding lectionary readings include Exodus 12: 1-14, Psalm 116, Matthew 26: 17-25, Mark 14: 12-25, Luke 22: 7-13, John 13: 1-30 and 1 Corinthians 11: 23-36. One basic homiletical theme is accepting the invitation to join with all the Christians in holy Communion at the Lord's table.

Instrumental Duet Cello,Instrumental Duet,Viola - Level 1 - Digital Download SKU: A0.812625 Composed by Christian H. Bateman. Arranged by Christopher Bell. Christian,Concert,Sacred. Score and parts. 3 pages. Silent Home Records #6516831. Published by Silent Home Records (A0.812625). Both parts are acceptable for a Level 1 Suzuki student. Key of G Major.Approximately 1:30 long.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk