Instrumental Duet B-Flat Bass Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1008608 Composed by Nathan C. Curtis. Contemporary. Score and parts. 23 pages. Nathan C. Curtis Music #6189907. Published by Nathan C. Curtis Music (A0.1008608). Simulacrum is another entry in Nathan Curtis's Pentatonic Studies Series, this time arranged for Bass instrument and Piano. Any instrument with a range of C2 - Ab4 (octave displacement is acceptable!) will qualify as a Bass instrument in this case. It has been performed in several configurations so far, including cello, bass clarinet, and double bass being used as the bass instrument. Performed at the 2018 SCI Region III Conference.

Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553725 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Holiday. 9 pages. RayThompsonMusic #3578623. Published by RayThompsonMusic (A0.553725). Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918) was an English composer, teacher and historian of music.Parry's first major works appeared in 1880. As a composer he is best known for the choral song Jerusalem, his 1902 setting for the coronation anthem I was glad, the choral and orchestral ode Blest Pair of Sirens, and the hymn tune Repton, which sets the words Dear Lord and Father of Mankind. His orchestral works include five symphonies and a set of Symphonic Variations.The following is taken from All Music....Helen, Countess of Rador was the wife of the Fifth Earl of Longford Castle, Salisbury and was a close personal friend of Hubert Parry. She was unique in many ways, but perhaps the most intriguing aspect of her personality was her insistence upon doing things not normally viewed as acceptable ways for a proper Victorian Lady to entertain herself. One of these activities was commissioning works for a seventy-two piece chamber orchestra which she then conducted in a public performance in London. The Lady Radnor Suite is one such work, and Lady Radnor and her chamber orchestra gave the first performance June 29, 1894 at St. James Hall. Parry patterned the work on the early classical orchestral suite of dance movements, and the six movements all demonstrate the influence of antiquity. Each traditional dance style is preserved with great care, while Parry's own particularly English harmonic language marks them as more contemporary.This movt. is arranged for wind quintet.I have also arrangements of another suite by Parry on this site: The English Suite

Piano Solo - Level 3 - Digital Download SKU: A0.1317556 By Elton John. By Bernie Taupin and Elton John. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). Comedy,Jazz,Pop,Ragtime,Rock. Score. 6 pages. Martyn Johnson #906222. Published by Martyn Johnson (A0.1317556). This is a fun arrangement of the Elton John classic in a sort of Stride/Ragtime piano style. For me, it works very well. Elton himself was well versed in honky tonk, pub piano styles and the chord progression is very accepting of this treatment. If some of the voicings ie 10ths are too large for your left hand simply play single bass notes or octaves instead, or feel free to roll the tenths. Please note this is a piano solo and I haven't notated any of the other instruments in my YouTube arrangement. I do, however, write my arrangements for solo piano first and they sound perfect as such. I don't include fingering, phrasing or dynamic marking as no two piano teachers will agree upon so I leave this trustingly to the individual performer. I do include chord symbols which I find more helpful in learning repertoire.Have fun playing this. I did. I'm a big Elton John fan and this is one of my favourite numbers of his and it was a pleasure to notate it.

3, 4, or 5 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB262 Composed by Hart Morris. Christmas. With SATB, Unison, Small Percussion, Marimba. Full score. 20 pages. Chorister's Guild - Digital #CGB262. Published by Chorister's Guild - Digital (C7.CGB262). UPC: 749193007600.This arrangement is a rhythmically exciting setting of the familiar tune by William B. Bradbury. It is especially appropriate for worship services and festival events. The notes marked with staccato dots should be played with mallets, but plucking certainly is acceptable if mallets are not available. Commissioned by the Texas Conference Choir Clinic for Music and the Worship Arts in celebration of their 50th Anniversary.

Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1328331 By Kris Allen. By John Lennon and Paul McCartney. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #916325. Published by M das Melodias (A0.1328331). Sheet Music for Alto Saxophone.#LetItBe#TheBeatles#PaulMcCartney#BeatlesLetItBe#BeatlesClassic#BeatlesHope#BeatlesAcceptance#BeatlesPeace#LetItBeLyrics#LetItBeMusic#LetItBeVideo#LetItBeCovers#LetItBeMeaning#LetItBeInfluence#LetItBeLegacy.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1031947 Composed by Charles Bloom. Broadway,Concert,Contemporary,Musical/Show,Pop. Score. 9 pages. Bloomusic, Inc #3873265. Published by Bloomusic, Inc (A0.1031947). TO SEE YOU HAPPY is a pop/folk power-ballad love song whose focus is not on what a person wants to get from someone but, rather, how one accepts someone else for exactly who they are, what they have to give and being satisfied with that...even if the love is unrequited. It is about the peace that comes with understanding the heart of another person whether or not they win it. It's duration is around 3:30 minutes and is perfect for cabaret acts and revues. The ever-changing vocabulary of the harmonies make this song challenging to approach but rewarding to learn for any talented musical theatre performer. Contact: charlesbloomusic.com 

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1102297 Composed by Daniel Burwasser. 20th Century,Contemporary. Score. 22 pages. Head and Stem #705702. Published by Head and Stem (A0.1102297). The three poems presented in Reflections were chosen for their varied dramatic and emotional content. The music shifts from peaceful solitude in the first song, to impending doom in the second, to dark sarcasm in the final song. REVIEWS “Little Fanfares for the Common Man and Woman� ...composer Daniel Burwasser forms quite an acceptable union with the words in his Reflections, perhaps Ms. (Ilsa) Gilbert’s most searching and insightful poem of the evening sung with taste and assurance by mezzo soprano Oreen Zeitlin... --The Music Connoisseur, Vol.2, No.1 “I Hear America Singing� (On The Occasion of American Independence Day) ... (a) series of extraordinary songs. The music is sunshine brilliant, its rays are reflected in the crystalline notes of the piano (like Debussy’s songs). -- Haik (translated from the Armenian)For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.

Full Orchestra - Level 4 - Digital Download SKU: A0.730516 Composed by James Nathaniel Holland. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 156 pages. James Nathaniel Holland #6057915. Published by James Nathaniel Holland (A0.730516). INSTRUMENT PARTS (Strings) (Part 2 of 2). Full score, (Woodwinds, Brass, Percussion and Piano) Instrument Part 1, piano vocal parts sold separately. A Lucky Star is a new musical with music in the style of the 1920s by American composer James Nathaniel Holland. Fun and inspirational about accepting where you're from and finding your dreams. Perfect for high school, university, community theater groups. Combine selected instruments with the piano vocal score if desired. Full instrumentation is: picc, fl12, ob12, cl12, bsn, hrn12, tpt, trom, pno, timp, drum set, strings.

Tenor Trombone,Trombone Solo - Level 1 - Digital Download SKU: A0.1328346 By Kris Allen. By John Lennon and Paul McCartney. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #916342. Published by M das Melodias (A0.1328346). Sheet Music for Trombone.#LetItBe#TheBeatles#PaulMcCartney#BeatlesLetItBe#BeatlesClassic#BeatlesHope#BeatlesAcceptance#BeatlesPeace#LetItBeLyrics#LetItBeMusic#LetItBeVideo#LetItBeCovers#LetItBeMeaning#LetItBeInfluence#LetItBeLegacy.

Instrumental Duet Cello,Instrumental Duet,Violin - Level 1 - Digital Download SKU: A0.812624 Composed by Christian H. Bateman. Arranged by Christopher Bell. Christian,Concert,Sacred. Score and parts. 3 pages. Silent Home Records #6516825. Published by Silent Home Records (A0.812624). Both parts are acceptable for a Level 1 suzuki student. Key of G Major.Approximately 1:30 long.

Orchestra - Digital Download SKU: S9.Q4660 Ballet Music from the Opera. Composed by Charles Francois Gounod. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q4660. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4660). German • English.Gounod's Faust opera (libretto by Michel Carré and Jules Barbier) is based on the love story of Faust and Marguérite which is but a part of Goethe's Faust drama. Consequently the title of the opera is unacceptable in Germany where it is renamed Margarethe, after the heroine.

3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB269 Composed by Anna Laura Page. Christmas. With 3 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB269. Published by Chorister's Guild - Digital (C7.CGB269). UPC: 749193007419.This arrangement is a rhythmically exciting setting of the familiar tune by William B. Bradbury. It is especially appropriate for worship services and festival events. The notes marked with staccato dots should be played with mallets, but plucking certainly is acceptable if mallets are not available. Commissioned by the Texas Conference Choir Clinic for Music and the Worship Arts in celebration of their 50th Anniversary.

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

SATB choir, piano - Moderately Easy - Digital Download SKU: MQ.8145-E Composed by Gwyneth W. Walker. 15 pages. E. C. Schirmer Music Company - Digital #8145-E. Published by E. C. Schirmer Music Company - Digital (MQ.8145-E). English. Ecclesiastes 3:1-8.The biblical text (from Ecclesiastes) speaks of accepting the range of life experiences.