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Concert Band - Digital Download

SKU: A0.1030888

Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888).

Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).

Rhythms of the Spirit
Orchestre d'harmonie

$140.00 132.94 € Orchestre d'harmonie PDF SheetMusicPlus

String Ensemble,String Trio - Level 4 - Digital Download

SKU: A0.945200

Composed by JP Wogaman II. 20th Century,Contemporary. Score and parts. 19 pages. JP Wogaman II #6209411. Published by JP Wogaman II (A0.945200).

The 21st Century is giving way to the most extraordinary technological advances from medicine to travel. Even our sports, like baseball and football, are following these new trends. For instance, hyper-speed cameras are being used for instant replay to better officiate games. New sports all together have been birthed from the all-mighty internet. I am speaking of course, of Drone Racing. A drone is a small, four-propellered flying machine. The newest racing units are reaching speeds upwards of 100mph! What started out as a YouTube video is now a multi-million-dollar industry and soon-to-be televised sport. In this piece, I am attempting to tap into the fast-paced and energetic curiosity as to where this sport could end up.

This piece premiered on March 15th, 2017 in Stamps Auditorium at the University of Michigan, Ann Arbor, and was part of the CoLab Concert Series between student composers and the studios of cello, oboe, voice, and piano.

More arrangements and originals by JP Wogaman II can be found at www.wogamusic.com

Drone Race!
Trio à Cordes: violon, alto, violoncelle

$25.00 23.74 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Brass Ensemble Trombone - Level 5 - Digital Download

SKU: A0.875871

By Take 6. By Ralph Carmichael. Arranged by Jim Fieldhouse. A Cappella,Gospel. Score and parts. 16 pages. Nefarious Music Publications #4410775. Published by Nefarious Music Publications (A0.875871).

A quiet Place was written in 1967 but it was the 1988 recording, by American a cappella group, Take 6, that has gone on to become the most well loved version. This arrangment for four trombones (or three trombones and tuba) is based on that recording.


In order to bring this beautiful setting of Ralph Carmichael's music & lyrics to life, sensitive phrasing and legato playing is paramount. A very strong upper register is required for parts 1 & 2

This quartet is scored for three tenors and bass trombone. Treble clef B flat parts and a treble clef E flat tuba transposition of part 4 are included for brass bands and alternative parts 1 and 2 in tenor clef are available.



There is a quiet place

Far from the rapid pace

Where God can soothe my troubled mind


Sheltered by tree and flower

There in my quiet hour

With Him my cares are left behind


Whether a garden small

Or on a mountain tall

New strength and courage there I find

Then from this quiet place

I go prepared to face

A new day with love for all mankind


Difficulty Rating : advanced plus

A Quiet Place
Take 6
$20.00 18.99 € PDF SheetMusicPlus

Piano,Violin - Digital Download

SKU: A0.981188

Composed by Judith Cloud (b. 1954). 20th Century,Contemporary,World. 32 pages. Judith Cloud #4621701. Published by Judith Cloud (A0.981188).

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Program notes:

Three Impressions of Northern Arizona

for flute (or violin) and piano

 The three movements of this piece were composed in the summer of 2007 for Emily McKay, flute and Rita Borden, piano. I chose places and themes that were compelling for me for a variety of reasons. The first movement, Wupatki, is based on the feeling of expanse and solitude I experience when I am visiting this ancient pueblo and the stunning vistas of the Painted Desert. The Song of Friendship, a charming and simple tune was introduced to me by Gary Gorman, a Native American student of mine in the early 1990’s. I fashioned a simple arrangement and composed some original tunes to accompany it. This movement is dedicated to my colleague, clarinetist Michael Sullivan, who was dying from a rare form of cancer during the days I was finishing this movement. The day I finished the piece, I realized that it needed to end as if it never had a chance to finish, much like Michael’s life that was so tragically cut short. Quite by chance, the music ends at bar 43-the exact number of years of Michael’s brief life. Wind, title of the third movement, was composed to give musical interpretation to this element of relentless fury we experience during several months out of the year in this region. It springs up then dies down, only to resurface with more force and resilience.


Three Impressions of Northern Arizona Violin Version
Violon et Piano

$15.00 14.24 € Violon et Piano PDF SheetMusicPlus

Piano,Vocal,Voice - Level 1 - Digital Download

SKU: A0.1078910

Composed by Traditional Christian Hymn, Lyrics by John Newton. Arranged by Piacere Music Sheets. Folk,Praise & Worship,Sacred,Standards,Traditional. Score. 6 pages. Piacere Music Sheets #683107. Published by Piacere Music Sheets (A0.1078910).

Key/Tone: C Major
Movements/Sections: Andante
Difficulty: Grade 2/12 (Easy)
Obs.:This score presents the hymn Amazing Grace in an arrangement for Alto voice with piano accompaniment. This piece is a Christian hymn about wonder and gratefulness.
The melody is pentatonic, and the lyrics were written in 1772 by John Newton, a former slave trader who had converted to Christianity. The hymn is about divine grace; it is based on 1 Chronicles 17:16-17, a prayer of King David in which he marvels at God's choosing him and his house. It's believed that Newton wrote this hymn for his 1773 New Year's Day sermon; he then entitled the piece Faith's Review and Expectations. This hymn conveys a powerful message and bears strong references to human rights and freedom.
Included: Full score and separated parts for each instrument.

Hymn - Amazing Grace (How Sweet The Sound) for Alto & Piano - Easy
Piano, Voix

$5.95 5.65 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 1 - Digital Download

SKU: A0.1078894

Composed by Lyrics by John Newton and Traditional Christian Hymn. Arranged by Piacere Music Sheets. Folk,Instructional,Praise & Worship,Sacred,Traditional. Score. 6 pages. Piacere Music Sheets #683092. Published by Piacere Music Sheets (A0.1078894).

Key/Tone: G Major
Movements/Sections: Andante
Difficulty: Grade 2/12 (Easy)
Obs.:This score presents the hymn Amazing Grace in an arrangement for Soprano with piano accompaniment. This piece is a Christian hymn about wonder and gratefulness.
The melody is pentatonic, and the lyrics were written in 1772 by John Newton, a former slave trader who had converted to Christianity. The hymn is about divine grace; it is based on 1 Chronicles 17:16-17, a prayer of King David in which he marvels at God's choosing him and his house. It's believed that Newton wrote this hymn for his 1773 New Year's Day sermon; he then entitled the piece Faith's Review and Expectations. This hymn conveys a powerful message and bears strong references to human rights and freedom.
Included: Full score and separated parts for each instrument.

Hymn - Amazing Grace (How Sweet The Sound) for Soprano & Piano - Easy
Piano, Voix

$5.95 5.65 € Piano, Voix PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download

SKU: A0.891956

Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).

   CLARINET CONCERT CONCERTINO FOR WIND BAND

I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you!

It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bands
in London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions.

The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s.

When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time!

But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames!

The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now.

About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere.

As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members.

Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc.

Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores.

After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless.

It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar!

I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams.

Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it!

Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!!

This would be an ideal addition to the band repertoire for Clarinet!

"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Orchestre d'harmonie

$49.99 47.47 € Orchestre d'harmonie PDF SheetMusicPlus


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