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Level 5 - Digital Download

SKU: A0.1212022

By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 11 pages. Blue Steer Studios #807630. Published by Blue Steer Studios (A0.1212022).

Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement.  You can listen to the original song that this arrangment is from at www.BlueSteerStudios.com

Melodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!

Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. 
Note range for E minor version is D1 through B6 and has a D# lever change.    
Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.

Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.   Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.

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About the Composer 
Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!

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Discography 
Mossflower Country (2010) 
Border Guardians of Ackernon (2011) 
Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team 
Moon Trees and Sun Seas (2015) 
A Grimm-ly Lit Forest (2018). 
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Social
Spotify: LauraOlsonMusic 
Apple Music: https://music.lnk.to/0GVvSr 
Facebook https://www.facebook.com/BlueSteerStudios/ 
Twitter https://twitter.com/BlueSteerStudio 
Soundcloud https://soundcloud.com/laura-olson 
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Flight of the Star Owls Arrangement for Advanced Harp Ensemble (E min) - Score Only 4 Harpes
Laura Olson
$3.99 3.83 € 4 Harpes PDF SheetMusicPlus

Brass Quintet Horn,Trumpet - Level 4 - Digital Download

SKU: A0.1249440

Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 30 pages. Regis Bookshar #842463. Published by Regis Bookshar (A0.1249440).

Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Brass Quintet (3 Trps, 2 Hrns) - Advanced/Intermediate - Digital Download.

Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. it was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.
Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, this final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has place the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.
This arrangement is for a Brass Quintet, consisting of 3 Bb Trumpets and 2 French Horns. Included are a score and a complete set of parts (30 pages).
I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.

Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 2 Hrn)

$30.00 28.81 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download

SKU: A0.989242

Composed by Mary Ann Joyce. Christian,Concert,Jewish,Sacred,World. Octavo. 9 pages. Mary Ann Joyce-Walter #6244605. Published by Mary Ann Joyce-Walter (A0.989242).

Mary Ann Joyce-Walters writes: The first two sections of In Anguish and Hope are based on verses from two terrifying Psalms; the third section is a setting of a passage from Micah. I chose to use these texts after listening to a friend of mine speak about the death of her son.

I became keenly aware of her personal and genuine feelings of rage against God, which were so similar to David’s Why do You hide Your face and forget our persecution and our oppression? Christ’s My God, My God, why have you forsaken me? and Elie Wiesel’s Never shall I forget those flames which consumed my faith forever. I realized that a far more difficult question (and perhaps more deeply personal) than that of asking God to forgive us is Can we forgive God?

After asking that intimate and bold question, the words of Micah recall that peace, based on justice, will come one day: you shall be at peace and unafraid.…nations shall not lift up sword against nation….you shall bear fruit in justice and peace.

A Psalm of Suffering and of Hope (By the Waters of Babylon)
Chorale SATB

$4.50 4.32 € Chorale SATB PDF SheetMusicPlus

Guitar Ensemble - Level 5 - Digital Download

SKU: A0.1453659

By Joseph Davila. By Joseph Davila. Christmas,Classical,Contemporary,Holiday,Multicultural,World. Score and Parts. 17 pages. JaGlo Music #1032873. Published by JaGlo Music (A0.1453659).

This is a guitar quartet Christmas piece that I wrote earlier this year. It is for advanced players and is perfect for Holiday Concerts, Christmas parties or recitals. The theme is based on the legend of the Pukwudgie and is the soundtrack to the story below. © Copyright 2024 JaGlo Music.
In the quaint village of Hollybrook, Christmas was a time of joy and togetherness. But this year, a malicious pukwudgie named Bramble planned to spread fear and chaos. On Christmas Eve, as villagers gathered around the grand tree for the annual lighting ceremony, Bramble struck. He made the lights flicker and go out and twisted the ornaments into grotesque shapes. He snuck into homes, swapping sugar for ashes and hiding stockings in unreachable places, casting a dark spell over the village. By morning, Hollybrook was in disarray. Children found their stockings missing, cookies ruined, and the tree ominous in the square. Fear gripped the town. Amidst the chaos, a brave girl named Lucy refused to let fear win. She gathered her friends and ventured into the forest, following eerie footprints. They found Bramble muttering dark incantations under a gnarled tree. Caught in a trap made from holly and mistletoe, Bramble hissed his intentions to spread fear. Lucy, with steely resolve, offered him a chance at redemption. Reluctantly, Bramble agreed. They returned to the village, and with Bramble’s help, dispelled the dark enchantments. The ornaments returned to their beautiful forms, sugar replaced the ashes, and the stockings were found. That night, the tree lit up, and Bramble felt warmth in his heart for the first time. The villagers, initially wary, accepted him as he helped create beautiful ice sculptures, adding magic to the festivities. From that year on, Bramble became part of Hollybrook. His dark nature slowly transformed under the light of friendship and acceptance. Every Christmas, his magic brought extra sparkle to the celebrations, reminding everyone that even the darkest hearts could find redemption through kindness and love.

A Pukwudgie Christmas: A Tale of Mischief, Mayhem and Redemption
Joseph Davila
$12.00 11.53 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.818299

By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 32 pages. Stephen R Dalrymple #5044389. Published by Stephen R Dalrymple (A0.818299).

So You Graced Us ♫ original song by Stephen R Dalrymple ♫ (Worship Team Edition) ♫ CCLI Song # 7144137 ♫ music © 2012 (© registered in 'Sacred Songs 2009-2012’ collection) ♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ based on Ephesians 4:32 ♫ Ephesians 4:32 gives us a valuable lesson in the meaning of grace. In English we use grace as a noun, but seldom as a verb. The term translated ‘forgive’ in this verse is not the common Greek term found in the New Testament for forgiveness. It is the verb form of grace. We are commanded to apply the same grace for others that God shows to us. We can only value grace when we truly understand the plight we are in. ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the lead sheet for worship team use, 2) vocal line with piano accompaniment, 3) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).

So You Graced Us
Piano, Voix
Stephen R Dalrymple
$4.50 4.32 € Piano, Voix PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download

SKU: A0.1504151

Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1079607. Published by Kevin G. Pace (A0.1504151).

A beautiful, sacred hymn based on Helaman 5:12 from the Book of Mormon, Another Testament of Jesus Christ.  Music by Kevin G. Pace.  Text by Kathryn W. Hales.

Text:
Upon the Rock of our Redeemer, We will build a foundation sure,
Jesus Christ, the Lord our Savior, He can make us clean and pure.
He is the source of covenant blessings, He is the fount of peace, love and joy,
We'll share His words with joy and cheerfulness, And with truth our tongues employ.

When winds of wrong assail us, When the whirlwinds begin to swirl,
When the hail storm beats down with fury, We the flag of truth unfurl.
We'll plant our standard on the gospel Rock, The steady Rock of our Redeemer sure,
We will stand fast and never be unafraid, We will cleave to truth evermore.

The gulfs of mis'ry, woe, and evil Have no power to pull us down,
If we build on the words of Jesus, He's the Rock of solid ground.
He is the Rock of our Salvation, He is the source of everlasting love,
He's gone ahead to heav'n To prepare the way, To build mansions grand up above.

The Rock of Our Redeemer, a sacred hymn
Chorale SATB

$2.99 2.87 € Chorale SATB PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Digital Download

SKU: A0.1501193

Composed by Rafael Hernandez. Arranged by Neil Crossland. Classical,Contemporary,Latin. Score. 17 pages. Neil Crossland #1077151. Published by Neil Crossland (A0.1501193).


Rafael Hernández, born in Puerto Rico in 1892, is one of the most influential Latin American composers of the 20th century. His work spans multiple genres, but he is particularly renowned for his contributions to Puerto Rican music, where his compositions have become staples. Among his most famous works is El Cumbanchero, a lively, infectious piece that exemplifies the rhythmic vitality and melodic richness of Latin music. Written in 1943, El Cumbanchero quickly became a hit, celebrated for its exuberant syncopation and catchy melodies that evoke the spirit of the Caribbean.

El Cumbanchero has been widely covered and arranged by various artists, but one of the most unique interpretations came from the flamboyant American pianist, Liberace. Known for his elaborate showmanship, Liberace’s version of El Cumbanchero brings a dazzling, virtuosic flair to the piece, combining his classical technique with a flair for dramatic embellishment. His rendition adds layers of complexity and a certain theatricality that aligns perfectly with his style, transforming the original piece into a showcase for his talents.

Inspired by Liberace's arrangement, Neil Crossland created a four-hand version of El Cumbanchero based on this interpretation. This arrangement allows two pianists to bring even more depth and dynamism to the piece, capturing both the original's infectious energy and Liberace's intricate, virtuosic style. By blending Hernández's vibrant composition with Liberace's unique interpretation, Crossland's four-hand version offers a fresh and exciting way to experience this Latin American classic.

Rafael Hernandez Marin El Cumbanchero arranged from Liberace's own interpretation by Neil Crossland
1 Piano, 4 mains
blending Hernández's vibrant composition with Liberace's unique interpretation, Crossland's four-hand version offers a fresh and exciting way to experience this Latin American classic


$9.99 9.59 € 1 Piano, 4 mains PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download

SKU: A0.792338

Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338).

As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.

A Child’s Garden of Jazz for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$27.50 26.41 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.1112901

By Liberace. By Camille Saint-Saens. Arranged by Timothy Stapay. Broadway,Classical,Film/TV,Halloween,Musical/Show,Pop. Score. 12 pages. Timothy Stapay #714856. Published by Timothy Stapay (A0.1112901).

Dance Of The Skeletons as performed by piano artist Liberace; from his classic fifties t.v. show.The song is based upon Dance Macabre op. 40 by Camille Saint-Saens. Want to learn to play like Liberace? Now you can learn to play this fun and exciting Halloween song; in the same fantastic style as the legendary showman, Liberace

According to the ancient superstition, Death appears at midnight every year on Halloween. Death has the power to call forth the dead from their graves to dance for him while he plays his fiddle . The skeletons dance for him until the first break of dawn, when they must return to their graves until the next year!

Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!

Dance Of The Skeletons
Piano seul
Liberace
$8.99 8.63 € Piano seul PDF SheetMusicPlus


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