Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.768516 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christian,Christmas,Romantic Period. Octavo. 144 pages. KVAMusic Edition #6078593. Published by KVAMusic Edition (A0.768516). Charles-Camille Saint-Saëns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist. He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de Noël (Christmas Oratorio) at the end of the 1850s and completed it in 1860. The first performanse was at the church La Madeleine in Paris December 1869. The work is dedicated to A Madame la Vicomtesse de Grandval. The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de Noël is drawn from the Old and New Testaments: (1. Instrumental).    2. Luke 2,8-14.   3. Psalm 39,1.   4. John 11.27.   5. Psalm 117, 26-28.   6. Psalm 2,1 and Gloria Patri.   7. Psalm 109,3 and Graduale.   8. Isaiah 49,13.   9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1.   10. Psalm 95,8-9, 11,13.

Concert Band - Level 3 - Digital Download SKU: A0.1501664 Composed by Percy Granger. Arranged by Brian S. Wilson. 20th Century,Classical. 37 pages. G. Meredith Publications #1077544. Published by G. Meredith Publications (A0.1501664). SET OF PARTS.  Score sold separately. This orchestration is the end product of my book entitled Orchestrational Archetypes in Percy Grainger's Wind Band Music. In an attempt to understand the enigmatic style of Grainger's wind band music, I made a detailed analysis of his recurring orchestrational practices with regard to melody, countermelody, part writing and contrapuntal dynamics. The conclusion is that the Grainger sound is a function of recurring orchestrational techniques, rather than other compositional elements such as melody or harmony. This information was then used to dish up selected Grainger voice and piano pieces in his own idiosyncratic style.  I also arranged “British Waterside” and “The Cutting of The Hay” (G. Schrimer).  Lord Maxwell’s Goodnight is a reflective, moving piece based on a ballad about Lord Maxwell, who has killed a rival in a long-standing bloody family feud and is leaving for Scotland to avoid prosecution. He bids good-bye to his wife, his lands and his country.  Lord Maxwell’s Goodnight appears as Grainger’s British Folk Music Setting No. 42 for high tenor voice or unison male chorus and 4 strings (violin, viola, 2 cellos) in 1904.  The original is in the key of F major but has been shifted to Db major in this orchestration.  The lyrics of the first verse are: Adieu, madame, my mother dear,But and my sisters three O!Adieu, fair Robert of Orchardstane,My heart is woe for thee, O!Adieu, the lily and the rose,The primrose fair to see, O!Adieu, my ladye, and only joy,For I may not stay with thee, O!.

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.812042 Composed by Wolfgang Amadeus Mozart. Arranged by (Editor) Lee G. Barrow. Classical,Opera,Standards. 6 pages. Bargraphica #4821511. Published by Bargraphica (A0.812042). From The Impresario (Die Schauspieldirektor). Madame Herz's arietta in a lower key (D#4-B5) with piano reduction. Original German text and new English translation.

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.768518 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christmas,Romantic Period. Octavo. 80 pages. KVAMusic Edition #6078597. Published by KVAMusic Edition (A0.768518). Charles-Camille Saint-Saëns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist. He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de Noël (Christmas Oratorio) at the end of the 1850s and completed it in 1860. The first performanse was at the church La Madeleine in Paris December 1869. The work is dedicated to A Madame la Vicomtesse de Grandval. The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de Noël is drawn from the Old and New Testaments: (1. Instrumental).    2. Luke 2,8-14.   3. Psalm 39,1.   4. John 11.27.   5. Psalm 117, 26-28.   6. Psalm 2,1 and Gloria Patri.   7. Psalm 109,3 and Graduale.   8. Isaiah 49,13.   9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1.   10. Psalm 95,8-9, 11,13.

Euphonium,Piano - Level 5 - Digital Download SKU: A0.811049 Composed by Chausson, Ernest. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 40 pages. Gordon Cherry #4820011. Published by Gordon Cherry (A0.811049). The Quelques Danses (Some Dances) Opus 26, arranged by Ralph Sauer for Euphonium and Piano were originally composed for Piano during the summer of 1896. The four movements are:DeÌ�dicace Sarabande Pavane Forlane Opus 26 is dedicated to Madame Robert de Bonnieres. Many of Chausson's trademarks are present in this work: lyricism, sensuousness, stateliness and beautiful part-writing combined with constant harmonic progression. This work of 15 minutes in length is appropriate for advanced performers.

Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1074747 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Edmarcelino. Broadway,Film/TV,Musical/Show,Pop,Rock,Wedding. Individual part. 1 pages. SMLStar #678998. Published by SMLStar (A0.1074747). Soprano Saxophone Sheet Music - Beauty and the Beast. Beauty and the Beast is a song by Canadian singer Celine Dion and American singer Peabo Bryson. It was written by Howard Ashman and composer Alan Menken for the Walt Disney Pictures animated film Beauty and the Beast (1991), serving as its theme song. Originally recorded by actress Angela Lansbury in her film role as Madame Samovar, the single, produced by Walter Afanasieff, was featured as the last track on the film's soundtrack album, from which it was released on November 16, 2019. 1991. Additionally, Dion included the song on her eponymous 17th studio album. The pop ballad, Beauty and the Beast, describes the relationship between the film's main characters.

Piano or keyboard - Early Advanced - Digital Download SKU: 2S.4251133761962 Pour piano. Composed by Pauline Viardot. Classical. Score. 8 pages. Soundnotation #4251133761962. Published by Soundnotation (2S.4251133761962). This edition contains the piano sheet music for the classical piece 'Gavotte, A Madame Harouel Garcia (Allegretto)' by Pauline Viardot.

Euphonium solo with band SKU: TE.TEP10721 Composed by Giacomo Puccini. Arranged by Joseph Spaniola. Score. Published by Tuba-Euphonium Press (TE.TEP10721). From Madame Butterfly.

Easy Piano - Level 1 - Digital Download SKU: A0.1074066 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Edmarcelino. Blues,Broadway,Film/TV,Hip-Hop,Musical/Show,Pop,R & B. Score. 1 pages. SMLStar #677815. Published by SMLStar (A0.1074066). Beauty and the Beast is a song by Canadian singer Celine Dion and American singer Peabo Bryson. It was written by Howard Ashman and composer Alan Menken for the Walt Disney Pictures animated film Beauty and the Beast (1991), serving as its theme song. Originally recorded by actress Angela Lansbury in her film role as Madame Samovar, the single, produced by Walter Afanasieff, was featured as the last track on the film's soundtrack album, from which it was released on November 16, 2019. 1991. Additionally, Dion included the song on her eponymous 17th studio album. The pop ballad, Beauty and the Beast, describes the relationship between the film's main characters.

Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370914 Composed by David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 189. David Warin Solomons #955258. Published by David Warin Solomons (A0.1370914). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in French), clarinet, bassoon and piano(A version with English narrator is also available on this site)La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,�lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.�La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?�Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.�“Vous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.�English translation by S N SolomonsThe Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.�The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?�She asked this impecunious sort.� To all who came, both day and nightI used to sing at every chance.�“You used to sing? That’s fine and right!Well now’s the very time – to dance!�©S.N.Solomons.

Piano,Tuba - Level 2 - Digital Download SKU: A0.933819 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and part. 22 pages. William Pagan-Perez #3024447. Published by William Pagan-Perez (A0.933819). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serení About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children.     Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class.  --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas líneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodías expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez.  Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases. Note: The MP3 Sound if from the Trombone arrangement...

Viola Solo - Digital Download SKU: A0.902206 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music School String Publications #5355047. Published by Global Music School String Publications (A0.902206). Viola Online String Sampler Viola Sheet Music is a fun and easy way to actively learn, study and play beautiful viola music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolaOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violaonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes viola technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-Ty�gar�ja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.