Trombone Solo - Level 1 - Digital Download SKU: A0.1074723 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Edmarcelino. Blues,Broadway,Film/TV,Musical/Show,Pop,Wedding. Individual part. 1 pages. SMLStar #678974. Published by SMLStar (A0.1074723). Flute Sheet Music Beauty and the Beast. Beauty and the Beast is a song by Canadian singer Celine Dion and American singer Peabo Bryson. It was written by Howard Ashman and composer Alan Menken for the Walt Disney Pictures animated film Beauty and the Beast (1991), serving as its theme song. Originally recorded by actress Angela Lansbury in her film role as Madame Samovar, the single, produced by Walter Afanasieff, was featured as the last track on the film's soundtrack album, from which it was released on November 16, 2019. 1991. Additionally, Dion included the song on her eponymous 17th studio album. The pop ballad, Beauty and the Beast, describes the relationship between the film's main characters.

Piano and voice - Digital Download SKU: LV.1431 Composed by Wolfgang Amadeus Mozart. Arranged by G.G. Ferrari. Love, Courtship. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1431). O Dolce Concento. Composed by W.A. Mozart, the Variations by Madame Catalani. Arranged for the Harp or Piano Forte by G.G. Ferrari. Published [n.d.] by G.E. Blake, no. 13 South 5th Street in Philadelphia. Composition of through-composed with piano and voice instrumentation. Subject headings for this piece include Love, Courtship. First line reads O dolce concento o dolce piacer.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.768518 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christmas,Romantic Period. Octavo. 80 pages. KVAMusic Edition #6078597. Published by KVAMusic Edition (A0.768518). Charles-Camille Saint-Saëns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist. He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de Noël (Christmas Oratorio) at the end of the 1850s and completed it in 1860. The first performanse was at the church La Madeleine in Paris December 1869. The work is dedicated to A Madame la Vicomtesse de Grandval. The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de Noël is drawn from the Old and New Testaments: (1. Instrumental).    2. Luke 2,8-14.   3. Psalm 39,1.   4. John 11.27.   5. Psalm 117, 26-28.   6. Psalm 2,1 and Gloria Patri.   7. Psalm 109,3 and Graduale.   8. Isaiah 49,13.   9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1.   10. Psalm 95,8-9, 11,13.

Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370915 Composed by David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 189. David Warin Solomons #955259. Published by David Warin Solomons (A0.1370915). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in English), clarinet, bassoon and piano(A version with French narrator is also available on this site.)The Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.�The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?�She asked this impecunious sort.� To all who came, both day and nightI used to sing at every chance.�“You used to sing? That’s fine and right!Well now’s the very time – to dance!�©S.N.SolomonsOriginal French version:La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,�lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.�La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?�Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.�“Vous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.�

C Instrument - Level 3 - Digital Download SKU: A0.1355081 Composed by Giacomo Puccini. Arranged by Steve Katz. 20th Century,Classical,Opera,Romantic Period,Soul. Lead Sheet / Fake Book. 3 pages. Steve Katz #939796. Published by Steve Katz (A0.1355081). Gorgeous aria from Puccini's Madame Butterfly, arranged for intermrediate piano with chords.

2 · 2 · 2 · 2 – 2 · 2 · 0 · 0 – P. – Str. Violin and Orchestra - intermediate to advanced - Digital Download SKU: S9.Q1825 Adelaide. Composed by Wolfgang Amadeus Mozart. This edition: score. Downloadable, Score. Schott Music - Digital #Q1825. Published by Schott Music - Digital (S9.Q1825). Key: D major.Dieses, sein erstes Violinkonzert schrieb Mozart, wie aus der Widmung ersichtlich ist, im Frühjahr 1766 während eines mehrwöchigen Aufenthaltes am französischen Hof, als er auf der Rückreise von England mit Vater und Schwester zum zweiten Male nach Paris kam. Das Werk verdankt seine Entstehung wohl dem Umstand, dass man öfters die erstaunlichen Fähigkeiten des jungen Künstlers in Zweifel zog und ihm deshalb eine Aufgabe stellte, die er unter den Augen des Auftraggebers lösen musste. So hat Mozart dieses Violinkonzert für Madame Adelaide von Frankreich, die älteste Tochter Ludwigs XV., komponiert.

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1274549 Composed by Gabriel Faure. Arranged by Thomas PECHOT. 19th Century. 35 pages. Thomas PECHOT #866691. Published by Thomas PECHOT (A0.1274549). Saxophone Ensemble 5-parts (+opt. Piano, String Bass & Percussion).(additional parts: Bb Soprano sax. & Bb Bass sax.)A work composed by Gabriel Fauré and dedicated to the Countess Elisabeth Greffulhe, the Pavane is a musical portrait of the Countess and reflects “the beauty, elegance and aerial approach, which Fauré called Madame ma Fée� (wikipedia).More saxophone ensemble PDF sheet music go to https://thomaspechot.com

String Orchestra - Level 4 - Digital Download SKU: A0.1380133 Composed by Georg Goltermann. Arranged by Paul Wood. Romantic Period. Score and parts. 30 pages. MyMusicScores.com #964846. Published by MyMusicScores.com (A0.1380133). Goltermann's Adagio, Op. 83 for cello and orchestra is a poignant and expressive work that exemplifies the Romantic sensibilities of the 19th century. Composed in 1877, this single-movement piece showcases Goltermann's prowess in crafting emotive melodies and exploring the rich tonal palette of the cello within the context of orchestral accompaniment.The Adagio is dedicated to à Madame Henriette Fritsch-Estrangin à MarseilleHere is an arrangement for cello and string orchestra.The PDF file contains the score and all parts.

Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1074747 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Edmarcelino. Broadway,Film/TV,Musical/Show,Pop,Rock,Wedding. Individual part. 1 pages. SMLStar #678998. Published by SMLStar (A0.1074747). Soprano Saxophone Sheet Music - Beauty and the Beast. Beauty and the Beast is a song by Canadian singer Celine Dion and American singer Peabo Bryson. It was written by Howard Ashman and composer Alan Menken for the Walt Disney Pictures animated film Beauty and the Beast (1991), serving as its theme song. Originally recorded by actress Angela Lansbury in her film role as Madame Samovar, the single, produced by Walter Afanasieff, was featured as the last track on the film's soundtrack album, from which it was released on November 16, 2019. 1991. Additionally, Dion included the song on her eponymous 17th studio album. The pop ballad, Beauty and the Beast, describes the relationship between the film's main characters.

Instrumental Duet Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.933816 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and parts. 22 pages. William Pagan-Perez #3023279. Published by William Pagan-Perez (A0.933816). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serení About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children.     Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class.  --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas líneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodías expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez.  Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases. 

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534706 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #6357725. Published by Musik Fabrik Music Publishing (A0.534706). The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitum�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia. The Sonata no. 3 in C major is in two movements: Adagio and Allegro Both of these movements utilse many passages with syncopation (No. 3: I), and motives and figuration for alternatinghands (No. 3: II).